Sprüth Magers

Richard Artschwager

Walker, 1964

Formica on wood
26 1/8 x 38 1/4 x 35 1/16 in 66.4 x 97.2 x 89.1 cm
© 2019 Richard Artschwager/Artists Rights Society (ARS), New York. Photo: Rob McKeeve. Courtesy Gagosian

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Locations, 1969

Formica on wood with screen-printed Plexiglas, and five blps made of wood, glass, Plexiglas, mirror, and rubberized horsehair with Formica, in 6 parts
Overall dimensions variable. Edition of 90
© 2019 Richard Artschwager/Artists Rights Society (ARS), New York. Photo: Rob McKeever. Courtesy Gagosian

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Pregunta II, 1983

Wood and paint
Overall: 27 1/2 x 11 1/8 x 1 3/4 in 69.8 x 28.3 x 4.4 cm. Edition of 6
© 2019 Richard Artschwager/Artists Rights Society (ARS), New York. Photo: Rob McKeever. Courtesy Gagosian

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Port, 1991

Wood, Formica, Celotex, and paint
3 x 20 x 20 in 7.6 x 50.8 x 50.8 cm. Edition of 50
© 2019 Richard Artschwager/Artists Rights Society (ARS), New York. Photo: Rob McKeever. Courtesy Gagosian

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Exclamation Point (Yellow), 2001

Plastic bristles, mahogany, and latex, in 2 parts
Overall: 65 x 22 x 22 in 165.1 x 55.9 x 55.9 cm. Edition of 3
© 2019 Richard Artschwager/Artists Rights Society (ARS), New York. Photo: Rob McKeever. Courtesy Gagosian

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Fractal, 1987

Formica on wood
43.2 x 43.2 x 14.6 cm (17 x 17 x 5 3/4 in.)
Edition of 25 + 5 AP, ed. 21/25

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John Baldessari

Word Chain: Faucet (Ilene's story), 1975

2 parts: colour and b&w 35mm contacts on grid paper
i: 83.8 x 68.6 cm (33 x 27 in.) ii: 21.6 x 27.9 cm (8 1/2 x 11 in.)
Courtesy of the artist and Simon Lee Gallery. © John Baldessari

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Throwing Three Balls in the Air to Get a Straight Line (Best of Thirty-Six Attempts), 1973

The complete portfolio of twelve offset lithographic photos in colours on gloss wove, printed by Orel Fussli, published by Giampaolo Prearo and Galleria Toselli, Milan
each sheet 32.5 x 24.3cm (folio)
Signed and numbered from the edition of 500 in black ballpoint pen to colophon, a publisher's reserved set aside from the edition of 2000

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Prima Facie (Second State): Troubled, 2005

Archival digital print on canvas with UV varnish coating, acrylic on canvas
2 parts, each 119.3 x 96.3 cm (47 x 37 7/8 in.), framed 121.3 x 197 cm (47 3/4 x 77 1/2 in.)
Signed and dated verso

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Marilyn, 2016

5-color screenprint on Archival Inkjet-Print
Sheet 76.2 x 44.45 cm (30 x 17 1/2 in.), framed 77.5 x 46 x 3.5 cm (30 1/2 x 18 1/8 x 1 3/8 in.)
Signed, dated and numbered recto. Edition of 30, ed. 23/30

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EQUESTRIAN (FLESH) IN BRACKETS WITH ORANGE SHOWDOWN, 1992

(i) Acrylic on black and white photograph, in artist's frame (ii) Acrylic on colour photograph, in artist's frame
(i) 48.25 x 43 in. (122.5 x 109.4 cm) (ii) 32 x 53 in. (81.2 x 134.9 cm) overall: 68.5 x 96 in. (174 x 244.3 cm)
Copyright The Artist

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Alighiero Boetti

Cinque x cinque venticinque, 1988

Embroidery
23 x 20.2 cm
Signed, dedicated, inscribed and dated on the reverse

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Classifying the thousand longest rivers in the world, 1977

Book of 1016 pages printed typographically with embroidered cover, in original folder
21.5 x 16 x 5.5 cm
Signed and dedicated

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Dare tempo al tempo, c. 1987

Embroidery on canvas
17 x 19.5 cm 6 3/4 x 7 5/8 in

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OGGI È IL DECIMO GIORNO DEL NONO MESE DELL'ANNO MILLENOVECENTOOTTANTOTTO (QUANDO LE PAROLE SONO STANCHE) (TODAY IS THE TENTH DAY OF THE NINTH MONTH OF THE YEAR NINETEEN EIGHTY EIGHT (WHEN WORDS ARE TIRED)), 1988

Embroidery on canvas
106 by 111.3 cm. 41 3/4 by 43 7/8 in.
Signed on the overlap

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Catasta, 1967-92

12 éléments d'Eternit
187 x 150 x 150 cm

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Insicuro Noncurante, 1975-76

Complete portfolio with 81 plates, in original red canvas folder
Plates 55 x 45 cm each, canvas folder 56 x 48.5 x 3.2 cm
Signed and numbered 24/41 on the plate n. 81, executed in 1975, edition of 41 copies + IV, 2R Rinaldo Rossi, Genoa

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Niente da vedere niente da nascondere, 1977

Embroidery
42 x 45 cm
Signed and dated Kabul 1977 on the reverse

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Lavoro postale (permutazione), 1972

Mixed media on paper, 22 franked and stamped envelopes (afghan stamps)
121 x 48 cm
© Tornabuoni Art

