Richard Saltoun

Eleanor Antin

Carolee Schneemann (from Portraits of Eight New York Women), 1970

Full-length mirror, broken fragment of mirror, jar of honey, easel, velvet throw
221 x 391.2 x 210.8 cm
© The Artist. Courtesy Richard Saltoun Gallery

contact gallery

Library Science, 1971

27 library catalogue cards, 25 black and white photographs, 1 original artist's statement, 1 original outline of Library of Congress code system, 1 Pamphlet of Xerox pages of the Outline of the Library of Congress Classification schedule
Cards: 7.5 x 13 cm each, artist's statement: 27.9 x 21.6 cm
© The Artist. Courtesy Richard Saltoun Gallery

contact gallery

Yvonne Rainer (from Portraits of Eight New York Women), 1970

Exercise bike, bike horn, bike mirror, basket, plastic flowers, sweatshirt

119.4 x 114.3 x 66 cm
© The Artist. Courtesy Richard Saltoun Gallery

contact gallery

Margaret Mead (from Portraits of Eight New York Women), 1970

Umbrella, chair, binoculars, thermos

139.7 x 119.4 x 96.5 cm
© The Artist. Courtesy Richard Saltoun Gallery

contact gallery

Amy Goldin (from Portraits of Eight New York Women), 1970

Mattress, bed frame, lantern, sheet, pillow case, pillow, blanket, earrings

213.4 x 185.4 x 111.8 cm
© The Artist. Courtesy Richard Saltoun Gallery

contact gallery

Rochelle Owens (from Portraits of Eight New York Women), 1970

Dymo adhesive label

34.3 x 0.6 cm
© The Artist. Courtesy Richard Saltoun Gallery

contact gallery

Naomi Dash (from Portraits of Eight New York Women), 1970

Litter box, cat litter, towel, stockings, shower cap, towel rack

142.2 x 83.8 x 38.1 cm
© The Artist. Courtesy Richard Saltoun Gallery

contact gallery

Hannah Weiner (from Portraits of Eight New York Women), 1970

Table, 3 chairs, 3 plates, 3 forks, 3 knives, 3 napkins, 3 tumblers, hammer, teapot

88.9 x 134.6 x 91.4 cm
© The Artist. Courtesy Richard Saltoun Gallery

contact gallery

The Lovers (from Roman Allegories), 2004

contact gallery

Added to list

Done

Removed

Renate Bertlmann

Übergestülpt – Boris-Zyklus (Slipped over – Boris Cycle), 1976

Pencil, color pencil, Transparency paper backed with tissue paper
52.8 x 38.8 cm
Courtesy Richard Saltoun Gallery

contact gallery

Wurfmesser (Throwing Knife), 1980

Condom, knife, polyurethane foam, perspex, velvet, wood, needles
17.5 x 42.5 x 14 cm
Courtesy Richard Saltoun Gallery

contact gallery

Farphalla transparent rosa (Farphalla rose lucent), 1998

Plastic, dildo, perspex, wood
29 x 44 x 30 cm
Courtesy Richard Saltoun Gallery

contact gallery

Boris lügt [Boris is Lying], 1974

Pencil, gouache and tracing paper on paper
36 x 49 cm
Courtesy Richard Saltoun Gallery

contact gallery

Der wassersüchtige Onkel wird abgezapft (Brecht "Kleinbürgerhochzeit") [The bloated uncle is tapped (Brecht Petty Bourgeois Wedding)], 1973

Mixed media on transparent paper on paper 38 x 53 cm
Courtesy Richard Saltoun Gallery

contact gallery

Wurm [Worm], 1973

Pencil and crayon on tracing paper and tissue paper
41 x 29 cm Framed 61 x 47 cm
Signed

contact gallery

Würmer [Worms], 1973

Pencil and crayon on tracing paper and tissue paper
42 x 28 cm Framed 61 x 47 cm
Signed and dated

contact gallery

Skin with worms, 1977

Ink and pencil on paper
12.2 x 21.4 cm Framed 30 x 39 cm
Signed and dated

contact gallery

Skin with blood, 1977

Ink and pencil on graph tracing paper, mounted on paper
12.2 x 21.4 cm Framed 30 x 39 cm
Signed and dated

