James Cohan Gallery

Firelei Báez

Untitled (Le Jeu du Monde), 2020

Oil and acrylic on archival printed canvas
3345.0 × 2667.0 × 40.0 mm
105 x 131 3/4 x 1 5/8 in 266.7 x 334.5 x 4 cm

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Untitled (Drexciya), 2020

Oil and acrylic on canvas
2915.0 × 2286.0 mm
90 x 114 3/4 in 228.6 x 291.5 cm

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Untitled (A Correct Chart of Hispaniola with the Windward Passage), 2020

Oil and acrylic on archival printed canvas
3118.0 × 2648.0 mm
104 1/4 x 122 3/4 in 264.8 x 311.8 cm

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Untitled (Flow of merchandise in France on railways and waterways in the year 1856), 2020

Oil and acrylic on archival printed canvas
1540.0 × 1981.0 mm
78 x 60 5/8 in 198.1 x 154 cm

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Untitled (Baubo), 2020

Oil and acrylic on archival printed canvas
0.0 × 0.0 × 0.0 mm
86 3/4 x 132 3/4 x 1 5/8 in 220.3 x 337 x 4 cm

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Untitled (United States Marine Hospital), 2019

Oil and acrylic on archival printed canvas
3239.0 × 2540.0 × 44.0 mm
100 x 127 1/2 x 1 3/4 in 254 x 323.9 x 4.4 cm

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Untitled (Anacaona), 2020

Oil and acrylic on archival printed canvas
0.0 × 0.0 × 0.0 mm
96 3/8 x 127 3/8 in 244.6 x 323.5 cm

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Untitled (Terra Nova), 2020

Oil and acrylic on archival printed canvas
0.0 × 0.0 × 0.0 mm
102 7/8 x 132 3/8 x 1 5/8 in 261.1 x 336.1 x 4 cm

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Madeline (Rupture rapture maroonage), 2022

Oil and acrylic on panel
1981 × 2883 mm
113 1/2 x 78 in / 288.3 x 198.1 cm
© Firelei Báez 2022. Image courtesy the artist and James Cohan, New York. Photos: Jackie Furtado

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Untitled (Premiere Carte Pour L'Introduction A L'Histoire Du Monde), 2022

Oil and acrylic on archival printed canvas
2453 × 1937 mm
76 1/4 x 96 5/8 in / 193.7 x 245.3 cm
© Firelei Báez 2022. Image courtesy the artist and James Cohan, New York. Photos: Jackie Furtado

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Olamina (How do we learn to love each other while we are embattled), 2022

Oil and acrylic on archival printed canvas
2908 × 2194 mm
86 3/8 x 114 1/2 in / 219.4 x 290.8 cm
© Firelei Báez 2022. Image courtesy the artist and James Cohan, New York. Photos: Jackie Furtado

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Black counter gravity (Carte figurative et approximative des quantités de coton en laine importés en Europe en 1858 et 1861), 2022

Oil and acrylic on archival printed canvas
1641 × 2591 mm
102 x 64 5/8 in / 259.1 x 164.1 cm
© Firelei Báez 2022. Image courtesy the artist and James Cohan, New York. Photos: Jackie Furtado

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Haitian Mermaid (Describing the West India Navigation, from Hudson's-Bay to the River Amazones), 2022

Oil and acrylic on archival printed canvas
1875 × 1545 mm
73 7/8 x 60 7/8 in / 187.5 x 154.5 cm
© Firelei Báez 2022. Image courtesy the artist and James Cohan, New York. Photos: Jackie Furtado

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Untitled (Plate 36. Vertical and Latitudinal Distribution of Animal Life), 2022

Oil and acrylic on archival printed canvas
2267 × 2711 mm
89 1/4 x 106 3/4 in / 226.7 x 271.1 cm
© Firelei Báez 2022. Image courtesy the artist and James Cohan, New York. Photos: Jackie Furtado

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Fruta Fina, Fruta Estrańa (Lee Monument), 2022

Oil and acrylic on archival printed canvas
2819 × 2242 mm
88 1/4 x 111 in / 224.2 x 281.9 cm
© Firelei Báez 2022. Image courtesy the artist and James Cohan, New York. Photos: Jackie Furtado