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Titoli, 1978

Embroidery on cloth
172 x 178 cm
© Tornabuoni Art

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Mappa, 1983

Embroidery on cloth
115 x 178 cm
© Tornabuoni Art

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Tutto, 1988-89

Embroidery on cloth
97 x 134.5 cm
© Tornabuoni Art

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Senza titolo (Tra l’incudine e il martello.....), 1989

Embroidery on cloth
111 x 99 cm
© Tornabuoni Art

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Senza titolo (Primo lavoro dell’anno pensando all’Afghanistan), 1990

Mixed media on paper mounted on canvas
100 x 70 cm
© Tornabuoni Art

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George Condo

Large Figure Composition, 2008

Gesso, wax crayon and coloured pencil on panel
Triptych, each panel: 228.6 x 116.8 cm (90 x 46 in.) Overall: 228.6 x 350.5 cm (90 x 138 in.)
Private Collection. Courtesy of the artist and Simon Lee Gallery

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Figure Composition 7, 2008

Wax crayon and acrylic on panel
50 x 46inches
Signed and dated upper left

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Figure Composition 8, 2008

Wax crayon and acrylic on panel
50 x 46inches
Signed and dated upper left

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Untitled, 1985

Oil on canvas
Framed: 38 x 33 cm (15 x 13 in.) Unframed: 30 x 25 cm (11 3/4 x 9 7/8 in.)
© George Condo. Courtesy the artist and Simon Lee Gallery

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Women and Men, 2017

Oil and acrylic on canvas
233.7 by 233.7 cm. 92 by 92 in.
Signed and dated 2017

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Seated Female Figure, 2008

Oil on canvas
215.9 by 190.5 cm. 85 by 75 in.
Signed and dated 08

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There’s No Business Like No Business, 2020

Acrylic, pigment stick and metallic paint on linen
208.3 x 203.2 cm / 82 x 80 in
© George Condo. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Internal Riot, 2020

Acrylic, pigment stick and metallic paint on linen
208.3 x 203.2 cm / 82 x 80 in
© George Condo. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Father and Daughter with Face Mask, 2020

Acrylic, pigment stick, metallic paint & wax crayon on linen
208.3 x 203.2 cm / 82 x 80 in
© George Condo. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Internal Dialogue 2, 2020

Acrylic, ink and wax crayon on linen
215.9 x 254 cm / 85 x 100 in
© George Condo. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Inside Out, 2020

Metallic paint, acrylic, and crayon on paper
152.4 x 101.6 cm / 60 x 40 in approx.
© George Condo. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Dream Sequence and Big Sur, 1991

Oil on linen
160 by 195 cm. 63 by 76¾ in.
Signed and inscribed Paris on the stretcher

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Parallel Lives, 2020

Wax crayon on paper
61 x 91.4 cm / 24 x 36 in
© George Condo. Courtesy the artist and Hauser & Wirth

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Together and Apart, 2020

Ink and wax crayon on paper
61 x 91.4 cm / 24 x 36 in
© George Condo. Courtesy the artist and Hauser & Wirth

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Symbiotic Fear, 2020

Wax crayon on paper
61 x 91.4 cm / 24 x 36 in
© George Condo. Courtesy the artist and Hauser & Wirth

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Linear Contact, 2020

Graphite on paper
66 x 91.4 cm / 26 x 36 in
© George Condo. Courtesy the artist and Hauser & Wirth

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Molecular Figures, 2020

Pen and wax crayon on paper
61 x 91.4 cm / 24 x 36 in
© George Condo. Courtesy the artist and Hauser & Wirth

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Funny Landscape, 1985

Oil on canvas
81 × 64.6 cm
Copyright Private collection

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Molecular Head Study, 1995

Conté crayon on paper
64 x 51 cm
Copyright and Courtesy Sprüth Magers

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Female Portrait with Medallion, 2021

Acrylic, gesso, ink & wax crayon on paper
152.4 x 102.9 cm / 60 x 40 1/2 inches
© George Condo. Courtesy the artist and Hauser & Wirth

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Escape From Humanity, 2021

Acrylic, gesso, ink & wax crayon on paper
152.4 x 102.9 cm / 60 x 40 1/2 inches
© George Condo. Courtesy the artist and Hauser & Wirth

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A Day in the Park, 2021

Oil and wax crayon on canvas
208.3 x 213.4 cm / 82 x 84 inches
© George Condo. Courtesy the artist and Hauser & Wirth

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The Day They All Got Out, 2021

Oil and wax crayon on canvas
208.3 x 213.4 cm / 82 x 84 inches
© George Condo. Courtesy the artist and Hauser & Wirth

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The Shattered Life, 2021

Oil on canvas
228.6 x 190.5 cm / 90 x 75 inches
© George Condo. Courtesy the artist and Hauser & Wirth

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The Day I Stopped Drinking, 2021

Oil and wax crayon on canvas
228.6 x 190.5 cm / 90 x 75 inches
© George Condo. Courtesy the artist and Hauser & Wirth

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Hanne Darboven

Ohne Titel (Schreibmaschinenarbeit), 1969

Typewriter on paper
60.3 × 42.4 cm 23 3/4 × 16 3/4 inches 63.1 × 45.2 × 2.1 cm (framed) 24 7/8 × 17 7/8 × 7/8 inches (framed)
© Hanne Darboven Stiftung, Hamburg. VG Bild-Kunst, Bonn, 2020. Courtesy Sprüth Magers. Photo: Timo Ohler