contact gallery

9 Lappenobjekte für Reinhold (9 Lobe objects for Reinhold), 1976

Pencil and colour pencil on transparent paper
21 x 29.7 cm
Signed and dated

contact gallery

Untitled, 1974

Pencil, crayon, tracing paper and tissue paper
38 x 51 cm Framed 59 x 72 cm
Signed

contact gallery

Für Ingeborg Bachmann, 1975

Pencil and colour pencil on tracing paper
62.1 x 88 cm

contact gallery

Mutter mit Kind, 1975

Pencil and colour pencil on tracing paper
62.2 x 84.1 cm

contact gallery

Mutter mit 2 Kindern, 1975

Pencil and colour pencil on tracing paper
62.1 x 84.5 cm

contact gallery

EEG 1, 1975

Collaged, pencil and colour pencil on tracing paper
62.2 x 84.6 cm

contact gallery

Intensiv-Station IV, 1975

Collaged, pencil and colour pencil on tracing paper
62.4 x 88 cm

contact gallery

EEG 2, 1975

Collaged, pencil, colour pencil and ink on tracing paper
62.4 x 85.2 cm

contact gallery

Bracha

Eurydice, Graces, Demeter, 2006-2012

Oil on canvas
50 x 41 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

Eurydice - Medusa - Pieta n. 1, 2015-2018

Oil on canvas
30 x 40 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

Mamalangue n.6, 2014-2015

Oil on canvas
25 x 25 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

From Eurydice - Pieta series, 2018

Xerox, India ink, carbon toner, photocopic pigment and ashes on paper
35.3 x 24.7 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

Eros - Pieta n.4, 2019

Oil on canvas
25 x 25 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

Eros – Pieta n.5, 2019

Oil on canvas
20 x 20 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

from the series Eurydice - Pieta, 2019

India ink, carbon toner, photocopic pigment and ashes on paper
23.5 x 28 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

from the series Eurydice - Pieta, 2019

India ink, carbon toner, photocopic pigment and ashes on paper
25 x 33.5 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

from the series Eurydice - Pieta, 2019

India ink, carbon toner, photocopic pigment and ashes on paper
25 x 34 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

from the series Eurydice - Pieta, 2018

India ink, carbon toner, photocopic pigment and ashes on paper
36 x 24.6 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

Eros – Pieta n. 3, 2019

Oil on canvas
25 x 25 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

Pieta n. 3, 2015

Oil on canvas
20 x 20 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

Medusa and owl, 2012

Oil on canvas
20 x 25 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

from the series Eurydice - Pieta, 2018

India ink, carbon toner, photocopic pigment and ashes, aquarelle, pigment on paper
35.5 x 25 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

From Eurydice - Pieta series, 2013-2020

India ink, carbon toner, photocopic pigment and ashes, aquarelle, charcoal, pigment on paper
18.5 x 29.4 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

From Eurydice - Pieta series, 2013-2020

India ink, carbon toner, photocopic pigment and ashes, aquarelle, charcoal on paper
25 x 35 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

from the series Eurydice - Pieta, 2018

India ink, carbon toner, photocopic pigment and ashes, aquarelle, pencil on paper
25 x 30.5 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

From Eurydice - Pieta series, 2018

Xerox, India ink, carbon toner, photocopic pigment and ashes, aquarelle, pigment on paper
25 x 33.5 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

Kaddish n.4, 2015-2019

Oil on canvas
40 x 30 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

Kaddish n.5, 2015-2020

Oil on canvas
40 x 30 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

Kaddish n.6, 2015-2020

Oil on canvas
40 x 30 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

Medusa n.3, 2015-2019

Oil on canvas
25 x 25 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

Untitled, 2018

India ink, carbon toner, photocopic pigment and ashes, aquarelle on paper
22.4 x 16.5 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

From Eurydice - Pieta series, 2013-2018

India ink, carbon toner, photocopic pigment and ashes, aquarelle on paper
27.4 x 27.8 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

From Eurydice - Pieta series, 2013-2020

Xerox, India ink, carbon toner, photocopic pigment and ashes on paper
26 x 35.5 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

