Open: Mon-Fri 9.30am-6pm, Sat 10am-6pm

12 Berkeley Street, W1J 8DT, London, United Kingdom
Open: Mon-Fri 9.30am-6pm, Sat 10am-6pm


Visit    

Toby Ziegler: The sudden longing to collapse 30 years of distance

Simon Lee Gallery, London

Mon 7 Sep 2020 to Wed 14 Oct 2020

12 Berkeley Street, W1J 8DT Toby Ziegler: The sudden longing to collapse 30 years of distance

Mon-Fri 9.30am-6pm, Sat 10am-6pm

Artist: Toby Ziegler

Simon Lee Gallery presents The sudden longing to collapse 30 years of distance, Toby Ziegler’s sixth solo exhibition with the gallery, in which the artist explores the complex relationships between experience and memory, image and data, through the twin lens of figuration and abstraction.


Artworks

Toby Ziegler, The evil that men do, 2020

Oil on aluminium

841.0 × 997.0 mm

© Toby Ziegler. Courtesy the artist and Simon Lee Gallery

contact gallery
Toby Ziegler, Total collapse, 2020

Paper on dibond

2460.0 × 1920.0 mm

© Toby Ziegler. Courtesy the artist and Simon Lee Gallery

contact gallery
Toby Ziegler, Nuclear family, 2020

Oil on aluminium

180.2 x 150 x 3 cm (71 x 59 1/8 x 1 1/8 in.)

© Toby Ziegler. Courtesy the artist and Simon Lee Gallery

contact gallery
Toby Ziegler, SOFT GROUND, 2020

Paper on aluminium

245 x 190.6 x 3 cm (96 1/2 x 75 1/8 x 1 1/8 in.)

© Toby Ziegler. Courtesy the artist and Simon Lee Gallery

contact gallery

Added to list

Done

Removed


Installation Views

Installation image for Toby Ziegler: The sudden longing to collapse 30 years of distance, at Simon Lee Gallery Installation image for Toby Ziegler: The sudden longing to collapse 30 years of distance, at Simon Lee Gallery Installation image for Toby Ziegler: The sudden longing to collapse 30 years of distance, at Simon Lee Gallery Installation image for Toby Ziegler: The sudden longing to collapse 30 years of distance, at Simon Lee Gallery Installation image for Toby Ziegler: The sudden longing to collapse 30 years of distance, at Simon Lee Gallery Installation image for Toby Ziegler: The sudden longing to collapse 30 years of distance, at Simon Lee Gallery Installation image for Toby Ziegler: The sudden longing to collapse 30 years of distance, at Simon Lee Gallery Installation image for Toby Ziegler: The sudden longing to collapse 30 years of distance, at Simon Lee Gallery Installation image for Toby Ziegler: The sudden longing to collapse 30 years of distance, at Simon Lee Gallery

The exhibition can be experienced in two dramatically different states. The gallery is lined with a group of large geometric, non-figurative works on dibond, reminiscent of Ziegler’s early works, juxtaposed with a group of smaller more figurative oil paintings on aluminium. Periodically though, the tranquil space of the gallery is transformed into a multi-projector video installation, in which a barrage of projected images covers the walls and overlays the 2D works, to a soundtrack that oscillates between melody and noise.

In the works on dibond, Ziegler takes as his point of departure a group of ‘ghost files’: digital images he lost to an unresponsive hard drive fifteen years ago that have recently been retrieved. Rather than returning to the original idea – distorted by the intervening years – Ziegler reconciles the past and present in an entirely new narrative, reactivating the files from their years of suspended animation.

In the oil paintings, which refer to works by Giotto, Poussin and Jan Van Eyck amongst others, the artist expands this concept, connecting his interest in the abstraction of memory to a broader art historical context. Using an orbital sander to efface the surface of the panel, Ziegler directly contrasts the time-consuming process of figurative painting with the rapidity of erasure. Yet, these works give themselves to the viewer very slowly, compressing time, from the facture of the source painting and its ensuing life span, to Ziegler’s own reincarnation of the image. The strong formal connection that links the works on dibond and paintings connects Ziegler’s early and recent practice. Both sets of works walk the line between representation and abstraction, collapsing narrative and pictorial space at the risk of dissolving into pure abstraction.

In Ziegler’s new video diptych, one projection shows a sequence of images relating to historical forms of divination, such as geomancy, extispacy and tarot. The artist has fed these source images into an online similar image search, and presents the results in another projection, as an accelerating sequence of thousands of jpegs which morph from the original, like a game of Chinese whispers. Though ‘visually similar’, the algorithm throws up images that are wildly incongruous in content, juxtaposing fairytale cottages with an exploding sperm whale. These sequences reveal systemic stereotypes and power structures prevalent on the internet, but Ziegler also seems to be examining the human predisposition to find meaning and pattern in seemingly random arrangements of images.

About Toby Ziegler
Toby Ziegler was born in 1972 and lives and works in London, UK. His work has been shown extensively internationally and has been the subject of numerous solo exhibitions, including the Museum of Old and New Art, Tasmania, Australia (2018); Simon Lee Gallery, Hong Kong (2018); New Art Centre, Roche Court, Salisbury, UK (2017); Simon Lee Gallery, London, UK (2016); The Hepworth Wakefield, Wakefield, UK (2014); Old Burlington Car Park, London, UK (2012); Zabludowicz Collection, London, UK which travelled to Sarisalvo, Finland, New Art Gallery, Walsall, UK and Museum of Contemporary Art Kiasma, Helsinki, Finland (2011-2012). His work is part of major private and public collections including The Arts Council of England, UK; The British Council, UK; Tate, London, UK; François Pinault Foundation, Venice, Italy; Zabludowicz Collection, London, UK; Goss-Michael Foundation, London, UK; Kadist Art Foundation, Paris, France; British Airways Collection, UK; Hudson Valley Centre for Contemporary Art, Peekskill, NY and Museum of Old and New Art, Tasmania.

Toby Ziegler: The sudden longing to collapse 30 years of distance, Simon Lee Gallery, London. Photo: Ben Westoby

By using GalleriesNow.net you agree to our use of cookies to enhance your experience. Close