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Untitled, 1971

Ink and feltpen on graph paper
61 sheets, 29,7 × 21 cm each
© Hanne Darboven Stiftung, Hamburg VG Bild-Kunst, Bonn, 2020. Courtesy Sprüth Magers. Photo: Ingo Kniest

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Ein Jahrhundert.1b, 1971–74

Offset print, typewriter, ink on graph paper
100 sheets 11 3/4 × 8 1/4 inches each in 25 frames, 25 frames, 12 × 33 3/8 inches each (framed)
© Hanne Darboven Stiftung, Hamburg VG Bild-Kunst, Bonn, 2020. Courtesy Sprüth Magers. Photo: Ingo Kniest

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Thomas Demand

Nursery, 2020

C-print/Diasec
190 × 260 cm 74 7/8 × 102 3/8 inches
© Thomas Demand, VG Bild-Kunst, Bonn, 2021. Courtesy Sprüth Magers

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Pond, 2020

C-print/Diasec
200 × 399 cm 78 3/4 × 157 inches
© Thomas Demand, VG Bild-Kunst, Bonn, 2021. Courtesy Sprüth Magers

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Towhee, 2020

Framed pigment print
110 × 145 cm 43 1/4 × 57 inches 135 × 172 cm (framed) 53 1/8 × 67 3/4 inches (framed)
© Thomas Demand, VG Bild-Kunst, Bonn, 2021. Courtesy Sprüth Magers

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Partridge, 2020

Framed pigment print
65 × 97.5 cm 25 5/8 × 38 3/8 inches 91 × 123.5 cm (framed) 35 7/8 × 48 5/8 inches (framed)
© Thomas Demand, VG Bild-Kunst, Bonn, 2021. Courtesy Sprüth Magers

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Philip-Lorca diCorcia


David Holstein, 30 years old, Elnora, Indiana, $25, 1990-1992

Chromogenic print

Framed: 80.6 x 111.8 x 4.1 cm
© Philip-Lorca diCorcia. Courtesy the artist and David Zwirner

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Mary & Babe, 1982

Chromogenic print
Framed: 67 x 78.7 x 3.8 cm
© Philip-Lorca diCorcia. Courtesy the artist and David Zwirner

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Eddie Anderson, 21 years old, Houston, Texas, $20, 1990-1992

Chromogenic print
Framed: 80.6 x 110.2 x 4.1 cm
© Philip-Lorca diCorcia. Courtesy the artist and David Zwirner

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Ralph Smith, 21 years old, Ft. Lauderdale, Florida, $25, 1990-1992

Chromogenic print
Framed: 81 x 113 x 4.1 cm
© Philip-Lorca diCorcia. Courtesy the artist and David Zwirner

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Marilyn, 28 years old, Las Vegas, Nevada, $30, 1990-1992

Chromogenic print
Framed: 81 x 113 x 4.1 cm
© Philip-Lorca diCorcia. Courtesy the artist and David Zwirner

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Tokyo, 1994

Chromogenic print
Framed: 85.4 x 117.2 x 3.8 cm
© Philip-Lorca diCorcia. Courtesy the artist and David Zwirner

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W, March 2000, #12, 2000

Archival pigment print
Framed: 99.1 x 124.5 x 4.4 cm
© Philip-Lorca diCorcia. Courtesy the artist and David Zwirner

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W, September 2000, #6, 2000

Archival pigment print
Framed: 99.1 x 124.5 x 4.4 cm
© Philip-Lorca diCorcia. Courtesy the artist and David Zwirner

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Head #5, 2001

Chromogenic print
Framed: 125.1 x 155.9 x 5.1 cm
© Philip-Lorca diCorcia. Courtesy the artist and David Zwirner

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Head #23, 2001

Chromogenic print
Framed: 125.1 x 155.9 x 5.1 cm
© Philip-Lorca diCorcia. Courtesy the artist and David Zwirner

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The Hamptons, 2008

Inkjet print
Framed: 105.7 x 156.5 x 4.5 cm
© Philip-Lorca diCorcia. Courtesy the artist and David Zwirner

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Fischli/Weiss

Tisch (Table), 2005

Cast rubber
45.5 x 157.5 x 96.5 cm / 17 7/8 x 62 x 38 in
© Peter Fischli David Weiss. Courtesy the artist and Galerie Eva Presenhuber / Zurich / New York. Photo: Stefan Altenburger Photography, Zurich

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Sylvie Fleury

VISIONAIRE (FREE LANCE FORD GT 40 I), 1998

Colour photograph mounted on aluminium
100 x 100 cm (39,37 x 39,37 in)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg © Sylvie Fleury. Photo: Charles Duprat

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VISIONAIRE (FREE LANCE FORD GT 40 II), 1998

Colour photograph mounted on aluminium
100 x 100 cm (39,37 x 39,37 in)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg © Sylvie Fleury. Photo: Charles Duprat

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VISIONAIRE (FREE LANCE FORD GT 40 III), 1998

Colour photograph mounted on aluminium
100 x 100 cm (39,37 x 39,37 in)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg © Sylvie Fleury. Photo: Charles Duprat

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VISIONAIRE (PHYLEA FERRARI I), 1998

Colour photograph mounted on aluminium
100 x 100 cm (39,37 x 39,37 in)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg © Sylvie Fleury. Photo: Charles Duprat

