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The Week in Art |
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| Diary: openings, events, auctions |
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Amsterdam |
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| Saturday 17 | |||||||||
| Reflex: Spencer Tunick: Public Interventions Tunick transforms public spaces with temporary monuments of people rewriting the locations through their complex, organic compositions |
opening reception | ||||||||
| Wednesday 14 | |||||||||
| Capitain Petzel: Austin Martin White: Last Dance “for all the centuries of colonial attempts at annihilation, fugitive joy persists. Spaces to be ecstatic, to be together, to just be. To party like it’s 1999. This is not the first time the world has ended, and it likely won’t be the last” – Lucy Hunter |
opens | ||||||||
| Thursday 15 | |||||||||
| Galerie Max Hetzler, Potsdamer Straße: Anthony Caro: Six Decades the first solo exhibition of the sculptor at the gallery “reveals that, during a career that extended over six decades, Caro remained a restless innovator and … continued to probe the boundaries of sculpture” – curator Paul Moorhouse |
opening reception | ||||||||
| Friday 16 | |||||||||
| Galerie Buchholz: Florian Pumhösl a new series of large-format metal reliefs, created using a technique developed from those used in metal roofing, and painted monochrome |
opening reception | ||||||||
| Galerie Buchholz: I hear the ancient music of words and words, yes, that’s it. a juxtaposition of new work by Vincent Fecteau and Florian Pumhösl, in a reconfiguration of the artists’ earlier exhibition of the same name, held at the Schindler House / MAK Center for Art & Architecture in Los Angeles in the fall of last year |
opening reception | ||||||||
| Galerie Max Hetzler, Bleibtreustraße 15/16: William N. Copley: Works on Paper works in pencil, pen and ink and charcoal give an intimate look into the painter, writer, gallerist, collector, publisher, and patron to the arts’ thematic and stylistic obsessions as well as a highly personal insight into his work of four decades |
opening reception | ||||||||
| Galerie Max Hetzler, Bleibtreustraße 45: Toby Ziegler: Long live ghosts new works – made from computer imaging followed by gestural mark making – related to memory, artifice, and the idea of remembering as a creative act |
opening reception | ||||||||
| Galerie Max Hetzler, Goethestraße 2/3: Werner Büttner funny, self-reflexive, and absurd, “Büttner’s art oscillates between image and word … both language and picture are dominated by the ambivalent but also by the unspeakable, essentially even by the unpaintable” – Dr. Alexander Klar |
opening reception | ||||||||
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Beverly Hills |
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| Thursday 15 | |||||||||
| Gagosian: Cy Twombly in the first exhibition of his work at the Beverly Hills gallery since 2012, and organized in association with the Cy Twombly Foundation – paintings, sculptures, and works on paper produced in the final decade of Twombly’s life |
opening reception | ||||||||
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Boissy-le-Châtel |
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| Sunday 18 | |||||||||
| Galleria Continua Les Moulins: Subodh Gupta: My Village |
opens | ||||||||
| Galleria Continua Les Moulins: Michelangelo Pistoletto: 60 ans d’identités et d’altérités |
opens | ||||||||
| Galleria Continua Les Moulins: Sislej Xhafa: bride on soil |
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Goldau |
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| Friday 16 | |||||||||
| Kutlesa: Foster Sakyiamah: Patterns Of The Everyday in this latest body of work, Sakyiamah considers his personal journey to manhood and his identity within a matrilineal society |
opens | ||||||||
| Thursday 15 | |||||||||
| Simon Lee Gallery: Clare Woods: Between These Words new paintings by Woods exploring the polarity of opposites and embracing desire as the ultimate space of the expression of the human condition |
private view | ||||||||
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Kensington |
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| Saturday 17 | |||||||||
| Pazo Fine Art: The Technological Sublime works by Beverly Fishman, Rockne Krebs, and Ruth Pastine imply that technology, while novel and disruptive, is actually that which resists explanation because it does not yet have a name |
opening reception | ||||||||
| Tuesday 13 | |||||||||
| Addis Fine Art: Girmachew Getnet: In Between I the gallery’s first European solo exhibition with the Germany-based figurative painter |