From Eurydice - Pieta series, 2013-2020

Xerox, India ink, carbon toner, photocopic pigment and ashes, aquarelle on paper
22.5 x 37.2 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

From Eurydice - Pieta series, 2013-2021

India ink, carbon toner, photocopic pigment and ashes, color pencil, aquarelle on paper
24.9 x 37.8 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

From Eurydice - Pieta series, 2013-2020

Xerox, India ink, carbon toner, photocopic pigment and ashes, aquarelle on paper
20.7 x 40.2 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

Eros - Pieta n.2, 2015-2019

Oil on canvas
40 x 30 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

Eros - Pieta n.1, 2015-2019

Oil on canvas
40 x 30 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

from the series Eurydice - Pieta, 2013-2018

India ink, carbon toner, photocopic pigment and ashes, aquarelle, color pencil on paper
22.4 x 37 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

From Eurydice - Pieta series, 2013-2020

Xerox, India ink, carbon toner, photocopic pigment and ashes, aquarelle on paper
20.4 x 40.6 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

From Eurydice - Pieta series, 2013-2018

India ink, carbon toner, photocopic pigment and ashes, aquarelle, color pencil, charcoal on paper
28 x 28 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

From Eurydice - Pieta series, 2013-2020

India ink, carbon toner, photocopic pigment and ashes, aquarelle on paper
25.9 x 38.3 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

From Eurydice - Pieta series, 2013-2021

India ink, carbon toner, photocopic pigment and ashes, aquarelle, pigment on paper
25 x 38 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

From Eurydice - Pieta series, 1992-2021

India ink, carbon toner, photocopic pigment and ashes, aquarelle, oil colours on paper
35 x 24.5 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

From Eurydice - Pieta series, 2013-2021

India ink, carbon toner, photocopic pigment and ashes, aquarelle on paper
21 x 34.5 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

From Eurydice - Pieta series, 2013-2021

India ink, carbon toner, photocopic pigment and ashes, aquarelle on paper
20.5 x 21.4 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

From Eurydice - Pieta series, 2013-2021

India ink, carbon toner, photocopic pigment and ashes, aquarelle on paper
23.5 x 27.5 cm
© Bracha, courtesy Richard Saltoun Gallery

contact gallery

Medusa n.3, 2015-2019

Oil on canvas
25 x 25 cm

contact gallery

Untitled, 2018

India ink and aquarelle on notebook paper
27 x 21 cm
Signed lower right recto and verso

contact gallery

From Eurydice - Pieta series, 2018

Xerox, India ink, carbon toner, photocopic pigment and ashes on paper
35.3 x 24.7 cm

contact gallery

from the series Eurydice - Pieta, 2019

India ink, carbon toner, photocopic pigment and ashes on paper
25 x 33.5 cm

contact gallery

Jagoda Buić

La Voile [The Sail], 1971

Wool and sisal
300 x 251 cm
Courtesy Richard Saltoun Gallery

contact gallery

Fallen Angel, 1966

Wool and sisal
190 x 44 cm
Courtesy Richard Saltoun Gallery

contact gallery

Dubrovnik, 1973

Wool
80 x 64 cm
Courtesy Richard Saltoun Gallery

contact gallery

Untitled, 1976

Felt tip
103 x 72 cm
Courtesy Richard Saltoun Gallery

contact gallery

Dubrovnik, 1973


Wool

80 x 64 cm


contact gallery

Lili Dujourie

Hommage à ... I, 1972

Video, black and white, silent
Duration: 20'07"
© The Artist; Courtesy Richard Saltoun Gallery, London

contact gallery

American Imperialism, 1972/2021

Steel
200 x 230 x 1 cm
© The Artist; Courtesy Richard Saltoun Gallery, London

contact gallery

Cabinet, 1992

Plaster on wood and painted steel
171.4 x 30.4 x 44.7 cm
Inscribed 'LD' to plaster sculpture © the Artist. Courtesy Richard Saltoun Gallery, London and Rome

contact gallery

Rose English

Porcelain Dancer 1, 1973

Porcelain, enamel colours with gold and silver
22.9 x 17.8 x 2.5 cm
© the Artist. Courtesy Richard Saltoun Gallery, London and Rome