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VISIONAIRE (FREE LANCE COUNTACH), 1998

Colour photograph mounted on aluminium
100 x 100 cm (39,37 x 39,37 in)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg © Sylvie Fleury. Photo: Charles Duprat

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VISIONAIRE (MENUDIER PORSCHE), 1998

Colour photograph mounted on aluminium
100 x 100 cm (39,37 x 39,37 in)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg © Sylvie Fleury. Photo: Charles Duprat

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VISIONAIRE (PRADA ALFISSIMA), 1998

Colour photograph mounted on aluminium
100 x 100 cm (39,37 x 39,37 in)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg © Sylvie Fleury. Photo: Charles Duprat

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Flame Painting no 1, 1998

Acrylic on canvas
122 x 107 cm (48,03 x 42,13 in)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg © Sylvie Fleury. Photo: Charles Duprat

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Flame Painting no 2, 1998

Acrylic on canvas
122 x 107 cm (48,03 x 42,13 in)
Courtesy Galerie Thaddaeus Ropac, London • Paris • Salzburg © Sylvie Fleury.Photo: Charles Duprat

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Jenny Holzer

Untitled (Selection from the SURVIVAL SERIES) 1983-85 (Turn soft and lovely anytime you have a chance.), 1983-85

Cast aluminium
7.6 x 25.4 cm (3 x 10 in.)
Courtesy of the artist and Simon Lee Gallery. © Jenny Holzer

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CIA:, 2016

Graphite and watercolor on vellum
60.3 x 45.7 cm / 23 3/4 x 18 in
© (2021) Jenny Holzer, member Artists Rights Society (ARS), NY. Courtesy the artist and Hauser & Wirth. Photo: Jake Forney

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Donald Judd

Untitled (Stainless Steel/Red), 1979

Stainless steel and red plexiglass
6 x 26 x 24inches

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untitled (detail), 1980

Plywood
144 x 960 x 48 in 365.8 x 2438.4 x 121.9 cm
© 2020 Judd Foundation / Artists Rights Society (ARS), New York. Photo: Robert McKeever. Courtesy Gagosian.

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Untitled (86-19 Ballantine), 1986

Douglas fir plywood and amber over orange acrylic sheets
100 by 100 by 50 cm. 39 3/8 by 39 3/8 by 19 1/2 in.

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Untitled 85 - 075, 1985

Enamelled aluminium
30 by 60 by 30 cm. 11⅞ by 23⅝ by 11⅞ in.
Stamped DONALD JUDD 85-075 LEHNI AG SWITZERLAND on the reverse

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Untitled, 1959

Oil on canvas
50 x 42 in 127 x 106.7 cm
Donald Judd Art © Judd Foundation / Artists Rights Society (ARS), New York. Courtesy Judd Foundation Photo: Silvia Ros Courtesy Judd Foundation and Gagosian

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Untitled, 1960

Oil on canvas
31 x 25 in 78.7 x 63.5 cm
Donald Judd Art © Judd Foundation / Artists Rights Society (ARS), New York. Courtesy Judd Foundation Photo: Silvia Ros Courtesy Judd Foundation and Gagosian

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Untitled, 1960

Oil on canvas
46 x 48 in 116.8 x 121.9 cm
Donald Judd Art © Judd Foundation / Artists Rights Society (ARS), New York. Courtesy Judd Foundation Photo: Silvia Ros Courtesy Judd Foundation and Gagosian

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Untitled, 1960

Oil on canvas
50 x 40 in 127 x 101.6 cm
Donald Judd Art © Judd Foundation / Artists Rights Society (ARS), New York. Courtesy Judd Foundation Photo: Silvia Ros Courtesy Judd Foundation and Gagosian

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Untitled, 1960

Oil on canvas
49 x 46 in 124.5 x 116.8 cm
Donald Judd Art © Judd Foundation / Artists Rights Society (ARS), New York. Courtesy Judd Foundation Photo: Silvia Ros Courtesy Judd Foundation and Gagosian

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Untitled, 1960

Oil on canvas
40 x 36 in 101.6 x 91.4 cm
Donald Judd Art © Judd Foundation / Artists Rights Society (ARS), New York. Courtesy Judd Foundation Photo: Silvia Ros Courtesy Judd Foundation and Gagosian

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Untitled, 1960

Oil on canvas
67 3/4 x 103 in 172.1 x 261.6 cm
Donald Judd Art © Judd Foundation / Artists Rights Society (ARS), New York. Courtesy Judd Foundation Photo: Silvia Ros Courtesy Judd Foundation and Gagosian

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Untitled, 1960

Oil and liquitex on canvas
65 x 49 1/2 in 165.1 x 125.7 cm
Donald Judd Art © Judd Foundation / Artists Rights Society (ARS), New York. Courtesy Judd Foundation Photo: Silvia Ros Courtesy Judd Foundation and Gagosian

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Untitled, 1961

Oil on canvas
67 1/2 x 67 1/2 in 171.4 x 171.4 cm
Donald Judd Art © Judd Foundation / Artists Rights Society (ARS), New York. Courtesy Judd Foundation Photo: Silvia Ros Courtesy Judd Foundation and Gagosian

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Untitled, 1961

Oil on canvas
50 x 42 in 127 x 106.7 cm
Donald Judd Art © Judd Foundation / Artists Rights Society (ARS), New York. Courtesy Judd Foundation Photo: Silvia Ros Courtesy Judd Foundation and Gagosian

