Open: Mon-Fri 10am-6pm

82 Park Street, W1K 6NH, London, United Kingdom
Open: Mon-Fri 10am-6pm


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Alexander Lindsay: The Light I Saw

Stephen Ongpin Fine Art, London

Fri 3 Feb 2023 to Sun 26 Feb 2023

Artist: Alexander Lindsay


Artworks

The Abandoned Edge II, St Kilda

Alexander Lindsay

The Abandoned Edge II, St Kilda,

1000 × 1000 mm

100 x 100 cm (39 3/8 x 39 3/8 inches)

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The Abandoned Edge III, St Kilda

Alexander Lindsay

The Abandoned Edge III, St Kilda,

1000 × 1000 mm

100 x 100 cm (39 3/8 x 39 3/8 inches)

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Stac Lee I, St Kilda

Alexander Lindsay

Stac Lee I, St Kilda,

1000 × 1000 mm

100 x 100 cm (39 3/8 x 39 3/8 inches)

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The Fishing Boat, East Harris

Alexander Lindsay

The Fishing Boat, East Harris,

700 × 700 mm

70 x 70 cm (27 1/2 x 27 1/2 inches)

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Glen Lyon Cascade II

Alexander Lindsay

Glen Lyon Cascade II,

2000 × 890 mm

89 x 200 cm (35 x 78 3/4 inches)

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East Neuk Haar

Alexander Lindsay

East Neuk Haar,

2000 × 890 mm

89 x 200 cm (35 x 78 3/4 inches)

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Findhorn Ambers

Alexander Lindsay

Findhorn Ambers,

700 × 700 mm

70 x 70 cm (27 1/2 x 27 1/2 inches)

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Glen Affric Sunburst

Alexander Lindsay

Glen Affric Sunburst,

2000 × 1000 mm

100 x 200 cm (39 3/8 x 78 3/4 inches)

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Oil Castles Of The Forth

Alexander Lindsay

Oil Castles Of The Forth,

2000 × 570 mm

57 x 200 cm (22 1/2 x 78 3/4 inches)

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Loch Assynt Island Sanctuary

Alexander Lindsay

Loch Assynt Island Sanctuary,

2000 × 670 mm

67 x 200 cm (26 3/8 x 78 3/4 inches)

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The Light I Saw - Assynt

Alexander Lindsay

The Light I Saw - Assynt,

2000 × 670 mm

67 x 200 cm (26 3/8 x 78 3/4 inches)

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Sentinel Over Knoydart II

Alexander Lindsay

Sentinel Over Knoydart II,

2000 × 890 mm

89 x 200 cm (35 x 78 3/4 inches)

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Suilven Dawn From Creag Dharaich

Alexander Lindsay

Suilven Dawn From Creag Dharaich,

3000 × 610 mm

61 x 300 cm (24 x 118 1/8 inches)

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Small Isles Views From Beinn Sgrithealle

Alexander Lindsay

Small Isles Views From Beinn Sgrithealle,

2000 × 670 mm

67 x 200 cm (26 3/8 x 78 3/4 inches)

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Black Cuillins View, Skye

Alexander Lindsay

Black Cuillins View, Skye,

2000 × 670 mm

67 x 200 cm (26 3/8 x 78 3/4 inches)

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Loch Hourn Flight

Alexander Lindsay

Loch Hourn Flight,

3000 × 800 mm

80 x 300 cm (31 1/2 x 118 1/8 inches)

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The Abandoned Edge IV, St Kilda

Alexander Lindsay

The Abandoned Edge IV, St Kilda,

1000 × 1000 mm

100 x 100 cm (39 3/8 x 39 3/8 inches)

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The Abandoned Edge I, St Kilda

Alexander Lindsay

The Abandoned Edge I, St Kilda,

1000 × 1000 mm

100 x 100 cm (39 3/8 x 39 3/8 inches)

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The Gannet’s Flight, St Kilda

Alexander Lindsay

The Gannet’s Flight, St Kilda,

3000 × 880 mm

88 x 300 cm (34 5/8 x 118 1/8 inches)

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The Approaching Squall, St Kilda

Alexander Lindsay

The Approaching Squall, St Kilda,

1300 × 600 mm

60 x 130 cm (23 5/8 x 51 1/8 inches)

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The Wave, St Kilda

Alexander Lindsay

The Wave, St Kilda,

700 × 700 mm

70 x 70 cm (27 1/2 x 27 1/2 inches)

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Dun - Storm Approaching

Alexander Lindsay

Dun - Storm Approaching,

1300 × 820 mm

82 x 130 cm (32 1/4 x 51 1/8 inches)

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Alexander Lindsay creates monumental landscape photographs of extraordinary detail, clarity and beauty. He has developed his own techniques to capture and print, from his studio in Fife, wilderness regions of the world at and beyond the edges of human influence. His photographic process is as ‘pure’ as he can make it, reflecting the unsentimental, raw essence of the environments he lives and works in.

For the past 35 years, Alexander has brought his film and stills cameras to some of the most extreme situations on the planet. His earliest experiences living with the Maasai tribe in Tanzania led him into documentary film making. He made war documentaries over a 5 year period in Afghanistan during the Soviet occupation and went on to document the First and Second Gulf Wars. This was followed by 5 years of pioneering documentary filming and photography of the wreck of the Titanic, 4km beneath the ocean’s waves, at one point even entering the wreck itself in a submersible.

These documentary experiences ultimately led him to his freest artistic expression as a photographer of our awe-inspiring, imperilled natural world. Linking all his projects, Alexander has always sought to immerse himself in situations where, as he explains, ‘the imagination is rendered unnecessary’.

Immersive landscape photographs from Lindsay’s decade-long travels through wilderness regions at and beyond the edges of human influence include defining work shot in the Atacama Desert in South America, the mountainous Grand Teton National Park in Wyoming USA, across South Africa, Namibia, and Lesotho, and finally to his homeland of Scotland.

Lindsay will show his recent body of work created in the Outer Hebrides and St Kilda in Spring 2022. The theme focuses on the shifting boundaries between man and nature and the traces left by communities in retreat from the Scottish islands over the course of the 20th Century.

At the core of Lindsay’s landscape work is his desire to document it faithfully and reverently: “The magnificent desolations on the surface of our planet are a shrinking reality to which I and my cameras are magnetically drawn”. The finished images demand attention: a sensory immersion, a fresh and vicarious thrill that fuses classical landscape depiction with the best of epic cinematic composition. They are the latest expression of his life’s journey as a photographer, documentary filmmaker, deep ocean explorer and artist. All the works will be for sale.

His work has been exhibited internationally and is included in private, corporate and museum collections around the world. He also works on specific photography commissions for corporate and private clients.

all images © the gallery and the artist(s)

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