opens | ||||||||
| Unit London: In Our Code a groundbreaking generative art exhibition to coincide with Frieze London |
opens | ||||||||
| Unit London: Sensitive Content contemporary artists whose work and ideas have been censored—singling out in particular artists who seek to give voice to those who have been systematically marginalized |
opens | ||||||||
| Wednesday 14 | |||||||||
| The Artist Room: Jatinder Singh Durhailay: Let’s have (a) look then, a solo exhibition of new paintings |
private view | ||||||||
| Carl Kostyál: Alexander Guy: White Lies |
private view | ||||||||
| Christie’s London: Prints and Multiples auction: Wed 14 – Wed 28 Sep (viewing: Wed 14 – Wed 28 September) |
auction starts | ||||||||
| Grosvenor Gallery: Angeli Sowani: Together portraits of forgotten women from the Commonwealth who served in various ways during the First and Second World Wars – “I felt I had to put these faces down in my paintings; to remember and pay my respects to these young women” – Angeli |
opening reception | ||||||||
| Lehmann Maupin: Teresita Fernández: Caribbean Cosmos new work by the New York-based artist known for immersive work critically rethinking landscape and place |
opens | ||||||||
| Saatchi Yates: Nokukhanya Langa new paintings by the mixed-media delve into the world of modern media and internet culture while breaking the rules of traditional painting |
opens | ||||||||
| Amanda Wilkinson: Ketty La Rocca |
opens | ||||||||
| Thursday 15 | |||||||||
| GRIMM: Lucy Skaer: Day Division new and recent works by the multimedia British artist in the first exhibition at the gallery’s new London space – its third in addition to Amsterdam and New York |
opens | ||||||||
| Hamiltons: Gavin Bond: Being There Bond’s first solo exhibition – a unique “grid” of gelatin silver prints, emulating the feeling of being backstage, alongside large format editioned prints, on view for the first time |
opens | ||||||||
| Karsten Schubert Room 2: Paul Barlow: Superfluids when asked where his paintings might go next, Barlow rejects any certainty – “really my process is putting paint on the canvas and taking it off again” |
opens | ||||||||
| Michael Werner Gallery: Andy Robert – Ti Zwazo Clarendon: You Can Go Home Again; You Just Can’t Stay the first solo exhibition in the UK of works by the Haitian-American artist, who “experiments with color, line, and grids, arriving at a mosaic-like approach that negotiates abstraction with figuration, the lyrical alongside the concrete” |
private view | ||||||||
| The Perimeter: Anj Smith: Where the Mountain Hare has Lain a pared back selection of eight paintings and two etchings, providing viewers with the space to slow down and contemplate the works |
opens | ||||||||
| Friday 16 | |||||||||
| Maureen Paley: Olivia Plender: Our Bodies are Not the Problem work from two recent projects, related to feminist history and based on historical research that analyses pedagogical methods and revolutionary, social, political, and educational movements mainly of the 19th and 20th centuries |
private view | ||||||||
| Maureen Paley Studio M: Paul P.: Vespertilians “between bird and animal, appearing at dusk and through the night, existing upside down/inverted, vilified and feared, the bat continues to hold as a metaphor for dexterity, elegance, otherness, and unshakable stigma” – Paul P. |
private view | ||||||||
| Saturday 17 | |||||||||
| BEERS London: Ksenia Dermenzhi: In Bloom there is a real sense of joy and buoyancy in the works of Moldovan artist Ksenia Dermenzhi. Despite the unbridled energy emanating from these paintings, the London-based artist displays a mastery over her technique that belies her youth |
private view | ||||||||
| Thomas Dane Gallery: Bruce Conner: THE WHITE ROSE the first UK exhibition of Conner’s film capturing the removal from her first-floor apartment of his friend Jay DeFeo’s eponymous and monumental work, begun eight years earlier |
private view | ||||||||
| Saturday 17 | |||||||||
| Charlie James Gallery: Patrick Martinez: Promised Land new large-scale abstracted landscape paintings as “Martinez considers his life and his city at an inflection point, himself a new father looking to the future and pondering how his family will fit into the changing landscape of Los Angeles” |
opens | ||||||||
| Charlie James Gallery: Southland Vol. 2 curated by Patrick Martinez, works about their relationship with LA by Edmund Arevalo, Danie Cansino, Mustafa Ali Clayton, Karla Diaz, Larry Dixon, Leo Eguiarte, Star Montana, Kristopher Raos, Melly Trochez, Ever Velasquez, and Shingo Yamazaki |
opens | ||||||||