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Untitled (Les tables de geographie reduites en un jeu de cartes), 2022

Oil and acrylic on archival printed canvas
2684 × 2092 mm
82 3/8 x 105 3/4 in / 209.2 x 268.4 cm
© Firelei Báez 2022. Image courtesy the artist and James Cohan, New York. Photos: Jackie Furtado

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Untitled (Routes of the famous flying Clipper ships), 2022

Oil and acrylic on archival printed canvas
2862 × 1978 mm
77 7/8 x 112 3/4 in / 197.8 x 286.2 cm
© Firelei Báez 2022. Image courtesy the artist and James Cohan, New York. Photos: Jackie Furtado

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Kathy Butterly

Wobble, 2021

Porcelain, earthenware, glaze
184.0 × 238.0 × 162.0 mm
9 3/8 x 7 1/4 x 6 3/8 in. 23.8 x 18.4 x 16.2 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Moon Water, 2022

Porcelain, earthenware, and glaze
165.0 × 178.0 × 140.0 mm
7 x 6 1/2 x 5 1/2 in. 17.8 x 16.5 x 14 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Pink, 2022

Porcelain, earthenware, and glaze
133.0 × 181.0 × 140.0 mm
7 1/8 x 5 1/2 x 5 1/4 in. 18.1 x 14 x 13.3 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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This, 2022

Porcelain, earthenware, and glaze
152.0 × 203.0 × 171.0 mm
8 x 6 x 6 3/4 in. 20.3 x 15.2 x 17.1 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Vitamin Sky, 2022

Porcelain, earthenware, and glaze
171.0 × 171.0 × 178.0 mm
6 3/4 x 6 3/4 x 7 in. 17.1 x 17.1 x 17.8 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Blue Kinetic, 2021

Porcelain, earthenware, glaze
137.0 × 191.0 × 127.0 mm
7 1/2 x 5 x 5 3/8 in. 19.1 x 12.7 x 13.7 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Subtle Slide, 2021

Porcelain, earthenware, glaze
152.0 × 200.0 × 140.0 mm
7 7/8 x 6 x 5 1/2 in. 20 x 15.2 x 14 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Falling into Places, 2022

Porcelain, earthenware, and glaze
146.0 × 203.0 × 232.0 mm
8 x 5 3/4 x 9 1/8 in. 20.3 x 14.6 x 23.2 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Nude Beach, 2021

Porcelain, earthenware, glaze
0.0 × 0.0 × 0.0 mm
7 1/4 x 5 3/4 x 5 1/4 in. 18.4 x 14.6 x 13.3 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Mother Melt, 2021

Porcelain, earthenware, glaze
159.0 × 191.0 × 98.0 mm
7 1/2 x 6 1/4 x 3 7/8 in. 19.1 x 15.9 x 9.8 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Luminous Runoff, 2021

Porcelain, earthenware, glaze
181.0 × 162.0 × 159.0 mm
6 3/8 x 7 1/8 x 6 1/4 in. 16.2 x 18.1 x 15.9 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Time In, 2022

Porcelain, earthenware, and glaze
152.0 × 194.0 × 146.0 mm
7 5/8 x 6 x 5 3/4 in. 19.4 x 15.2 x 14.6 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Before Clarity, 2022

Porcelain, earthenware, and glaze
121.0 × 197.0 × 114.0 mm
7 3/4 x 4 3/4 x 4 1/2 in. 19.7 x 12.1 x 11.4 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Between Things, 2022

Porcelain, earthenware, and glaze
121.0 × 213.0 × 232.0 mm
8 3/8 x 4 3/4 x 9 1/8 in. 21.3 x 12.1 x 23.2 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Dark Calm, 2021

Porcelain, earthenware, glaze
165.0 × 184.0 × 165.0 mm
7 1/4 x 6 1/2 x 6 1/2 in. 18.4 x 16.5 x 16.5 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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My Now, 2021

Porcelain, earthenware, glaze
156.0 × 232.0 × 137.0 mm
9 1/8 x 6 1/8 x 5 3/8 in. 23.2 x 15.6 x 13.7 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Modern Moss, 2022

Porcelain, earthenware, and glaze
165.0 × 175.0 × 127.0 mm
6 7/8 x 6 1/2 x 5 in. 17.5 x 16.5 x 12.7 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Deep Think, 2022

