Maureen Paley

Lawrence Abu Hamdan

Once Removed, 2019

HD video, colour, sound
30 minutes
Commissioned by Sharjah Art Foundation © Lawrence Abu Hamdan, courtesy Maureen Paley, London

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For the Otherwise Unaccounted (shelf a), 2020

3 thermographic prints and text panel on shelf
Shelf: 30 x 150 x 52 cm. Prints: 42 x 29.7 cm. Text panel: 42 x 24 cm
© Lawrence Abu Hamdan, courtesy Maureen Paley, London

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For the Otherwise Unaccounted (shelf b), 2020

6 thermographic prints with text panel on shelf
Shelf: 30 x 263 x 52 cm. Prints: 42 x 29.7 cm. Text panel: 42 x 24 cm
© Lawrence Abu Hamdan, courtesy Maureen Paley, London

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For the Otherwise Unaccounted (shelf d), 2020

4 thermographic prints and text panel on shelf
Shelf: 30 x 182 x 52 cm. Prints: 42 x 29.7 cm. Text panel: 42 x 24 cm
© Lawrence Abu Hamdan, courtesy Maureen Paley, London

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Felipe Baeza

Wayward, 2021

Ink, cut paper, graphite, twine, and acrylic collaged on paper
167.6 x 121.9 cm 66 x 48 inches
© Felipe Baeza, courtesy Maureen Paley, London

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If you surrender to the air, you can ride it (Unruly Suspension), 2021

Ink, cut paper, graphite, acrylic, and twine collaged on paper
167.6 x 121.9 cm 66 x 48 inches
© Felipe Baeza, courtesy Maureen Paley, London

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Keeper of secrets, 2021

Ink, acrylic, graphite, and cut paper collaged on panel
35.6 x 27.9 cm 14 x 11 inches
© Felipe Baeza, courtesy Maureen Paley, London

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I know that my memory of you will live even there as I too become a child of the sea, 2021

Ink, cut paper, watercolour, acrylic, graphite, and varnish on panel
30.5 x 22.9 cm 12 x 9 inches
© Felipe Baeza, courtesy Maureen Paley, London

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Only the future revisits the past, 2021

Ink, graphite, flashe, cut paper, acrylic, varnish, interference powder, collage, and embroidery on panel
22.9 x 30.5 cm 9 x 12 inches
© Felipe Baeza, courtesy Maureen Paley, London

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Hannah Collins

Salt (5), 1996

Silver gelatin print mounted on canvas
220 x 263 cm
© Hannah Collins, courtesy Maureen Paley, London

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Small Flame, Copal Tree II, 2021

Silver gelatin print
frame: 39.8 x 32.2 x 3 cm
© Hannah Collins, courtesy Maureen Paley, London

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Small Flame, Copal Tree I, 2021

C-type print
frame: 51.8 x 41.7 x 3 cm
© Hannah Collins, courtesy Maureen Paley, London

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votive candles on shelf,

52.4 x 43 x 15 cm
© Hannah Collins, courtesy Maureen Paley, London

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Flaming Forest, 2021

Pigment print on paper
240 x 400 cm
© Hannah Collins, courtesy Maureen Paley, London

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120 years ago today, 2021

Silver gelatin print
frame: 61.8 x 49.8 x 3 cm
© Hannah Collins, courtesy Maureen Paley, London

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Flaming trees, 2021

Colour pencil, felt tip pen and graphite on paper
frame: 37 x 48.8 x 3.5 cm
© Hannah Collins, courtesy Maureen Paley, London

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In the Course of Time (12) Small Fire, 1996

Silver gelatin print mounted on canvas
194 x 158 cm
© Hannah Collins, courtesy Maureen Paley, London

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votive candle on shelf,

97.4 x 30 x 30 cm
© Hannah Collins, courtesy Maureen Paley, London

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Parícutin, 2021

Silver gelatin print
frame: 41.8 x 51.4 x 3 cm
© Hannah Collins, courtesy Maureen Paley, London

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Thomas Eggerer

Stranded, 2021

Oil, resin and beeswax on linen
180.3 × 175.3 cm
© Thomas Eggerer, courtesy Maureen Paley, London

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Chain (detail), 2021

Collage of found images and disposable coffee cup lids
dimensions variable
© Thomas Eggerer, courtesy Maureen Paley, London

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High and Dry, 2021

Oil, resin and beeswax on linen
180.3 × 175.3 cm
© Thomas Eggerer, courtesy Maureen Paley, London

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Liam Gillick

Everything Good Goes, 2008

Red digital video converted to H.264
14 minutes, 48 seconds
© Liam Gillick, courtesy Maureen Paley, London

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Festive Self-Regulation, 2019