| Luis De Jesus Los Angeles: Kate Bonner: The space in things new photo-based works, based on digital processes in dialog with drawing, painting, photography, sculpture, and collage |
opening reception | ||||||||
| Luis De Jesus Los Angeles: André Hemer: Phenomena “increasingly my practice has sought to weave together a multiplicity of media originating from a singular encounter and capturing of natural phenomena – both mundane and spectacular” – Hemer |
opening reception | ||||||||
| Luis De Jesus Los Angeles: Tristram Lansdowne: Digressions Lansdowne’s first solo exhibition with the gallery draws from Laurence Sterne’s “The Life and Opinions of Tristram Shandy, Gentleman” to explore the traditions of framing within the art historical canon |
opening reception | ||||||||
| Luis De Jesus Los Angeles: Chris Engman: The Artist as Explorer “created in close collaboration with the movements of the sun, precisely observed, I see my photographs as acts of reverence and participation in a deep, reassuring natural order outside of and much larger than myself” – Engman |
opening reception | ||||||||
| Sean Kelly Gallery: Idris Khan: The Pattern of Landscape inaugurating the gallery’s Los Angeles location, an exhibition notable for a series of profound developments in Khan’s work which incorporates both music and text for the first time |
opening reception | ||||||||
| Thursday 15 | |||||||||
| A arte Invernizzi: Rodolfo Aricò: The Dissonant Image curated by Francesca Pola and in collaboration with the Archivio Rodolfo Aricò – works from the 1970s and 1980s by one of the leading names in Italian art |
opening reception | ||||||||
| Tuesday 20 | |||||||||
| Boccanera Milan: Sebastiano Sofia: Maréa previously unseen paintings, and drawings and watercolours, see the artist focus on the practice of painting and the current conditions and potential of figuration – in their first solo exhibition at the gallery |
opening reception | ||||||||
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Murnau am Staffelsee |
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| Friday 16 | |||||||||
| PULPO GALLERY: Gao Hang: My Bad Ideas “I am interested in objects that are bathing in modern technology’s greatness, while exposing a certain rawness, oddity, or awkwardness” – Gao Hang |
opens | ||||||||
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Naples |
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| Thursday 15 | |||||||||
| Alfonso Artiaco: Not Vital: Ad agosto ritornano le rondini “Vital belongs to that group of radically innovative modern sculptors who studded the 1900s, in line with the various Brancusi, Schwitters, Fontana, Christo, Smithson and with the latter others who felt a strong link between territory and nature” |
opens | ||||||||
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New Orleans |
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| Friday 16 | |||||||||
| ESTELLA: Jochen Hein. REFLECTION “Man’s wish to converse with something nobler than himself initiates my paintings and is the driving force of my work” – Hein |
opens | ||||||||
| ESTELLA: Mingjun Luo. REFLECTION Mingjun combines the Western technique of working using oils with Chinese water color painting, producing bright patches of light and dark shaded areas on unprepared or slightly tinted canvas |
opens | ||||||||
| ESTELLA: Zachary Eastwood Bloom. Venus Celestis “for my work, the characters of Greek mythology become vehicles to explore contemporary ideas within religion, science, technology, and society” – Eastwood-Bloom |
opens | ||||||||
| Tuesday 13 | |||||||||
| Marian Goodman Gallery: Christian Boltanski: Départ – Arrivée in an homage to the late artist’s life and work, recent sculptural pieces and video installations presented for the first time in the US, alongside historical works from the 1980s |
opening reception | ||||||||
| Wednesday 14 | |||||||||
| Almine Rech: Le Corbusier: Nomadic Murals in the gallery’s first exhibition of works by the master – “an exceptional set of artworks, whether intimate sketches or vast tapestries, tracing the path of Le Corbusier’s observations and imagination” |
opening reception | ||||||||
| Christie’s New York: Japanese and Korean Art Online auction: Wed 14 – Tue 27 Sep (viewing: Fri 16 – Mon 19 September) |
auction starts | ||||||||
| Christie’s New York: Thoughts Across the Waters: Asian Art from the David Drabkin Collection auction: Wed 14 – Wed 28 Sep (viewing: Fri 16 – Tue 20 September) |
auction starts | ||||||||
| Gagosian Park & 75: Casa Malaparte: Furniture in a partial re-creation of the famous building’s main salon – newly-editioned furniture is presented alongside archival publications and documents to give a fuller picture of the complexities of a unique figure’s vision |