Porcelain, earthenware, and glaze
140.0 × 191.0 × 152.0 mm
7 1/2 x 5 1/2 x 6 in. 19.1 x 14 x 15.2 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Glow Night, 2022

Porcelain, earthenware, and glaze
159.0 × 187.0 × 146.0 mm
7 3/8 x 6 1/4 x 5 3/4 in. 18.7 x 15.9 x 14.6 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Blur, 2021

Porcelain, earthenware, glaze
159.0 × 197.0 × 146.0 mm
7 3/4 x 6 1/4 x 5 3/4 in. 19.7 x 15.9 x 14.6 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Deep Gaze, 2022

Porcelain, earthenware, and glaze
149.0 × 235.0 × 149.0 mm
9 1/4 x 5 7/8 x 5 7/8 in. 23.5 x 14.9 x 14.9 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Nowism, 2022

Porcelain, earthenware, and glaze
130.0 × 206.0 × 156.0 mm
8 1/8 x 5 1/8 x 6 1/8 in. 20.6 x 13 x 15.6 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Assume Yes, 2022

Porcelain, earthenware, and glaze
152.0 × 197.0 × 165.0 mm
7 3/4 x 6 x 6 1/2 in. 19.7 x 15.2 x 16.5 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Controlled Burn, 2022

Porcelain, earthenware, and glaze
178.0 × 216.0 × 165.0 mm
8 1/2 x 7 x 6 1/2 in. 21.6 x 17.8 x 16.5 cm
© Kathy Butterly 2022. Courtesy of the artist and James Cohan, New York. Photography: Alan Wiener

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Adapting Form, 2022

Porcelain, earthenware, glaze
184.0 × 197.0 × 165.0 mm
7 3/4 x 7 1/4 x 6 1/2 in. / 19.7 x 18.4 x 16.5 cm
Courtesy of the artist and James Cohan. Photo: Alan Wiener

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Taking Form, 2022

Porcelain, earthenware, glaze
159.0 × 222.0 × 114.0 mm
8 3/4 x 6 1/4 x 4 1/2 in. / 22.2 x 15.9 x 11.4 cm
Courtesy of the artist and James Cohan. Photo: Alan Wiener

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Pink Soothe, 2022

Porcelain, earthenware, glaze
143.0 × 225.0 × 159.0 mm
8 7/8 x 5 5/8 x 6 1/4 in. / 22.5 x 14.3 x 15.9 cm
Courtesy of the artist and James Cohan. Photo: Alan Wiener

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Green Shift, 2022

Porcelain, earthenware, glaze
200.0 × 210.0 × 200.0 mm
8 1/4 x 7 7/8 x 7 7/8 in. / 21 x 20 x 20 cm
Courtesy of the artist and James Cohan. Photo: Alan Wiener

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Star Dust, 2022

Porcelain, earthenware, glaze
146.0 × 210.0 × 152.0 mm
8 1/4 x 5 3/4 x 6 in. / 21 x 14.6 x 15.2 cm
Courtesy of the artist and James Cohan. Photo: Alan Wiener

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Simon Evans

Arbitrary Music, 2020

Mixed media
305.0 × 305.0 mm
12 x 12 in 30.5 x 30.5 cm

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The Land that Time Reshot, 2021

Mixed media
1016.0 × 762.0 × 0.0 mm
30 x 40 in. 76.2 x 101.6 cm

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Spencer Finch

RGB (White), 2022

LED lightbox, Fujitrans
813.0 × 813.0 × 102.0 mm
32 x 32 x 4 in 81.3 x 81.3 x 10.2 cm
© Spencer Finch 2022. Courtesy of the artist and James Cohan, New York

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Copy of Monet's ''The Basin at Argenteuil'' from 1874 in the RISD Collection, 1988

Oil on canvas in wood artist frame
889.0 × 711.0 × 0.0 mm
Framed: 28 x 35 in / 71.1 x 88.9 cm
© Spencer Finch 2022. Courtesy of the artist and James Cohan, New York

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Color Notes (Winter, Spring, Summer, Autumn) 2020- 2021, IV, 2022

