Repetto Gallery

Pier Paolo Calzolari

Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
58.5 x 38.5 x 1.5 cm (framed: 60.5 x 41 x 4 cm)
Signed and titled on the front

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Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
58.5 x 38.5 x 1.5 cm (framed: 60.5 x 41 x 4 cm)
Signed and titled on the front

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Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
58.5 x 38.5 x 1.5 cm (framed: 60.5 x 41 x 4 cm)
Signed and titled on the front

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Untitled, 1986

Burned salt, lead, walnut, tin, colourant
60 x 45 x 10 cm
Signed, dated Calzolari 86 on the back. COA by the artist

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Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
77 x 57.5 x 2 cm (framed: 79.5 x 60 x 4 cm)
Signed and titled on the front

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Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
77 x 57.5 x 2 cm (framed: 79.5 x 60 x 4 cm)
Signed and titled on the front

contact gallery

Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
77 x 57.5 x 2 cm (framed: 79.5 x 60 x 4 cm)
Signed and titled on the front

contact gallery

Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
77 x 57.5 x 2 cm (framed: 79.5 x 60 x 4 cm)
Signed and titled on the front

contact gallery

Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
77 x 57.5 x 2 cm (framed: 79.5 x 60 x 4 cm)
Signed and titled on the front

contact gallery

Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
77 x 57.5 x 2 cm (framed: 79.5 x 60 x 4 cm)
Signed and titled on the front

contact gallery

Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
77 x 57.5 x 2 cm (framed: 79.5 x 60 x 4 cm)
Signed and titled on the front

contact gallery

Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
77 x 57.5 x 2 cm (framed: 79.5 x 60 x 4 cm)
Signed and titled on the front

contact gallery

Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
77 x 57.5 x 2 cm (framed: 79.5 x 60 x 4 cm)
Signed and titled on the front

contact gallery

Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
77 x 57.5 x 2 cm (framed: 79.5 x 60 x 4 cm)
Signed and titled on the front

contact gallery

Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
77 x 57.5 x 2 cm (framed: 79.5 x 60 x 4 cm)
Signed and titled on the front

contact gallery

Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
77 x 57.5 x 2 cm (framed: 79.5 x 60 x 4 cm)
Signed and titled on the front

contact gallery

Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
77 x 57.5 x 2 cm (framed: 79.5 x 60 x 4 cm)
Signed and titled on the front

contact gallery

Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
77 x 57.5 x 2 cm (framed: 79.5 x 60 x 4 cm)
Signed and titled on the front

contact gallery

Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
77 x 57.5 x 2 cm (framed: 79.5 x 60 x 4 cm)
Signed and titled on the front

contact gallery

Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
77 x 57.5 x 2 cm (framed: 79.5 x 60 x 4 cm)
Signed and titled on the front

contact gallery

Untitled, from “Muitos estudos para uma casa de limão" series, 2018

Salt, tempera, pastels “à l’écu” and oil pastels on Arches watercolor “Torchon” paper laid on board
77 x 57.5 x 2 cm (framed: 79.5 x 60 x 4 cm)
Signed and titled on the front

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Christo

380 Wrapped Trees (Project for Avenue des Champs Elysées and Rond Point des Champs Elysées Paris), 1969

Plastic, twine, charcoal, gouache, tape and photograph collage on paper mounted on paperboard
71.1 x 55.9 cm

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Over the River (Project for State of Colorado, Arkansas River), 1995

Graphite, enamel paint, wax crayon, tape and photograph by Wolfgang Volz on cardboard
43 x 55.9 cm

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Over the River, Project for Arkansas River, State of Colorado, Parkdale Siding, #42, 1996

Graphite, gelatine silver photographs, pastel, coloured pencil on printed paper, in 2 parts
Work in two parts, 30.5 x 77.5 cm and 66.7 x 77.5 cm

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The Wall / Project for a Wrapped Roman Wall, 1974

Charcoal, graphite, pastel, fabric and threads on cardboard
70.5 x 55 cm
Signed, titled and dated along the lower edge