contact gallery

Porcelain Dancer 3, 1973

Porcelain, enamel colours with gold and silver
22.9 x 15.2 x 1.9 cm
© the Artist. Courtesy Richard Saltoun Gallery, London and Rome

contact gallery

Porcelain Dancer 4, 1973

Porcelain, enamel colours with gold and silver
22 x 11.5 x 3 cm
© the Artist. Courtesy Richard Saltoun Gallery, London and Rome

contact gallery

Silvia Giambrone

Mirror n. 12, 2021

contact gallery

Mirror n. 19, 2022

contact gallery

Alexis Hunter

Approach to Fear I: Violence - identify with aggressor, 1976

8 colour photographs in 2 framed panels
100 x 41.5 cm each panel
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Tits and Bums, 1986

Ink and photo-collage mounted on paper, vintage
29.8 x 20.9 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

The Object Series, 1974

Gelatin silver print, unique, lifetime print
50 x 60 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

The Object Series, 1974, printed 2006

Gelatin silver print
50 x 60 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

The Object Series (Tattoo Series V), 1974, printed 2006

Gelatin silver print
50 x 70 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

The Model’s Revenge, 1978

Crayon, watercolour and lithograph on paper
57 x 77.5 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

The Model’s Revenge, 1978

Crayon, watercolour and lithograph on paper
57 x 77.5 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Approach to Fear XI: Effeminacy - productive action, 1977

10 gelatin silver prints, each with ink additions and hand-tinted, mounted on board, with ink inscriptions by the artist
71.8 x 48.3 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Gender Confusion: Succubus/Incubus, 1977

10 colour Xeroxes in 2 framed panels
Each: 114 x 40 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Approach to Fear III: Taboo - Demystify, 1976

30 colour photographs, mounted on board
57 x 43 cm sheet
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Nina fixing her car, 1980

Gelatin silver prints with ink additions
Set of 18, 18.5 x 25.3 cm each
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Nina fixing her car, 1980

Gelatin silver print
20.2 x 25.3 cm
Part of a set of 19 © The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Lust in pursuit of Desire, 1989

Etching, hand coloured
76 x 59 cm
Artist proof 2/14 © The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

The Artist Forum. Illustrated Lectures on Money, Art, Sex' by Alexis Hunter, 1980s

Printed poster (WIP copy)
42 x 29.5 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Co-dependence, 1997

Acrylic and pen on card
30 x 42 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Untitled (Woman and Beast series), I,

Gouache and ink on paper
9.6 x 10.4 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

A Goddess confronting Patriarchy, 1983

Etching
38 x 56 cm
Edition 4 of 24 © The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Goddess Harnessing Muse, 1983

Etching
39 x 28 cm
Edition 15 of 60 © The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Untitled (Woman and Beast series),

Gouache and ink on paper
10.6 x 12 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Domestic Warfare, 1979

20 c-type photographs, printed 2012
20.3 x 25.4 cm (each)
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Sexual Warfare, 1975

18 colour photographs mounted on board, vintage
Overall dimensions: 59.5 x 49 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Sexual Warfare, 1973

Collage with newsprint, felt-tip drawing and text, vintage
42 x 59 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

To Silent Women (alone we failed), 1981

24 colour Xeroxes, mounted on board, vintage
Each: 21 x 29.5 cm (each). Each panel: 119.4 x 36.8 cm. Overall dimensions: 120 x 220 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

The Media, 1968

2 hand-coloured Xeroxes mounted on paper, vintage
46.7 x 36.7 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Approach to Fear V: Pain - Medication, 1976

10 colour photographs, mounted on paper, vintage
57.5 x 44.3 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Approach to Fear XX: Rape - Violence, 1977

8 colour polaroid photos, mounted on board, vintage
61.3 x 46 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Approach to Fear II : Change Decisive Action, 1976

18 colour photographs mounted board, vintage
56 x 74.4 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Oh No!, 1978

49 colour photographs mounted on board, vintage
43 x 57.5 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Approach to Fear XIV: Urban Sophistication - Aggression, 1976

21 colour photographs mounted on board, vintage
44.6 x 52.9 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Anxiety/Sexual Warfare, 1974