Watercolor on paper 4 sets of 25 notes per season
178.0 × 178.0 × 0.0 mm
7 x 7 in. 17.8 x 17.8 cm
© Spencer Finch 2022. Courtesy of the artist and James Cohan, New York

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Bauhaus Light (Kandinsky’s Studio/ Klee’s Studio, afternoon effect), 2022

22 - 4’ LED fixtures, 22 LED lamps and filters
318.0 × 1219.0 × 0.0 mm
Each side: 48 x 145 in / 121.9 x 31.8 cm Installation variable
© Spencer Finch 2022. Courtesy of the artist and James Cohan, New York

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Optical Study (red/blue/violet), 2022

Alkyd paint on PET discs mounted on plastic panels on Sintra
914.0 × 914.0 × 0.0 mm
3 panels: 36 x 36 inches / 91.4 x 91.4 cm each Installation dimensions variable
© Spencer Finch 2022. Courtesy of the artist and James Cohan, New York

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Optical Study (yellow/blue/green), 2022

Alkyd paint on PET discs mounted on plastic panels on Sintra
914.0 × 914.0 × 0.0 mm
3 panels: 36 x 36 in. / 91.4 x 91.4 cm Installation dimensions variable
© Spencer Finch 2022. Courtesy of the artist and James Cohan, New York

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North Atlantic Ocean (April 14, 1912, 11:40pm), 2022

Dowels, tulle, chiffon, magnets
4877.0 × 4572.0 × 0.0 mm
180 x 192 in. 457.2 x 487.7 cm
© Spencer Finch 2022. Courtesy of the artist and James Cohan, New York

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Michelle Grabner

Untitled, 2021

Ceramic and brass tiles
0.0 × 0.0 × 0.0 mm
Set of ceramic tiles: 5x5x 3/4in / 10x10x 3/4 in / 15x10x 5/8 in. Set of brass tiles: 5x5 and 5 x 10
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Oil and enamel on linen on panel
0.0 × 0.0 × 0.0 mm
24 x 18 x 1 in
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Bronze, patinated bronze and found jam jar lids in relief on solid soft maple wood panel
0.0 × 0.0 × 0.0 mm
17 1/2 x 15 x 2 in 44.5 x 38.1 x 5.1 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Oil and enamel on linen on panel
0.0 × 0.0 × 0.0 mm
15 1/4 x 12 1/4 in 38.7 x 31.1 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Oil and enamel on linen on panel
0.0 × 0.0 × 0.0 mm
13 1/4 x 10 1/4 in 33.7 x 26 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Oil and enamel on linen on panel
0.0 × 0.0 × 0.0 mm
19 1/4 x 19 1/4 in 48.9 x 48.9 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Oil and enamel on linen on panel
0.0 × 0.0 × 0.0 mm
15 1/4 x 12 1/4 in 38.7 x 31.1 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Patinated bronze and found jam jar lids in relief on solid mahogany panel
0.0 × 0.0 × 0.0 mm
24 1/8 x 18 x 2 in 61.3 x 45.7 x 5.1 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Oil and enamel on linen on panel
0.0 × 0.0 × 0.0 mm
13 1/4 x 13 1/4 in 33.7 x 33.7 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Oil and enamel on canvas on panel
0.0 × 0.0 × 0.0 mm
21 1/4 x 17 1/4 in 54 x 43.8 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Oil and enamel on linen on panel
0.0 × 0.0 × 0.0 mm
13 1/4 x 10 1/4 in 33.7 x 26 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Patinated bronze and found jam jar lids in relief on solid walnut panel
0.0 × 0.0 × 0.0 mm
16 x 16 1/2 x 2 in 40.6 x 41.9 x 5.1 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Oil and enamel on panel
0.0 × 0.0 × 0.0 mm
45 x 45 x 1 1/4 in 114.3 x 114.3 x 3.2 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Bronze and found jam jar lids in relief on solid Spalted Elm wood panel
0.0 × 0.0 × 0.0 mm
13 1/2 x 11 1/2 x 3 in 34.3 x 29.2 x 7.6 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Patinated bronze and found jam jar lids in relief on solid cherry wood panel
0.0 × 0.0 × 0.0 mm
14 1/2 x 14 1/2 x 2 1/4 in 36.8 x 36.8 x 5.7 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Oil and enamel on linen on panel
0.0 × 0.0 × 0.0 mm
24 x 24 x 1 in 61 x 61 x 2.5 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Oil and enamel on linen on panel
0.0 × 0.0 × 0.0 mm
13 1/4 x 13 1/4 in 33.7 x 33.7 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Bronze, patinated bronze and found jam jar lids in relief on solid mahogany wood panel
0.0 × 0.0 × 0.0 mm
24 1/8 x 17 7/8 x 1 3/4 in 61.3 x 45.4 x 4.4 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Oil and enamel on linen on panel
0.0 × 0.0 × 0.0 mm
24 x 18 x 1 in 61 x 45.7 x 2.5 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Bronze, patinated bronze and found jam jar lids in relief on solid mahogany panel
0.0 × 0.0 × 0.0 mm
24 x 18 x 2 in 61 x 45.7 x 5.1 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Oil and enamel on canvas on panel
0.0 × 0.0 × 0.0 mm
15 1/4 x 15 1/4 in 38.7 x 38.7 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Untitled, 2021

