Open: Tue-Sat 10am-6pm

23 Savile Row, W1S 2ET, London, United Kingdom
Open: Tue-Sat 10am-6pm


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Amy Sherald. The World We Make

Hauser & Wirth, London

Wed 12 Oct 2022 to Fri 23 Dec 2022

23 Savile Row, W1S 2ET Amy Sherald. The World We Make

Tue-Sat 10am-6pm

Artist: Amy Sherald

Extended hours during Frieze Week:
Wed 12 Oct: 10 am – 7 pm
Thu 13 Oct: 10 am – 8 pm
Fri 14 Oct: 10 am – 7 pm
Sat 15 Oct: 10 am – 7 pm
Sun 16 Oct: 11 am – 6 pm

Amy Sherald, one of the defining contemporary portraitists in the United States, unveils a suite of new paintings in a major exhibition at Hauser & Wirth London, marking the artist’s first solo show in Europe.


Artworks

Amy Sherald, For love, and for country, 2022

Oil on linen


2362 × 3124 mm

© Amy Sherald. Courtesy the artist and Hauser & Wirth. Photo: Joseph Hyde

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Amy Sherald, To tell her story you must walk in her shoes, 2022

Oil on linen

1092 × 1372 mm

© Amy Sherald. Courtesy the artist and Hauser & Wirth. Photo: Joseph Hyde

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Amy Sherald, Kingdom, 2022

Oil on linen

2337 × 2972 mm

© Amy Sherald. Courtesy the artist and Hauser & Wirth. Photo: Joseph Hyde

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Installation Views

Installation image for Amy Sherald. The World We Make, at Hauser & Wirth Installation image for Amy Sherald. The World We Make, at Hauser & Wirth Installation image for Amy Sherald. The World We Make, at Hauser & Wirth Installation image for Amy Sherald. The World We Make, at Hauser & Wirth Installation image for Amy Sherald. The World We Make, at Hauser & Wirth Installation image for Amy Sherald. The World We Make, at Hauser & Wirth Installation image for Amy Sherald. The World We Make, at Hauser & Wirth

Featuring a series of small-scale and monumental portraits across both the gallery’s London spaces, this presentation is the artist’s largest to date with the gallery. Sherald is acclaimed for her paintings of Black Americans at leisure that have become landmarks in the grand tradition of social portraiture – a tradition that for too long excluded the Black men, women, families, and artists whose lives have been inextricable from public and politicised narratives.

In this new body of work, Sherald humanises the Black experience by depicting her subjects in both historically recognisable and everyday settings, at once immortalising them and reinserting them into the art historical canon. Sherald foregrounds the idea that Black life and identity are not solely tethered to grappling publicly with social issues and that resistance also lies in an expressive vision of self-sovereignty in the world. By subverting existing narratives, Sherald hopes to offer the viewer a reflection of themselves and the complexities of their interior lives, void of the constructs of race, gender, religion, and preconceived notions.

The first widely available monograph on Amy Sherald will accompany this exhibition, published by Hauser & Wirth Publishers. Newly commissioned texts include an art historical analysis of Sherald’s work by Jenni Sorkin, a meditation on the poetics of the Black ordinary by cultural scholar Kevin Quashie, and a conversation between Sherald and author Ta-Nehisi Coates.

Amy Sherald has recently donated $1 million to the University of Louisville to fund the Brandeis Law School’s Breonna Taylor Legacy Fellowship and the Breonna Taylor Legacy Scholarship for undergraduates, a gift made possible by the sale of Sherald’s portrait of Breonna Taylor made in 2020 to the Ford Foundation and the Hearthland Foundation.

‘Amy Sherald. The World We Make’, Installation view, Hauser & Wirth London, 12 October – 23 December 2022 © Amy Sherald, Courtesy the artist and Hauser & Wirth, Photo: Alex Delfanne

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