Wed 29 Sep 2021 to Sun 9 Jan 2022
77-82 Whitechapel High Street, E1 7QX Theaster Gates: A Clay Sermon
Tue-Sun 11am-6pm, Thur 11am-9pm
Artist: Theaster Gates
Special event:
Talk. Big Ideas: Theaster Gates. Thursday 11 November, 7pm. Booking
O Lord, thou art our father; we are the clay, and thou our potter; and we all are the work of thy hand.
– Isaiah 64:8
Cast bronze, clay and tatami mats
2000.0 × 1850.0 × 1080.0 mm
© Theaster Gates Photo © White Cube (Theo Christelis)
Religious Alchemy, 2016-2018
Mixed media
700.0 × 1900.0 × 960.0 mm
© Theaster Gates Photo © White Cube (Theo Christelis)
Face Jug, c. 1850
Stoneware
90.0 × 114.0 × 95.0 mm
Collection of C Philip and Corbett Toussaint
Wood, cast black concrete, clay and plastic
1016.0 × 4445.0 × 1016.0 mm
© Theaster Gates Photo © White Cube (Prudence Cuming Associates Ltd)
Johnson Publishing Company carpet and high fired stoneware with glaze
Carpet: 149 5/8 x 118 1/2 in (380 x 301 cm) Vessel: 18 1/8 x 27 15/16 x 27 15/16 in (46 x 71 x 71 cm)
© Theaster Gates Photo © White Cube (Theo Christelis)
Wood-fired brick and clay oxide
381.0 × 533.0 × 533.0 mm
© Theaster Gates Photo © White Cube (Theo Christelis)
Clay and wood
890.0 × 900.0 × 270.0 mm
© Theaster Gates Photo © White Cube (Theo Christelis)
Johnson Publishing Company carpet and high fired stoneware with glaze
Carpet: 149 5/8 x 118 1/2 in (380 x 301 cm) Vessel: 18 1/8 x 27 15/16 x 27 15/16 in (46 x 71 x 71 cm)
© Theaster Gates Photo © White Cube (Theo Christelis)
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In Christian scripture, the relationship between God and humanity is analogous to the potter working with clay. ‘As a potter’, according to Theaster Gates, ‘you learn how to shape the world’. Clay and religion are foundational to the artistic practice of the Chicago based artist who has received international acclaim for his community and cultural interventions in Black space, particularly on the South Side of Chicago. As a youth, Gates joined the New Cedar Grove Missionary Baptist Church choir and, subsequently, studied urban planning, theology and ceramics.
A Clay Sermon is an exposition of the significance of clay, its material and spiritual legacies. Bringing together research, ideas, process and production, this exhibition surveys works by Gates across two decades from his early hand-thrown pots to his large-scale Afro-Mingei sculptures. It explores craft, labour, performance and racial identity; the use of clay in building communities of knowledge, its role in colonialism and global trade and the ceremonial and ritual use of ceramics.
Alongside his own work, Gates has made a selection of historic ceramics from private and public collections, including the Victoria and Albert Museum, where he has been Emeritus Fellow at the V&A Research Institute. The exhibition also includes a new film by Gates, which takes the form of a sermon on clay, and his most recent body of work: large stoneware vessels installed on custom-made plinths of hand-milled wood and stone.