Oil and enamel on linen on panel
0.0 × 0.0 × 0.0 mm
13 1/4 x 13 1/4 in 33.7 x 33.7 cm
© Michelle Grabner 2021. Images courtesy of the artist and James Cohan, New York

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Trenton Doyle Hancock

SKUM: Just Beneath the Skin, 2018

Acrylic, graphite, plastic tops, and paper collage on canvas
1524.0 × 1524.0 × 102.0 mm
60 x 60 x 4 in. 152.4 x 152.4 x 10.2 cm

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Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020

Pages 1 & 2 from suite of 19 framed drawings. Ink on paper
914.0 × 610.0 mm
Each page: 24 x 36 in. / 61 x 91.4 cm

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The Exchange, 2020

Acrylic, ink, and paper collage on canvas
762.0 × 762.0 mm
30 x 30 in. 76.2 x 76.2 cm

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Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020

Pages 3 & 4 from suite of 19 framed drawings. Ink on paper
914.0 × 610.0 mm
Each page: 24 x 36 in / 61 x 91.4 cm

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Come On In. It’s Safe, 2020

Acrylic, ink, and paper collage on canvas
762.0 × 762.0 mm
30 x 30 in. 76.2 x 76.2 cm

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Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020

Pages 5 & 6 from suite of 19 framed drawings. Ink on paper
914.0 × 610.0 mm
Each page: 24 x 36 in. / 61 x 91.4 cm

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CFR, Completely Fugging Rabid, 2020

Acrylic on canvas
229.0 × 305.0 mm
12 x 9 in. 30.5 x 22.9 cm

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Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020

Pages 7 & 8 from suite of 19 framed drawings. Ink on paper
914.0 × 610.0 mm
Each page: 24 x 36 in / 61 x 91.4 cm

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Bringback Condiments: Mustard, Mayo, and Special Sauce, 2020

Acrylic, graphite, plastic tops, faux fur, paper collage on canvas
3353.0 × 2286.0 mm
90 x 132 in. 228.6 x 335.3 cm

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Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020

Pages 9 & 10 from suite of 19 framed drawings. Ink on paper
914.0 × 610.0 mm
Each page: 24 x 36 in / 61 x 91.4 cm

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Bringback Condiments: Ketchup, 2020

Acrylic, graphite, plastic tops, faux fur, paper collage on canvas
3353.0 × 2286.0 mm
90 x 132 in. 228.6 x 335.3 cm

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Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020

Pages 11 & 12 from suite of 19 framed drawings. Ink on paper
914.0 × 610.0 mm
Each page: 24 x 36 in / 61 x 91.4 cm

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It’s Just a Matter of Trust at this Point (for Chadwick), 2020

Acrylic, graphite, plastic tops, and paper collage on canvas
1524.0 × 1524.0 mm
60 x 60 in 152.4 x 152.4 cm

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Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020

Pages 13 & 14 from suite of 19 framed drawings. Ink on paper
914.0 × 610.0 mm
Each page: 24 x 36 in / 61 x 91.4 cm

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Becoming the Toymaker, Phase 11 of 41: Attack Me With Her Lovely Strange Candy, 2020