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Untitled, 1961

Oil on canvas
50 x 42 in 127 x 106.7 cm
Donald Judd Art © Judd Foundation / Artists Rights Society (ARS), New York. Courtesy Judd Foundation Photo: Silvia Ros Courtesy Judd Foundation and Gagosian

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Untitled, 1961

Acrylic on canvas
67 x 67 3/4 in 170.2 x 172.1 cm
Donald Judd Art © Judd Foundation / Artists Rights Society (ARS), New York. Courtesy Judd Foundation Photo: Silvia Ros Courtesy Judd Foundation and Gagosian

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Untitled, 1961

Oil on canvas
45 1/4 x 45 1/4 in 114.9 x 114.9 cm
Donald Judd Art © Judd Foundation / Artists Rights Society (ARS), New York. Courtesy Judd Foundation Photo: Silvia Ros Courtesy Judd Foundation and Gagosian

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Karen Kilimnik

Tabitha, 1995

Oil on canvas
20 x 16 inches (50.8 x 40.6 cm) 26 3/8 x 22 3/8 inches (67 x 56.8 cm) framed
© Karen Kilimnik, courtesy of 303 Gallery, New York

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Jane Creep (Hotel Security), 1990

Crayon on paper
12 x 15 inches (30.5 x 38.1 cm)
© Karen Kilimnik, courtesy of 303 Gallery, New York

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Nice--and--...introducing Tabitha, 1991

Single-channel video (color, sound)
7:47 minutes. Edition 1 of 4
© Karen Kilimnik, courtesy of 303 Gallery, New York

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cows in the english mist, 1984 (printed 2004)

C-print
10 x 15 inches (25.4 x 38.1 cm) 17 1/2 x 22 1/2 inches (44.5 x 57.2 cm) framed. Edition 3 of 5
© Karen Kilimnik, courtesy 303 Gallery, New York

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the automaton’s pavilion, 2004

Laser copy and archival glue
12 7/8 x 11 inches (32.7 x 27.9 cm) 20 7/8 x 18 3/8 inches (53 x 46.7 cm) framed. Edition 5 of 5, with 1AP
© Karen Kilimnik, courtesy 303 Gallery, New York

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Esmeralda and Evening Dust, on Stage, 2007

C-print
11 3/4 x 8 inches (29.8 x 20.3 cm) 19 7/8 x 16 1/8 inches (50.5 x 41 cm) framed. Edition 4 of 5. Signed, dated and titled on verso
© Karen Kilimnik, courtesy 303 Gallery, New York

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the crack of lightning, 2007

Water soluble oil color on canvas
18 x 14 inches (45.7 x 35.6 cm) Signed, dated and titled on verso
© Karen Kilimnik, courtesy 303 Gallery, New York

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the witches' familiars in the woods, 2010

Water soluble oil color on canvas
14 x 18 inches (35.6 x 45.7 cm) Signed, dated and titled on verso
© Karen Kilimnik, courtesy 303 Gallery, New York

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spider web fairies, 2013

Xerox
8 x 11 inches (20.3 x 27.9 cm) 15 1/2 x 18 7/8 inches (39.4 x 47.9 cm) framed. Edition 2 of 5. Signed
© Karen Kilimnik, courtesy 303 Gallery, New York

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the cult of France, 2013

Water soluble oil color on canvas
24 x 30 inches (61 x 76.2 cm) Signed, titled and dated on verso
© Karen Kilimnik, courtesy 303 Gallery, New York

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the theater of the gods, 2015

Water soluble oil color and glitter on canvas
14 1/4 x 18 inches (36.2 x 45.7 cm) Signed and dated verso
© Karen Kilimnik, courtesy 303 Gallery, New York

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the generals meeting, campaign tent, crossing the Alps, 2016

Collage on paper
7 1/4 x 10 3/4 inches (18.4 x 27.3 cm) 13 3/4 x 16 1/8 inches (34.9 x 41 cm) framed. Signed, titled, and dated verso
© Karen Kilimnik, courtesy 303 Gallery, New York

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the fairy ship, 2016

Wood ship, gems, archival glue
12 1/2 x 14 x 3 inches (31.8 x 35.6 x 7.6 cm)
© Karen Kilimnik, courtesy 303 Gallery, New York

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the goddess of the hunt's dressing room closet, 2018

Water soluble oil color and acrylic on canvas
8 x 12 inches (20.3 x 30.5 cm) Signed, titled, dated verso
© Karen Kilimnik, courtesy 303 Gallery, New York

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the scallop shell island at dusk, 2018

Water soluble oil color on canvas
10 inches (25.4 cm) diameter. Signed, titled, dated verso
© Karen Kilimnik, courtesy 303 Gallery, New York

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The World at War, 2018

Single-channel video (color, sound)
43:58 minutes. Edition 2 of 3, with 2 AP
© Karen Kilimnik, courtesy 303 Gallery, New York

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the fairy pirate ship - a bedazzled ship - Cubic Fun Puzzle, 2019

Foam board, paper, tape, acrylic, and LEDs, with plastic, glass and Swarovski crystals
26 x 29 x 11 inches (66 x 73.7 x 27.9 cm)
© Karen Kilimnik, courtesy 303 Gallery, New York

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the fairy Eiffel Tower - Umbum Clever Paper Mars, 2019