Black and white photograph with paint mounted on paper, vintage
27.5 x 35 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Untitled (Woman and Beast), c. 1990

Oil on card
40 x 28.5 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Untitled (Woman and Beast), 1990

Oil on card
40 x 28.5 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Scylla, 1992

Aquatint
57.5 x 37.9 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Hine-nui-te-po (Great Women of Night), 1988

Print
56 x 75 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Callisto, 1992

Print
65 x 50 cm
© The Estate of Alexis Hunter. Courtesy of Richard Saltoun Gallery, London

contact gallery

Vivienne Koorland

The Local Monuments I: Childhood, 1995

Oil, paper and glue on linen

270 x 228 cm
© The Artist; Courtesy Richard Saltoun Gallery

contact gallery

The Local Monuments II: Central Africa, 1997

Oil, charcoal, paper and glue on linen
270 x 228 cm
© The Artist; Courtesy Richard Saltoun Gallery

contact gallery

Pays Inconnu, 2016

Oil and twine on stitched linen and burlap
244 x 366 cm
© The Artist; Courtesy Richard Saltoun Gallery

contact gallery

POLAND IS ON PLUTO: A Change Is Gonna Come (Sam Cooke’s Version), 2017

Oil, pigment and twine on linen and burlap
213.4 x 248.9 cm 84 x 98 in
Courtesy of Richard Saltoun Gallery

contact gallery

JAN van RIEBEECK'S MAP: Königsberg, 2017

Oil, pigment and twine on linen and burlap
213.4 x 248.9 cm 84 x 98 in
Courtesy of Richard Saltoun Gallery

contact gallery

TEREZIN PAINTING: Josef, 1991

Oil on linen set into wood mantel
139.7 x 152.4 x 20.3 cm 55 x 60 x 8 inches
Courtesy of Richard Saltoun Gallery

contact gallery

Bob Law

River Avon Gorge, 1966


Pencil and collage on paper

28 x 51 cm

© Estate of Bob Law

contact gallery

Mister Paranoia IV 20.11.70 (No. 95), 1970


Oil on canvas

240 x 418 cm

© Estate of Bob Law

contact gallery

Blue Chair, 1982


Painted wood

90.7 x 44.8 x 49.4 cm

© Estate of Bob Law

contact gallery

Black Watercolour 25.1.88, 1988


Watercolour on paper

56 x 76 cm

© Estate of Bob Law

contact gallery

BLACK DIAMOND XIV, 1980


Acrylic on canvas

21.5 x 23.5cm

© Estate of Bob Law

contact gallery

Untitled Field Drawing 22.1.63, 1963

Pencil on paper

55 x 75 cm


contact gallery

Bice Lazzari

Senza Titolo [Untitled] (Q/435), 1972-3

Acrylic on canvas
80 x 162 cm
Signed, titled and dated on reverse

contact gallery

Quadro in Rosso [Picture in Red], 1953

Oil on canvas
55 x 45 cm
Signed and dated on reverse Label and stamp Arte Centro, Milan on reverse

contact gallery

Untitled, 1972

Pastel and pencil on paper
49 x 68.8 cm
Signed and dated lower right "B. LAZZARI-ROMA-4-1972"

contact gallery

Materia e colore n.3 [Matter and colour no. 3], 1960


Oil and sand on canvas

60.5 x 26 cm


contact gallery

Barbara Levittoux-Świderska

The Blurry Space [Rozmyta przestrzeń], 1984

Sisal, thread, metal frame
450 x 250 x 250 cm
Courtesy Richard Saltoun Gallery

contact gallery

Gold Rain [Złoty deszcz], 1986


Brass, wool, synthetic fabric, cotton and coins

215 x 170 x 10 cm

contact gallery

Verticals I [Piony I], 2010

Velvet, plastic, metal, fabric

20.5 x 20.5 cm


contact gallery

Penetration of Surface II, 1982


Thread and metal

20 x 20 cm


contact gallery

Bertina Lopes

Untitled, 1977


Oil on canvas

100 x 120 cm


contact gallery

In memoriam de Picasso [In memory of Picasso], 1974


Oil on canvas

75 x 180 cm
© The Estate of Bertina Lopes. Courtesy the Artist and Richard Saltoun Gallery, Rome