Acrylic and mixed media on canvas
610.0 × 610.0 mm
24 x 24 in. 61 x 61 cm

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Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020

Pages 15 & 16 from suite of 19 framed drawings. Ink on paper
914.0 × 610.0 mm
Each page: 24 x 36 in. / 61 x 91.4 cm

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Becoming the Toymaker, Phase 4 of 41: Stove, 2020

Acrylic and mixed media on canvas
254.0 × 356.0 mm
14 x 10 in. 35.6 x 25.4 cm

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Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020

Pages 17 & 18 from suite of 19 framed drawings. Ink on paper
914.0 × 610.0 mm
Each page: 24 x 36 in / 61 x 91.4 cm

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The Skint Alterpiece: Vegans Make Deposits at the Tofu Bank, 2020

Acrylic, ink, and collaged paper on canvas
2743.0 × 1829.0 mm
72 x 108 in. 182.9 x 274.3 cm

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Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020

Pages 19 & 20 from suite of 19 framed drawings. Ink on paper
914.0 × 610.0 mm
Each page: 24 x 36 in / 61 x 91.4 cm

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Let Thy Wilford Be Done, 2020

Acrylic on canvas
229.0 × 305.0 mm
12 x 9 in. 30.5 x 22.9 cm

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Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020

Pages 21 & 22 from suite of 19 framed drawings. Ink on paper
914.0 × 610.0 mm
Each page: 24 x 36 in / 61 x 91.4 cm

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Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020

Pages 23 & 24 from suite of 19 framed drawings. Ink on paper
914.0 × 610.0 mm
Each page: 24 x 36 in / 61 x 91.4 cm

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Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020

Pages 25 & 26 from suite of 19 framed drawings. Ink on paper
914.0 × 610.0 mm
Each page: 24 x 36 in / 61 x 91.4 cm

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Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020

Pages 27 & 28 from suite of 19 framed drawings. Ink on paper
914.0 × 610.0 mm
Each page: 24 x 36 in / 61 x 91.4 cm

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Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020

Pages 29 & 30 from suite of 19 framed drawings. Ink on paper
914.0 × 610.0 mm
Each page: 24 x 36 in / 61 x 91.4 cm

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Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020

Pages 31 & 32 from suite of 19 framed drawings. Ink on paper
914.0 × 610.0 mm
Each page: 24 x 36 in / 61 x 91.4 cm

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Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020

Pages 33 & 34 from suite of 19 framed drawings. Ink on paper
914.0 × 610.0 mm
Each page: 24 x 36 in / 61 x 91.4 cm

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Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020

Pages 35 & 36 from suite of 19 framed drawings. Ink on paper
914.0 × 610.0 mm
Each page: 24 x 36 in / 61 x 91.4 cm

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Trenton Doyle Hancock Presents The Moundverse, Chapter 2: Veganism, 2020

Pages 37 & 38 from suite of 19 framed drawings. Ink on paper
914.0 × 610.0 mm
Each page: 24 x 36 in / 61 x 91.4 cm