Silver anodized aluminium
32 x 45 x 8 cm unique
© Liam Gillick, courtesy Maureen Paley, London

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Statistical Degradation, 2019

Silver anodized aluminium
55 x 100 x 5 cm unique
© Liam Gillick, courtesy Maureen Paley, London

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Mercantile Empiricism, 2019

Silver anodized aluminium
32 x 90 x 8 cm unique
© Liam Gillick, courtesy Maureen Paley, London

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1848!!!, 2010

HD video H.264
38 minutes, 12 seconds
© Liam Gillick, courtesy Maureen Paley, London

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Heroism of the Anyone, 2019

Silver anodized aluminium
15 x 100 x 15 cm unique
© Liam Gillick, courtesy Maureen Paley, London

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Tertiary Society at Le Palace, 2019

Silver anodized aluminium
100 x 113 x 3 cm unique
© Liam Gillick, courtesy Maureen Paley, London

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Margin Time 3, 2018

HD video H.264
20 minutes, 20 seconds
© Liam Gillick, courtesy Maureen Paley, London

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Anne Hardy

Future Trace (The Depth of Darkness, the Return of the Light), 2020

Framed unique photogram on c-type paper
62.2 x 52 x 4 cm
© Anne Hardy, courtesy Maureen Paley, London

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Simultaneous Reality (The Depth of Darkness, the Return of the Light), 2020

Framed unique photogram on c-type paper
62.2 x 52 x 4 cm
© Anne Hardy, courtesy Maureen Paley, London

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Twilight Fever (The Depth of Darkness, the Return of the Light), 2020

Framed unique photogram on c-type paper
62.2 x 52 x 4 cm
© Anne Hardy, courtesy Maureen Paley, London

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Into Darkness (The Depth of Darkness, the Return of the Light), 2020

Framed unique photogram on c-type paper
62.2 x 52 x 4 cm
© Anne Hardy, courtesy Maureen Paley, London

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Equilibrium (The Depth of Darkness, the Return of the Light), 2020

Framed unique photogram on c-type paper
62.2 x 52 x 4 cm
© Anne Hardy, courtesy Maureen Paley, London

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Time Shift (The Depth of Darkness, the Return of the Light), 2020

Framed unique photogram on c-type paper
62.2 x 52 x 4 cm
© Anne Hardy, courtesy Maureen Paley, London

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Descent (The Depth of Darkness, the Return of the Light), 2020

Framed unique photogram on c-type paper
62.2 x 52 x 4 cm
© Anne Hardy, courtesy Maureen Paley, London

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Rising Heat (The Depth of Darkness, the Return of the Light), 2020

Framed unique photogram on c-type paper
62.2 x 52.1 x 4.1 cm
© Anne Hardy, courtesy Maureen Paley, London

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Peter Hujar

David Brintzenhofe Applying Makeup, 1982

Vintage gelatin silver print
frame: 56.5 x 57.8 cm, image: 37.1 x 37.5 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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Larry Ree Backstage, 1973

Vintage gelatin silver print
frame: 56.5 x 57.8 cm, image: 37.5 x 37.5 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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Cockette (Bearded Cockette), 1971

Vintage gelatin silver print
frame: 56.5 x 57.8 cm, image: 37.1 x 37.5 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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Georg Osterman Backstage at ''Camille'', 1974

Vintage gelatin silver print
frame: 56.5 x 57.8 cm, image: 37.5 x 37.5 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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Mario Montez Backstage at the Palm Casino Revue, 1974

Vintage gelatin silver print
frame: 56.5 x 57.8 cm, image: 34.3 x 33.7 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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Divine, 1975

Pigmented ink print
frame: 56.5 x 57.8 cm, image: 37.5 x 37.5 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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John Waters (I), 1975

Pigmented ink print
frame: 56.5 x 57.8 cm, image: 37.5 x 37.5 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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David Lighting Up, Manhattan-Night (I), November 26, 1985

Pigmented ink print
frame: 56.5 x 57.8 cm, image: 37.5 x 37.5 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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Charles Ludlam Backstage at ''Gallas'', Ridiculous Theater, 1984

Vintage gelatin silver print
frame: 56.5 x 57.8 cm, image: 25.4 x 25.4 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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Fran Lebowitz (at Home in Morristown), 1974

Pigmented ink print
frame: 56.5 x 57.8 cm, image: 37.5 x 37.5 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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Paul Thek (In Hooded Sweatshirt), 1975

Pigmented ink print
frame: 56.5 x 57.8 cm, image: 25.4 x 25.4 cm
© 1987 The Peter Hujar Archive LLC, courtesy Maureen Paley, London and The Peter Hujar Archive