contact gallery

Grido grande [Big Cry], 1970


Oil on canvas

150 x 150 cm
© The Estate of Bertina Lopes. Courtesy the Artist and Richard Saltoun Gallery, Rome

contact gallery

Maternità [Maternity], 1971


Oil on canvas

79 x 99 cm
© The Estate of Bertina Lopes. Courtesy the Artist and Richard Saltoun Gallery, Rome

contact gallery

Totem n. 1, 1968


Oil on canvas

140 x 160 cm
© The Estate of Bertina Lopes. Courtesy the Artist and Richard Saltoun Gallery, Rome

contact gallery

Rais Antica 2 - Una Historia Verdadeira [Ancient Root 2 -A True Story], 1972


Mixed media on canvas

150 x 130 cm
© The Estate of Bertina Lopes. Courtesy the Artist and Richard Saltoun Gallery, Rome

contact gallery

Acrobacia 2 [Stunt 2], 1972/73


Mixed media on canvas

150 x 130 cm
© The Estate of Bertina Lopes. Courtesy the Artist and Richard Saltoun Gallery, Rome

contact gallery

Raiz antica [Ancient root], 1964


Collage and oil on canvas

130 x 150 cm
© The Estate of Bertina Lopes. Courtesy the Artist and Richard Saltoun Gallery, Rome

contact gallery

Eliseo Mattiacci

Predisporsi ad un capolavoro comico astronomico [Prepare for a cosmic astronomic masterpiece], 1982

contact gallery

Dinamica verticale [Vertical dynamics], 2013

contact gallery

Everlyn Nicodemus

Silent Strength no 1, 1989

Oil on canvas
80 x 80 cm
© The Artist; Courtesy Richard Saltoun Gallery, London

contact gallery

Vi Kvinnor - Akersberga [We women - Akersberga], 1983

Oil on canvas
195.5 x 129 cm
© The Artist; Courtesy Richard Saltoun Gallery, London

contact gallery

Untitled No 31 (Baudelaire and Rimbaud), 2021



Pen, pencil and collage on paper

45 x 32 cm
Signed and dated lower left recto.
 Titled, dated and location verso

contact gallery

Untitled No 57 (Baudelaire and Rimbaud), 2022


Pen, pencil and collage on paper

45 x 32 cm

Signed and dated lower right recto.
 Titled, dated and location verso

contact gallery

The Wedding 71, 1992

Oil on canvas 

Triptych: 
130 x 100 cm each, 
130 x 300 cm together 


Signed lower right recto. 
'A,B,C Borgerhout' to verso


contact gallery

The Wedding 60, 1992



Oil on canvas
200 x 145 cm
Signed and dated lower right recto. 
'Borgerhout' to verso

contact gallery

The Wedding 46, 1991


Oil on canvas
200 x 150 cm
Inscribed 'Borgerhout' to verso

contact gallery

Bystander 27, 2007


Pencil and collage on parchment paper

50 x 35 cm

Signed dated and dedicated in lower centre


contact gallery

The Widow and The Shadow (set of 12), 2018


Pencil, ink and charcoal on paper

Each: 42 x 30 cm
Each work signed, dated, titled and numbered sequentially verso

contact gallery

Untitled (set of 5), 1996


Mixed media on paper
Each: 41 x 37 cm 

Each signed and dated verso

contact gallery

Untitled, 1994


Acrylic, gold leaf, silver leaf, charcoal and pencil on paper

56 x 40 cm

Signed and dated lower right recto


contact gallery

Untitled, 1994


Acrylic, gold leaf, silver leaf, charcoal, pencil on paper

56 x 40 cm

Signed and dated lower right recto

contact gallery

Marinella Pirelli

Narciso, film esperienza [Narcissus, film experience], 1966-67

Film, 16mm, digital transfer, colour, sound
11’
© Marinella Pirelli. Courtesy Archivio Marinella Pirelli and Richard Saltoun Gallery