Cardboard with plastic, glass and Swarovski crystals
16 x 6 1/2 x 6 1/2 inches (40.6 x 16.5 x 16.5 cm)
© Karen Kilimnik, courtesy 303 Gallery, New York

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wind and lightning at the Tower of Pisa, Daron Puzzle Inc., 2019

Foam board with plastic, glass and Swarovski crystals
12 x 5 3/4 x 5 3/4 inches (30.5 x 14.6 x 14.6 cm)
© Karen Kilimnik, courtesy 303 Gallery, New York

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Untitled, 2019

Acrylic and gouache on unstretched canvas
59 1/2 x 64 inches (151.1 x 162.6 cm) Signed, dated verso
© Karen Kilimnik, courtesy 303 Gallery, New York

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the sheperdess room, half dressed, 2003

Water soluble oil color on canvas
51 x 40 x 2 cm / 20 1/8 x 15 3/4 x 3/4 in
© Karen Kilimnik. Courtesy the artist and Galerie Eva Presenhuber / Zurich / New York

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cats playing in the snow, Siberia, 2020

Water soluble oil color on canvas
29 x 34 x 5 cm / 11 3/8 x 13 3/8 x 2 in
© Karen Kilimnik. Courtesy the artist and Galerie Eva Presenhuber / Zurich / New York. Photo: Stefan Altenburger Photography, Zurich

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the factories of Mars and Mercury, 2017

Water soluble oil color on canvas
8 x 10 inches (20.3 x 25.4 cm)
Signed, titled, dated verso

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Joseph Kosuth

Nineteen-Eighty-Four (Orwell) #4, 2019

© Joseph Kosuth. ARS, NY and DACS, London 2020

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'Existential Time #14', 2020

Warm white neon, clock with added neon and sped-up, mounted directly on the wall
neon: 14 3/8 x 203 15/16 inches (36.6 x 518 cm) clock: ø15 3/4 x 2 11/16 inches (40 x 6.8 cm)
© 2020 Joseph Kosuth / Artists Rights Society (ARS), New York. Photography: Jason Wyche, New York. Courtesy: Sean Kelly, New York

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'Existential Time #19', 2020

Warm white neon, clock with added neon and sped-up, mounted directly on the wall
neon: 6 3/8 x 164 3/16 inches (16.2 x 417 cm) clock: ø11 13/16 x 2 11/16 inches (30 x 6.8 cm)
© 2020 Joseph Kosuth / Artists Rights Society (ARS), New York. Photography: Jason Wyche, New York. Courtesy: Sean Kelly, New York

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'Existential Time #20', 2020

Warm white neon, clock with added neon and sped-up, mounted directly on the wall
neon: 7 x 154 5/16 inches (17.8 x 392 cm) clock: ø11 13/16 x 2 11/16 inches (30 x 6.8 cm)
© 2020 Joseph Kosuth / Artists Rights Society (ARS), New York. Photography: Jason Wyche, New York. Courtesy: Sean Kelly, New York

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'Quoted Clocks #16', 2020

Clock and vinyl
ø15 3/4 x 1 3/4 inches (40 x 4.5 cm)
© 2020 Joseph Kosuth / Artists Rights Society (ARS), New York. Photography: Jason Wyche, New York. Courtesy: Sean Kelly, New York

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Barbara Kruger

Sex/Lure, 1979

Acrylic on black & white photograph
30 x 40inches

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Otto Piene

Untitled, 1962

Fire gouache on card
27 3/5 × 39 2/5 in 70 × 100 cm

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Feuer - Granatapfel, 1962

Fire gouache on card
28 3/5 × 40 1/5 in 72.7 × 102 cm

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Stephen Prina

Exquisite Corpse: The Complete Paintings of Manet. 67 of 556. Déjeuner sur L'Herbe (The Picnic), 1863. Jeu de Paume, Paris, August 27, 1989,

Left: ink wash on rag, barrier paper. Right: offset lithography on paper
left: 81.89 x 104.13 inches 208 x 264.5 cm, right: 25.98 x 32.68 inches 66 x 83 cm
Courtesy of the artist and Petzel, New York

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Harbor Lights Supper Club, Galesburg, Illinois, 1947 - 1986, former site, 2015. Photography: Foley Photo Studio, Galesburg, Illinois, 2016

Digital print on vinyl banner
206 x 385 inches 523.2 x 977.9 cm
Courtesy of the artist and Petzel, New York

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Richard Prince

Untitled (Monkees), 2015

Milled photo
30 x 37 1/4 inches (76.2 x 94.6 cm)
© Richard Prince, courtesy of 303 Gallery, New York

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Two Pants Suit, 1989

Acrylic on silkscreen on canvas
68 x 48inches

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Two Pants Suit, 1989

Acrylic on silkscreen on canvas
172.72 x 121.92 cm (68 x 48 in.)
Courtesy of the artist and Simon Lee Gallery. © Richard Prince

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Untitled girlfriend #7, 1992

Ektacolor print in colours on Kodak Professional photopaper, initialled in ballpoint pen to verso, from the edition of 26, from the portfolio of 14 prints Cowboys and Girlfriends, published by Patrick Painter Editions
sheet 61 x 50.5cm (unframed)

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Untitled, 1988

Acrylic and silkscreen on canvas
56.14 x 48.3 inches (142.6 x 122.6 cm)
© Richard Prince

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All I’ve Heard, 1991

Acrylic and silkscreen on canvas
87.25 x 58.5 inches (221.6 x 148.6 cm)
© Richard Prince