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Sarah Jones

Mynah (Mimic) (I), 2021

Framed c-type print from black and white negative mounted on aluminium
60 x 48 cm
© Sarah Jones, courtesy Maureen Paley, London

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Le Sang d’un Poète (for Cocteau) (I), 2021

Framed c-type print from black and white negative mounted on aluminium
60 x 48 cm
© Sarah Jones, courtesy Maureen Paley, London

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Mirror (Pandora) (I), 2021

Framed c-type print from black and white negative mounted on aluminium
60 x 48 cm
© Sarah Jones, courtesy Maureen Paley, London

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Desert Rose (I), 2021

Framed c-type print from black and white negative mounted on aluminium
60 x 48 cm
© Sarah Jones, courtesy Maureen Paley, London

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Love Apples (I), 2021

Framed c-type print from black and white negative mounted on aluminium
60 x 48 cm
© Sarah Jones, courtesy Maureen Paley, London

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Torch Lily (Icarus) (I), 2021

Framed c-type print mounted on aluminium
152 x 122 cm
© Sarah Jones, courtesy Maureen Paley, London

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Mimosa (Actor) (I), 2021

Framed c-type print mounted on aluminium
152 x 122 cm
© Sarah Jones, courtesy Maureen Paley, London

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Mimosa (Actor) (II), 2021

Framed c-type print mounted on aluminium
152 x 122cm
© Sarah Jones, courtesy Maureen Paley, London

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Screen (Orphee) (I), 2021

Framed c-type print from black and white negative mounted on aluminium
60 x 48 cm
© Sarah Jones, courtesy Maureen Paley, London

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Mirror Ball (Narcissus) (II), 2021

Framed c-type print from black and white negative mounted on aluminium
100 x 80 cm
© Sarah Jones, courtesy Maureen Paley, London

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Screen (Orphee) (II), 2021

Framed c-type print from black and white negative mounted on aluminium
60 x 48 cm
© Sarah Jones, courtesy Maureen Paley, London

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Magpie (Camera) (I), 2021

Framed c-type print from black and white negative mounted on aluminium
60 x 48 cm
© Sarah Jones, courtesy Maureen Paley, London

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Magpie (Camera) (II), 2021

Framed c-type print from black and white negative mounted on aluminium
60 x 48cm
© Sarah Jones, courtesy Maureen Paley, London

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Paul P.

Untitled, 2019

Oil on linen
27 x 22 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2019

Oil on canvas
33 x 22 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2012

Oil on linen
33 x 24 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2019

Oil on linen
24 x 19 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2014

Oil on canvas
27 x 19 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2017

Oil on canvas
41 x 33 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2015

Oil on linen
24 x 33 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2018

Oil on canvas
19 x 24 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2016

Oil on linen
27 x 22 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2019

Oil on linen
27 x 22 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2010

Oil on canvas
24 x 19 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2019

Oil on linen
33 x 24 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2018

Oil on canvas
35 x 24 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2019

Oil on linen
27 x 22 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2018

Oil on canvas
27 x 19 cm
© Paul P., courtesy Maureen Paley, London

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Untitled, 2019

Oil on linen
61 x 48 cm
© Paul P., courtesy Maureen Paley, London

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Esther Pearl Watson

Gene didn’t come home last night, 2019

Acrylic and glitter on panel
101.6 x 152.4 cm
© Esther Pearl Watson, courtesy Maureen Paley, London

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Wash Your Hands, 2019

Acrylic and glitter on panel
45.7 x 61 cm
© Esther Pearl Watson, courtesy Maureen Paley, London

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Mothership, 2019

Acrylic, collage and glitter on canvas
91.4 x 91.4 cm
© Esther Pearl Watson, courtesy Maureen Paley, London

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High Static Thrust, 2019

Acrylic and glitter on panel
12.7 x 17.8 cm
© Esther Pearl Watson, courtesy Maureen Paley, London

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Due to Transportation, 2019

Acrylic, collage and glitter on canvas
91.4 x 91.4 cm
© Esther Pearl Watson, courtesy Maureen Paley, London

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One Good Thing, 2019

Acrylic, collage, foil and glitter on panel
45.7 x 61 cm
© Esther Pearl Watson, courtesy Maureen Paley, London

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Gillian Wearing

Untitled (lockdown portrait), 2020

Oil on board
30 x 30 cm 11 3/4 x 11 3/4 inches
© Gillian Wearing, courtesy Maureen Paley, London

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Lockdown Portrait 1, 2020

Framed watercolour on paper
30.3 x 22.8 cm 11 7/8 x 9 inches, framed: 39.5 x 31.5 cm 15 1/2 x 12 3/8 inches
© Gillian Wearing, courtesy Maureen Paley, London