contact gallery

Indumenti [Garments], 1966-67

Film, 16mm, digital transfer, colour, silent
2’15’’
© Marinella Pirelli. Courtesy Archivio Marinella Pirelli and Richard Saltoun Gallery

contact gallery

Doppio autoritratto [Double self-portrait], 1973-74

Film, 16mm, digital transfer, colour, sound
13’
© Marinella Pirelli. Courtesy Archivio Marinella Pirelli and Richard Saltoun Gallery

contact gallery

Caduta [Fall], 2001

Gold leaf, nitrolac and acetate on card
Framed dimensions: 61 x 51 cm
Sgned and dated on the front, LR Marinellia 6 2001. On the back, inscription Caduta, gold and nitrolac 2001, Marinellia Pirelli, Campi d'oro 40 varese, Italia" TR inscription 8A.

contact gallery

Senza titolo n.2 [Untitled n.2], 2001

Gold leaf, nitrolac and acetate on card
Framed dimensions: 51 x 36 cm
Signed and dated on the front, LR Marinellia 6 2001. On the back, inscription Senza titolo N.2, oro e nitrolac 2001 , Marinellia Pirelli, Campi d’oro 40,varese, Italia”, in alto a destra, iscrizione “10A ”

contact gallery

Chi Arriva? [Who's coming?], 2001

Gold leaf, nitrolac and acetate on card
Framed dimensions: 39.5 x 48.5 cm
Signed on the front lower right 'Marinellia'. On the front lower left 'Oro e Nitrolac', LC 'Chi arriva?'. Back: 'Chi Arriva?' Oro e nitrolac, Marinellia 2001'

contact gallery

Su Richardson

Goodbye Rug, c. 1980

Gloves, net, first world war handkerchiefs

56 x 76 cm


contact gallery

Greta Schödl

Untitled, 2019/2020

Oil, ink and gold leaf on French canvas
203 x 103 cm

contact gallery

Firenze 1966, 1970s

Ink and gold leaf on cloth
150 x 125 cm

contact gallery

Berni Searle

Untitled (brown). From the ‘Colour Me’ series, 1998

Lightjet on Fuji Crystal Archive Matt paper
42 x 50 cm
© The Artist

contact gallery

Untitled (red). From the ‘Colour Me’ series, 1998

Lightjet on Fuji Crystal Archive Matt paper
42 x 50 cm
© The Artist

contact gallery

Untitled (white). From the ‘Colour Me’ series, 1998

Lightjet on Fuji Crystal Archive Matt paper
42 x 50 cm
© The Artist

contact gallery

Untitled (yellow) (From the ‘Colour Me’ series), 1998

Lightjet on Fuji Crystal Archive Matt paper
42 x 50 cm
© The Artist

contact gallery

Black River, 2019

Archival pigment ink on cotton paper
Image: 110 x 165 cm Sheet: 112 x 167 cm
© The Artist

contact gallery

As the crow flies (still), 2017

Single channel HD video
© The Artist

contact gallery

Com-fort (Variation), 2019

Unique Paprika, found objects
Dimensions variable
© The Artist

contact gallery

Annegret Soltau

Permanente Demonstration am 19.01.1976, 1976/2008

Set of 6 black and white photo etchings
Each: 60 x 50 cm. Edition 1 of 5 (plus 2 AP)
© Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

contact gallery

Permanent demonstration am 19.1.1976, 1976

Gelatin silver print, vintage
27.5 x 31 cm
© Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

contact gallery

Ich überstochen [Myself punctured], 1991

Gelatin silver print with needles
30 x 25 cm. Edition 14 of 14, each variant unique
Signed, dated and numbered on front © Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

contact gallery

Spider installation, 1978

Found fibreglass mannequin and wooden chair, with thread
Installation: variable dimensions. Mannequin: 168 x 50 cm. Chair: 85 x 40 cm. Unique
© Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

contact gallery

Erwartung I-III [Expectation I-III], 1980/81

Set of 60 vintage gelatin silver prints mounted on 3 panels (with original negatives attached on reverse)
Each panel: 96 x 75 cm. Unique
© Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