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Can’t Read, Can’t Write, Can’t Swim, 1991

Acrylic and silkscreen on canvas
96 x 75 inches (243.84 x 190.5 cm)
© Richard Prince

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What A Kid I Was, 1989

Acrylic and silkscreen on canvas
74.6 x 59.13 inches (189.5 x 150.2 cm)
© Richard Prince

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Untitled (Cartoon Painting), 1989

Acrylic and silkscreen on canvas
90 x 58 inches (228.6 x 147.32 cm)
© Richard Prince

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Couldn’t Read, Couldn’t Write, Couldn’t Swim, 1989

Acrylic and silkscreen on canvas
73.5 x 75 inches (186.7 x 190.5 cm)
© Richard Prince

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Drink Canada Dry, 1991

Acrylic and silkscreen ink on canvas
87.13 x 58 inches (221.3 x 147.3 cm)
© Richard Prince

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Untitled, 2017-2018

Inkjet on canvas
84.75h x 90 inches (215.3 x 228.60 cm)
© Richard Prince

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Untitled, 2019

Ink jet on canvas
88.75 x 88.75 inches (225.4 x 225.4 cm)
© Richard Prince

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Untitled, 2017-2018

Inkjet on canvas
69 x 70 inches (175.3 x 177.8 cm)
© Richard Prince

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Untitled, 2017-2018

Inkjet on canvas
69.25 x 70 inches (175.9 x 177.8 cm)
© Richard Prince

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Untitled, 2019

Ink jet on canvas
88.75 x 88.75 inches (225.4 x 225.4 cm)
© Richard Prince

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Woman, 2012

Inkjet and acrylic on canvas
132.5 by 121 cm. 52⅛ by 47 ⅝ in.
Signed and dated 2012 on the reverse

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Pamela Rosenkranz

Pour Yourself, 2016

5 PET bottles, silicone, pigments, plexi-hoods, pedestals
157.5 × 30 × 30 cm Framed: 157.5 × 30 × 30 cm

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Not yet titled, 2021

Acrylic paint, Inkjet print, Plexiglas
154 × 213 cm, 60 5/8 × 83 7/8 inches
© Pamela Rosenkranz. Courtesy Sprüth Magers

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Not yet titled, 2021

Acrylic paint, inkjet print, Plexiglas
35 × 152 cm, 13 7/8 × 59 7/8 inches
© Pamela Rosenkranz. Courtesy Sprüth Magers

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Sterling Ruby

ACTS/OSIRIS-REx (detail), 2016

Clear urethane block, dye, wood and formica
67 x 175 1/2 x 35 in 170.2 x 445.8 x 88.9 cm
Photo by Robert Wedemeyer. Courtesy Sterling Ruby Studio © Sterling Ruby

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Hiker (still), 2003

Single Channel Video
2 min. 20 sec.
© Sterling Ruby

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“CLUB (7689)”, 2021

Ceramic
100 x 34 x 6.7 cm
© Sterling Ruby Photo: Robert Wedemeyer Courtesy of Taka Ishii Gallery

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Thomas Ruff

cassini 11, 2009

C-print
42.91 x 42.91 in (109 x 109 cm)
Edition of 6 + 2 AP, ed. 5/6

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zycles 3061, 2008

Ink jet print on canvas
framed 236 x 406 cm (92 7/8 x 159 7/8 in.)
Edition of 3 + 1 AP, # 1. Signed, dated and numbered verso

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zycles 4078, 2009

C-print, Diasec Face
image 186 x 186 x 6 cm (73 1/4 x 73 1/4 x 2 3/8 in.)
Edition of 4 + 1 AP, ed. 4/4. Signed, dated and numbered verso

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ma.r.s.18, 2011

C-print, Diasec Face
framed 255 x 185 cm (100 3/8 x 72 7/8 in.)
Edition of 3 + 1 AP, ed. 1/3. Signed, dated and numbered verso

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00h 46m / -30°, 1992

C-print, Diasec Face
framed 260 x 188 cm (102 3/8 x 74 in.)
Edition of 2 + 1 AP, ed. 1/2. Signed, dated and numbered verso

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zycles 3090, 2008

Ditone print
image 256 x 206 cm (100 3/4 x 81 1/8 in.)
Edition of 3 + 2 AP, ed. 3/3. Signed, dated and numbered verso

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press++01.21, 2016

C-print
framed 211 x 185 cm (83 1/8 x 72 7/8 in.)
Edition of 4 + 2 AP, ed. 3/4. Signed and dated verso

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cassini 36, 2012

C-print
108.5 x 108.5 cm (42 3/4 x 42 3/4 in.) framed
Edition of 6 + 2 AP, ed. 5/6

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cassini 39, 2011

C-print
framed 108.5 x 108.5 cm (42 3/4 x 42 3/4 in.)
Edition of 6 + 2 AP, ed. 3/6. Verso signed and dated