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Store Front Project, 1965

Graphite, wax crayon, acrylic, cloth, plastic, nails and metal on masonite
33,5 x 28 cm (unframed) 46,5 x 40,5 x 5 cm (framed)
Signed and dated on the recto. The authenticity of this work has been confirmed by the artist, and it is registered with the archives under the number 12.867

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Running Fence (Project for Sonoma County and Marin County, State of California), 1976

Charcoal, pastel, wax crayon and printed paper collage on paper. In artist's Plexiglas box
in 2 parts: 39.4 x 245.1 cm 108 x 245.1 cm. Overall 147.3 x 245.1 cm
Signed, titled and dated "Christo 1976 RUNNING FENCE (PROJECT FOR Sonoma County and Marin County, STATE OF CALIFORNIA)"

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The Wall 1974 – Project for A Wrapped Roman Wall Porta Pinciana Delle Mura Aureliane, 1974

Graphite, coloured pencils, string, staples, paper and fabric collage on paper, mounted on card
56,5 x 71,7 cm
Signed, titled and dated upper edge

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Valley Curtain (Project for Colorado) Rifle, Grand Hogback, 1971

Pencil, fabric, wax crayon, charcoal, photograph, typographic map and tape on board
72 x 56,7 x 2,4 cm
Signed, titled and dated

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Luigi Ghirri

Napoli 1981, From Paesaggio italiano, 1981

C-print from negative 24 x 36 mm
19.5 x 29.5 cm
COA by Archivio Luigi Ghirri

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Quimper, 1972, From Kodachrome, 1972

C-print from negative 24 x 36 mm
12.5 x 17.4 cm (32 x 32 cm)
Signed and dated lower right. From Portfolio Luigi Ghirri per Cantergiani & C. Assicurazioni S.p.A. – Modena, 1977. Printed in edition of 300. COA by Archivio Luigi Ghirri

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Modena, 1978, From Still life, 1978

C-print from negative 24 x 36 mm
24.5 x 36.6 cm (30 x 40.5 cm)
On the white right side is signed “Ghirri 79” and on the left “Modena 30/30” by the artist. COA by Archivio Luigi Ghirri

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(Luzern), 1971, From Kodachrome, 1971 ca.

C-print from negative 24 x 36 mm
11.7 x 8 cm
COA by Archivio Luigi Ghirri

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Rotterdam, 1973, From Kodachrome, Paesaggi di cartone, 1973

C-print from negative 24 x 36 mm
19.2 x 13 cm (24 x 18.9 cm)
COA by Archivio Luigi Ghirri, VSM 35 018

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Modena, 1973, From Kodachrome, 1973

C-print from negative 24 x 36 mm
24.8 x 16.3 cm (40 x 30 cm)
COA by Archivio Luigi Ghirri, VSM 38 018

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Bressanone, 1979, From Still Life, Geografia immaginaria, 1979

C-print from negative 24 x 36 mm
26 x 38 cm (28 x 40 cm)
COA by Archivio Luigi Ghirri, VSM 63 018

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Modena, 1979, From Still life, 1979

C-print from negative 24 x 36 mm
31 x 22.6 cm (30 x 40 cm)
COA by Archivio Luigi Ghirri, VSM 64 018

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Modena, 1978, From Still Life, 1978

C-print from negative 24 x 36 mm
20 x 30 cm (35.4 x 24 cm)
COA by Archivio Luigi Ghirri, VSM 69 018

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Arles, 1978, From Still Life, 1978

C-print from negative 24 x 36 mm
30 x 20 cm (35.5 x 24 cm)
COA by Archivio Luigi Ghirri, VSM 70 018

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Richard Long

Untitled, 2005

Ashes of fire on Korean paper
92 x 73 cm
Signed and dated on the reverse

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Giulio Paolini

Mimesi, 1975

Plaster, in two parts
each: 14 3/8 x 8 x 9 5/8 in. (36.5 x 20.5 x 24.5cm.)
This work is number two from an edition of twenty. COA by the artist

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