opening reception | ||||||||
| Skarstedt 79th St: Eric Fischl: Towards the End of an Astonishing Beauty: An Elegy to Sag Harbor, and Thus America in this new body of work, the annual Halloween parade in Fischl’s home of Sag Harbor, known as the “Ragamuffin Parade,” sets the scene for explorations into themes of exhaustion, isolation, disappointment, and passivity |
opening reception | ||||||||
| Thursday 15 | |||||||||
| Berry Campbell Gallery: Eric Dever: To Look at Things in Bloom ‘“Dever’s new pictures do not seek to replicate nature, but instead vibrate between representation and abstraction” – Gail Levin |
opening reception | ||||||||
| Helwaser Gallery: Françoise Pétrovitch: Indigo Children “an ambiguous world, willingly transgressive, playing with conventional boundaries and eluding any interpretation” |
opening reception | ||||||||
| Petzel: Kahlil Robert Irving: Street Moments new and recent ceramic sculpture, paintings and works on paper – focussing on the artist’s interest in the aesthetically rich, politically charged landscape of the built environment |
opens | ||||||||
| Robilant+Voena, New York: Agostino Bonalumi |
opens | ||||||||
| Sotheby’s New York: SUBLIME BEAUTY: Korean Ceramics from a Private Collection auction: Thu 15 – Thu 22 Sep (viewing: Thu 15 – Tue 20 September) |
auction starts | ||||||||
| Sotheby’s New York: Society for Contemporary Art Collectors Sale | Hosted by Sotheby’s auction: Thu 15 – Wed 28 Sep (viewing: Fri 16 – Sat 24 September) |
auction starts | ||||||||
| Tina Kim Gallery: Mire Lee: Carriers in her first solo exhibition with the gallery, the American debut of Lee’s eponymous body of work |
opens | ||||||||
| Friday 16 | |||||||||
| Sotheby’s New York: CHINA / 5000 YEARS auction: Fri 16 – Tue 27 Sep (viewing: Thu 15 – Mon 26 September) |
auction starts | ||||||||
| Saturday 17 | |||||||||
| Anita Shapolsky Gallery: IMMANENT DOMAIN (existing or remaining within; inherent) with Peter Bonner, Amaranth Ehrenhalt, Michiko Itatani, Michael Loew, William Manning, Jeanne Miles, Jeanne Reynal, Richards Ruben, Ethel Schwabacher, Nancy Steinson, Taro Yamamoto |
opens | ||||||||
| Art Projects International: Line and Light: New Paintings by IL LEE renowned for his non-representational line work, in these recent paintings, Lee speedily carves animated curves through pliant paint to reveal colors below |
opens | ||||||||
| Hauser & Wirth 22nd Street: Christina Quarles. In 24 Days tha Sun’ll Set at 7pm |
special event | ||||||||
| Marlborough: Eduardo Arroyo over seventy oil paintings, drawings, watercolors, and sculptures, in a rare exhibition of the Spanish master spanning more than fifty years of his career |
opens | ||||||||
| Marlborough: Picasso: The 347 Series in 1968, aged eighty-six, Picasso created 347 etchings and aquatints in just seven months – “I spend hour after hour while I draw, observing my creatures and thinking about the mad things they’re up to; basically it’s my way of writing fiction” |
opens | ||||||||
| Tuesday 20 | |||||||||
| Christie’s New York: Japanese and Korean Art auction: Tue 20 |
auction | ||||||||
| Sotheby’s New York: POWER / CONQUEST: The Forging of Empires auction: Tue 20 (viewing: Thu 15 – Mon 19 September) |
auction | ||||||||
| Sotheby’s New York: Dharma & Tantra auction: Tue 20 (viewing: Thu 15 – Tue 20 September) |
auction | ||||||||
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Palma de Mallorca |
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| Saturday 17 | |||||||||
| Galeria Fermay: Carla Arocha + Stéphane Schraenen: Floop “a conceptual endeavour that turns into a productive game of appropriation and reinterpretation. Minimal gestures with maximising effects” |
opening reception | ||||||||
| Wednesday 14 | |||||||||
| Sotheby’s Paris: Contemporary Curated auction: Wed 14 – Thu 22 Sep (viewing: Thu 15 – Mon 19 September) |
auction starts | ||||||||
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Sag Harbor |
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| Saturday 17 | |||||||||
| Mark Borghi: Andrew Wapinski: Demarcation a collection of recent visually and conceptually complex paintings showcasing Wapinski’s examination of the dynamic between natural and man-made processes |
opening reception | ||||||||
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Southport |
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| Thursday 15 | |||||||||
| Hollis Taggart: Dimensions new and recent paintings by three contemporary artists united in their spatial explorations – Paige Beeber, Emilie Duval, and Rachel MacFarlane |
opening reception | ||||||||