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tableau chinois_04 ll, 2021

C-print
85.83 x 64.57 in (218 x 164 cm)
Edition of 4 + 1 AP, Ed. 3/4

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tableau chinois_07 I,

C-print
85.83 x 64.57 in (218 x 164 cm)
Edition of 4 + 1 AP, ed. 3/4

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tableau chinois_13 I, 2021

C-print
85.83 x 64.57 in (218 x 164 cm)
Edition of 4 + 1AP, ed. 1/4

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flower.s.23, 2018

C-print
39.37 x 31.5 in (100 x 80 cm)
Edition of 6 + 2 AP, ed. 1/6

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tableau chinois_14 I, 2021

C-print
85.83 x 64.57 in (218 x 164 cm)
Edition of 4 + 1AP, ed. 2/4

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IRB_ma.r.s.01, 2014

C-print
64.96 x 48.43 in (165 x 123 cm)
Edition of 5 + 2 AP, ed. 3/5

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tableau chinois_15 I, 2021

C-print
85.83 x 64.57 in (218 x 164 cm)
Edition of 4 + 1AP, ed. 1/4

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nudes go03, 2006

C-print, diasec face
62.2 x 43.31 in (158 x 110 cm)

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tableau chinois_15 II, 2021

C-print
85.83 x 64.57 in (218 x 164 cm)
Edition of 4 + 1AP, ed. 1/4

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m.n.o.p.05, 2013

C-print
18.5 x 23.62 in (47 x 60 cm)

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tableau chinois_18 I, 2021

C-print
85.83 x 64.57 in (218 x 164 cm)
Edition of 4 +1AP, ed. 1/4

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Ed Ruscha

Japan Is America, 2019

Acrylic on museum board
24 x 34 inches (61 x 86.4 cm)

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Hi There, My Old Friend, 1994

© Ed Ruscha. Courtesy of the artist and Gagosian

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L.A. Restaurants (still), 2019

4K mp4 video from Lumix GH4/GH5 cameras at 60fps
22 min.
© Ed Ruscha

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DIMINISHING LEAK, 1989

Acrylic on paper
40 1/8 x 30 1/8 in 102 x 76.5 cm
Copyright The Artist

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Pain Killers, Tranquilizers, Olive, 1969

Oil on canvas
50.8 x 61 cm
Courtesy of the Christen Sveaas Art Foundation/DACS

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Thomas Scheibitz

Joker II, 2021

Oil, vinyl and pigment marker on canvas
100 × 80 cm, 39 3/8 × 31 1/2 inches
© Thomas Scheibitz / VG Bild-Kunst, Bonn 2021. Courtesy Sprüth Magers. Photo: Timo Ohler

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Kopf 1118, 2021

Oil, vinyl and pigment marker on canvas
50 × 40 cm, 19 3/4 × 15 3/4 inches
© Thomas Scheibitz / VG Bild-Kunst, Bonn 2021. Courtesy Sprüth Magers. Photo: Timo Ohler

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gp 312, 2021

Vinyl and pigment marker on rag paper
154 × 101.5 cm, 60 5/8 × 40 inches; 160 × 108 cm, 63 × 42 1/2 inches (framed)
© Thomas Scheibitz / VG Bild-Kunst, Bonn 2021. Courtesy Sprüth Magers

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Stephen Shore

New York, New York, September/October 1972, 1972 (printed 2013)

Chromogenic color print
5 x 7 1/2 inches (12.7 x 19.1 cm) 8 x 10 inches (20.3 x 25.4 cm) paper size 14 3/4 x 17 1/4 inches (37.5 x 43.8 cm) framed. Edition 8 of 10
© Stephen Shore, courtesy of 303 Gallery, New York

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Badlands National Monument, South Dakota, July 14, 1973, 1973

Chromogenic color print
23 1/2 x 27 3/4 inches (59.7 x 70.5 cm) framed
Edition of 8

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Alexandre Singh

The Humans, 2013

Digital film, UHD, 5.1 sound
173 mins
Courtesy of Sprüth Magers, Metro Pictures, Art Concept, Monitor

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Frank Stella

Mysterious Bird of Ulieta, 1977

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Port Tampa City, 1963

Red lead on canvas
102 x 102 inches (259.1 x 259.1 cm)

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Sinjerli Variation,

Offset lithograph & screenprint in colors on Arches paper
32 x 42 1/2 in.
1A | FG© 134315

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Shards III,

Offset lithograph & screenprint in colors on Arches paper
45 1/4 x 39 3/4 in.
80/100 | FG© 136347

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Les Indes Galantes IV [Axsom 89], 1973

Offset lithograph in colours on on J. Green mould-made paper, printed by Cook, Hammond and Kell Lithographers, London, published by Petersburg Press, New York
sheet 56 x 40.7cm (unframed)
Signed, dated and numbered from the edition of 100

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Honduras Lottery Co.; Louisiana Lottery Co.; and Cipango (Axsom 76, 77, 81), 1972

Three lithographs printed in colours
Each sheet: approx. 406 by 559mm, 16 by 22in
From Multicolored Squares I, each signed in pencil, dated, inscribed A.P. XVII (artist's proofs aside from the edition of 100)

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Rosemarie Trockel

Creature of Habit 1(Drunken Dog), 1990

Bronze
11 x 90 x 33 cm
Courtesy of the Christen Sveaas Art Collection/DACS

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Kaari Upson

Oma (R.Y.B), 2021

Medium-density fibreboard, acrylic and oil paint
53.3 × 53.3 × 38.7 cm / 21 × 12 × 15.25 inches
Photo by Alessandro Zambianchi. Courtesy MASSIMODECARLO

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Grandma (R.Y.B.), 2021

Medium-density fibreboard, acrylic and oil paint
52.7 × 36.8 × 37.4 cm / 20 3/4 × 14 1/2 × 14.75 inches
Photo by Alessandro Zambianchi. Courtesy MASSIMODECARLO

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