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Lockdown Portrait 3, 2020

Framed watercolour on paper
31 x 23 cm 12 1/4 x 9 1/8 inches, framed: 39.5 x 31.5 x 2.6 cm 15 1/2 x 12 3/8 x 1 1/8 inches
© Gillian Wearing, courtesy Maureen Paley, London

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Lockdown Portrait 4, 2020

Framed watercolour on paper
30.9 x 23 cm 12 1/8 x 9 1/8 inches, framed: 39.5 x 31.5 x 2.6 cm 15 1/2 x 12 3/8 x 1 1/8 inches
© Gillian Wearing, courtesy Maureen Paley, London

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Lockdown Portrait 5, 2020

Framed watercolour on paper
30.4 x 21.2 cm 12 x 8 3/8 inches, framed: 39.5 x 31.5 x 2.6 cm 15 1/2 x 12 3/8 x 1 1/8 inches
© Gillian Wearing, courtesy Maureen Paley, London

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Lockdown Portrait 2, 2020

Framed watercolour on paper
31 x 23 cm 12 1/4 x 9 1/8 inches, framed: 39.5 x 31.5 x 2.6 cm 15 1/2 x 12 3/8 x 1 1/8 inches
© Gillian Wearing, courtesy Maureen Paley, London

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Untitled (lockdown portrait), 2020

Oil on board
30.5 x 40.5 cm 12 1/8 x 16 inches
© Gillian Wearing, courtesy Maureen Paley, London

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Mask Masked, 2020

Fabric mask, wax sculpture, steel rod and wooden plinth
56 x 14 x 10 cm 22 x 5 1/2 x 3 7/8 inches, plinth: 92 x 38 x 28 cm 36 1/4 x 15 x 11 inches
© Gillian Wearing, courtesy Maureen Paley, London

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Untitled (lockdown portrait), 2020

Oil on board
40.5 x 30.5 cm 16 x 12 1/8 inches
© Gillian Wearing, courtesy Maureen Paley, London

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Untitled (lockdown portrait), 2020

Oil on board
40.5 x 30.5 cm 16 x 12 1/8 inches
© Gillian Wearing, courtesy Maureen Paley, London

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Your Views, 2013 - present

Colour video with sound
currently 162 minutes and 40 seconds
© Gillian Wearing, courtesy Maureen Paley, London

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James Welling

Portrait of Avidia Plautia, 2019

Framed oil pigment and electrostatic print on polyester
45.7 x 30.5 cm
© James Welling, courtesy Maureen Paley, London

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Head of a goddess. 2nd century A. D. marble imitation of a 5th - 4th century B. C. c hryselephantine (gold and ivory) sculpture, 2019

Framed oil pigment and electrostatic print on polyester
45.7 x 30.5 cm
© James Welling, courtesy Maureen Paley, London

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IYPD, 2018

Dye sublimation print mounted on plexi
60.96 x 50.8 cm
© James Welling, courtesy Maureen Paley, London

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Athlete’s torso, 2019

Framed oil pigment and electrostatic print on polyester
45.7 x 30.5 cm
© James Welling, courtesy Maureen Paley, London

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Eleusis. Kallichoros (Well of the fair dances), 2019

Framed oil pigment and electrostatic print on polyester
30.5 x 45.7 cm
© James Welling, courtesy Maureen Paley, London

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Parthenon. West pediment. Crowning akroterion (floral ornament), 2019

Framed oil pigment and electrostatic print on polyester
45.7 x 30.5 cm
© James Welling, courtesy Maureen Paley, London

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IBBY, 2018

Dye sublimation print mounted on plexi
60.96 x 50.8 cm
© James Welling, courtesy Maureen Paley, London

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ICYR, 2018

Dye sublimation print mounted on plexi
60.96 x 50.8 cm
© James Welling, courtesy Maureen Paley, London

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Erechtheion. North porch. Sunset, 2019

Inkjet print on rag paper with watercolour
42.5 x 57.2 cm
© James Welling, courtesy Maureen Paley, London

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Erechtheion. Western façade. Sacred olive, karyatids and old temple of Athena Polias in foreground, 2019

Framed oil pigment and electrostatic print on polyester
30.5 x 45.7 cm
© James Welling, courtesy Maureen Paley, London

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Propylaia. South pteron (wing) looking toward the Saronic Gulf, 2019

Framed oil pigment and electrostatic print on polyester
30.5 x 45.7 cm
© James Welling, courtesy Maureen Paley, London

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IYGM, 2018

Dye sublimation print mounted on plexi
60.96 x 50.8 cm
© James Welling, courtesy Maureen Paley, London

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