contact gallery

Meine verlorenen Haare [My lost hair], 1977

183 A4 sheets, each for 1 day, presented in 12 binders, each sheet dated and consisting of the artist's hair affixed to the paper, together with a set of 11 vintage black and white photographs
Each photo: 12 x 9 cm. Each sheet: 29.7 x 21 cm. Unique
© Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

contact gallery

Doppelte Entfaltung [Double unfolding], 1980/82

Set of 80 vintage gelatin silver prints, mounted on 1 panel
148 x 154 cm. Unique
Signed and dated on reverse © Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

contact gallery

Sich-fallen-lassen [Let yourself fall], 1978/1986-87

672 gelatin silver prints mounted on 4 parts
Each photo: 11.5 x 11.5 cm. Each panel: 153 x 178 cm. Overall: 304 x 354 cm
© Annegret Soltau, VG Bild-Kunst, Bonn, Germany 2020. Courtesy of Richard Saltoun Gallery, London.

contact gallery

Jo Spence

Remodelling Photo History: Revisualization, 1981. Collaboration with Terry Dennett

Hand-coloured black and white print, mounted on card
69.6 x 49.5 cm 27.4 x 19.5 in
Courtesy of Richard Saltoun Gallery

contact gallery

Remodelling Photo History: Victimization, 1981-82. Collaboration with Terry Dennett

Black and white photograph
62.5 x 78.5 cm (image size)
Courtesy of Richard Saltoun Gallery

contact gallery

Remodelling Photo History: Industrialization, 1981-82. Collaboration with Terry Dennett

Black and white photograph
82 x 66 cm (image size)
Courtesy of Richard Saltoun Gallery

contact gallery

Ulay

Irritation - There is a Criminal Touch to Art, 1976

Set of 11 analogue Baryta prints with film, printed 2018. Single channel video, 16 mm film transferred to digital, B&W, sound
27 min 51 sec. Each print: 61.5 x 45 cm
Edition 7 of 10 + 2 AP. Courtesy ULAY Foundation, LIMA, Amsterdam and Richard Saltoun Gallery, London

contact gallery

Irritation - There is a Criminal Touch to Art, 1976

Set of 11 analogue Baryta prints with film, printed 2018. Single channel video, 16 mm film transferred to digital, B&W, sound
27 min 51 sec. Each print: 61.5 x 45 cm
Edition 7 of 10 + 2 AP. Courtesy ULAY Foundation, LIMA, Amsterdam and Richard Saltoun Gallery, London

contact gallery

Irritation - There is a Criminal Touch to Art, 1976

Set of 11 analogue Baryta prints with film, printed 2018. Single channel video, 16 mm film transferred to digital, B&W, sound
27 min 51 sec. Each print: 61.5 x 45 cm
Edition 7 of 10 + 2 AP. Courtesy ULAY Foundation, LIMA, Amsterdam and Richard Saltoun Gallery, London

contact gallery

Black Judges (from the series Can’t Beat the Feeling – Long Playing Record), 1992


Set of four Polaroid/Polacolor mounted on white board, New York Studio

Each polaroid: 49 x 49 cm. Board: 100 x 100 cm
© The Artist and courtesy Richard Saltoun Gallery. Photo: Ben Westoby

contact gallery

Black Judges (from the series Can’t Beat the Feeling – Long Playing Record), 1992


Set of four Polaroid/Polacolor mounted on white board, New York Studio

Each polaroid: 49 x 49 cm. Board: 88.5 x 90 cm
© The Artist and courtesy Richard Saltoun Gallery. Photo: Ben Westoby

contact gallery

Black Judges (from the series Can’t Beat the Feeling – Long Playing Record), 1992


Set of four Polaroid/Polacolor mounted on white board, New York Studio

Each polaroid: 49 x 49 cm. Board: 90 x 90 cm
© The Artist and courtesy Richard Saltoun Gallery. Photo: Ben Westoby

contact gallery

Black Judges (from the series Can’t Beat the Feeling – Long Playing Record), 1992


Set of four Polaroid/Polacolor mounted on white board, New York Studio

Each polaroid: 49 x 49 cm. Board: 90 x 90 cm
© The Artist and courtesy Richard Saltoun Gallery. Photo: Ben Westoby

contact gallery


By using GalleriesNow.net you agree to our use of cookies to enhance your experience. Close