| Tuesday 13 | |||||||||
| Galerie Ernst Hilger: Stylianos Schicho: Zugunruhe |
opens | ||||||||
| MEYER*KAINER: Lucy McKenzie & Atelier E.B, curated by Karel Císař McKenzie mixes fine art painting practice with collaborations in design, historic research and commercial fashion, including with the designer Beca Lipscombe in the company Atelier E.B. |
opens | ||||||||
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Zürich |
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| Friday 16 | |||||||||
| Hauser & Wirth Bahnhofstrasse 1: EVA HESSE. Forms & Figures two bodies of work explore the artist’s intense studio practice and her transition from painting to sculpture |
opens | ||||||||
| Saturday 17 | |||||||||
| Fabian Lang: Don’t Fuck With Our Human Ali Banisadr, Kim Dingle, Christina Forrer, Xiao Guohui, Tahnee Lonsdale, Annie Morris |
opening reception | ||||||||
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Don’t miss: exhibitions closing |
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Amsterdam |
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| Wednesday 14 | |||||||||
| Reflex: Fragmented Realities | |||||||||
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Antwerp |
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| Saturday 17 | |||||||||
| Axel Vervoordt Gallery: Tsuyoshi Maekawa | |||||||||
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Bridgehampton |
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| Friday 16 | |||||||||
| Mark Borghi: Joel Perlman: New Works | |||||||||
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Gstaad |
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| Saturday 17 | |||||||||
| Gagosian: Swiss Made: From Ferdinand Hodler to Urs Fischer | |||||||||
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Helsinki |
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| Sunday 18 | |||||||||
| Galerie Forsblom: Toni R. Toivonen: Death is a Painting | |||||||||
| Galerie Forsblom: Johanna Karlsson: Scenes and Notes | |||||||||
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Kensington |
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| Thursday 15 | |||||||||
| Pazo Fine Art: System and Suprasystem: Eleven Drawings by Neil Williams | |||||||||
| Wednesday 14 | |||||||||
| Hauser & Wirth Savile Row: Hospital Rooms x Hauser & Wirth: Like there is hope and I can dream of another world | |||||||||
| Saturday 17 | |||||||||
| Cristea Roberts Gallery: Rana Begum: Reflection on Colour and Form | |||||||||
| Cristea Roberts Gallery: Cornelia Parker: Light Passes, Shadows Fall | |||||||||
| JGM Gallery: Colour Power 22 | |||||||||
| Modern Art Helmet Row: Nicolas Deshayes: Gargouilles | |||||||||
| Pangolin London: Ken Cook: Out of the Workshop | |||||||||
| Pi Artworks: Everywhere was nowhere, and nowhere everywhere | |||||||||
| Pilar Corrias, Eastcastle St: Ragna Bley: Viridian Land | |||||||||
| Pitzhanger Manor & Gallery: Soane Restored | |||||||||
| Skarstedt: What time is it? | |||||||||
| Waddington Custot: March Avery: In the Studio | |||||||||
| Sunday 18 | |||||||||
| Camden Art Centre: Lily van der Stokker – Thank You Darling | view VR ▶ | ||||||||
| Camden Art Centre: Tenant of Culture: Soft Acid | view VR ▶ | ||||||||
| Hayward Gallery: In the Black Fantastic | |||||||||
| Serpentine North Gallery: Back to Earth | |||||||||
| The Gallery of Everything: ZOOOOO! | view VR ▶ | ||||||||
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New Orleans |
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| Thursday 15 | |||||||||
| ESTELLA: Michael Eastman | |||||||||
| Tuesday 20 | |||||||||
| Estrella Gallery: Lucky Jewel: SS23 Part 2 | |||||||||
| Saturday 17 | |||||||||
| Galleria Continua: Il est ici, toujours ailleurs | |||||||||
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Rome |
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| Friday 16 | |||||||||
| T293: Electric Affinities | |||||||||
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Sag Harbor |
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| Thursday 15 | |||||||||
| Mark Borghi: The Bridge: Edreys Wajed | |||||||||
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Shanghai |
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| Saturday 17 | |||||||||
| Almine Rech: Joseph Kosuth: Tabula Rasa (14 Times) | view VR ▶ | ||||||||
| Almine Rech: Javier Calleja | view VR ▶ | ||||||||
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Zürich |
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| Sunday 18 | |||||||||
| Damien & The Love Guru: Vanessa Disler: Light Sleeper | |||||||||
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