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Federico Herrero

Untitled, 2020

Monotype on paper
0.0 × 0.0 × 0.0 mm
19 5/8 x 15 5/8 in. 50.0 x 40.0 cm

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Untitled, 2020

Monotype on paper
0.0 × 0.0 × 0.0 mm
19 5/8 x 15 5/8 in. 50.0 x 40.0 cm

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Untitled, 2020

Monotype on paper
0.0 × 0.0 × 0.0 mm
19 5/8 x 15 5/8 in. 50.0 x 40.0 cm

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Untitled, 2020

Monotype on paper
0.0 × 0.0 × 0.0 mm
19 5/8 x 15 5/8 in. 50.0 x 40.0 cm

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Untitled, 2020

Monotype on paper
0.0 × 0.0 × 0.0 mm
19 5/8 x 15 5/8 in. 50.0 x 40.0 cm

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Untitled, 2020

Monotype on paper
0.0 × 0.0 × 0.0 mm
19 5/8 x 15 5/8 in. 50.0 x 40.0 cm

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Untitled, 2020

Monotype on paper
0.0 × 0.0 × 0.0 mm
19 5/8 x 15 5/8 in. 50.0 x 40.0 cm

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Untitled, 2020

Monotype on paper
0.0 × 0.0 × 0.0 mm
19 5/8 x 15 5/8 in. 50.0 x 40.0 cm

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Untitled, 2020

Monotype on paper
0.0 × 0.0 × 0.0 mm
19 5/8 x 15 5/8 in. 50.0 x 40.0 cm

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Untitled, 2018

Monotype on paper
0.0 × 0.0 × 0.0 mm
19 5/8 x 15 5/8 in. 50.0 x 40.0 cm

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Untitled, 2019

Monotype on paper
0.0 × 0.0 × 0.0 mm
19 5/8 x 15 5/8 in. 50.0 x 40.0 cm

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Montaña, 2020

Oil and acrylic on canvas
450.0 × 370.0 mm
14 5/8 x 17 3/4 in. 37 x 45 cm

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Untitled, 2020

Oil, acrylic and spray paint on canvas
450.0 × 370.0 mm
14 5/8 x 17 3/4 in. 37 x 45 cm

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Monstera y jarra, 2020

Oil and acrylic on canvas
1000.0 × 800.0 mm
31 1/2 x 39 3/8 in. 80 x 100 cm

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Untitled, 2020

Monotype on paper
0.0 × 0.0 × 0.0 mm
19 5/8 x 15 5/8 in. 50.0 x 40.0 cm

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Untitled, 2020

Monotype on paper
0.0 × 0.0 × 0.0 mm
19 5/8 x 15 5/8 in. 50.0 x 40.0 cm

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Untitled, 2020

Monotype on paper
0.0 × 0.0 × 0.0 mm
19 5/8 x 15 5/8 in. 50.0 x 40.0 cm

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Untitled, 2020

Monotype on paper
0.0 × 0.0 × 0.0 mm
19 5/8 x 15 5/8 in. 50.0 x 40.0 cm

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Untitled, 2020

Monotype and acrylic on paper
0.0 × 0.0 × 0.0 mm
19 5/8 x 15 5/8 in. 50.0 x 40.0 cm

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Untitled, 2018

Suite of 4 monotypes on paper
0.0 × 0.0 × 0.0 mm
Each: 19 5/8 x 15 5/8 in. 50.0 x 40.0 cm

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Untitled, 2018

Suite of 4 monotypes on paper
0.0 × 0.0 × 0.0 mm
Each: 19 5/8 x 15 5/8 in. 50.0 x 40.0 cm

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Yun-Fei Ji

The Bed, 2022

Acrylic on canvas
1016 × 762 mm
30 x 40 in. 76.2 x 101.6 cm
© Yun-Fei Ji 2022. Courtesy the artist and James Cohan, New York. Photo: Dan Bradica

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Sunflower Turned Its Back, 2022

Acrylic on canvas
762 × 1016 mm
40 x 30 in. 101.6 x 76.2 cm
© Yun-Fei Ji 2022. Courtesy the artist and James Cohan, New York. Photo: Dan Bradica

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The Man with Glasses, 2022

Acrylic on canvas
457 × 610 mm
24 x 18 in. 61 x 45.7 cm
© Yun-Fei Ji 2022. Courtesy the artist and James Cohan, New York. Photo: Dan Bradica

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The Red Moving Truck, 2022

Acrylic on canvas
610 × 914 mm
36 x 24 in. 91.4 x 61 cm
© Yun-Fei Ji 2022. Courtesy the artist and James Cohan, New York. Photo: Dan Bradica

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Everything Moved Outside, 2022

Acrylic on canvas
762 × 762 mm
30 x 30 in. 76.2 x 76.2 cm
© Yun-Fei Ji 2022. Courtesy the artist and James Cohan, New York. Photo: Dan Bradica

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Bunk Bed, 2022

Acrylic on canvas
762 × 610 mm
24 x 30 in. 61 x 76.2 cm
© Yun-Fei Ji 2022. Courtesy the artist and James Cohan, New York. Photo: Dan Bradica

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Man with Cut Down Trees, 2022

Acrylic on canvas
762 × 1016 mm
40 x 30 in. 101.6 x 76.2 cm
© Yun-Fei Ji 2022. Courtesy the artist and James Cohan, New York. Photo: Dan Bradica

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The Red Truck is Waiting, 2022

Acrylic on canvas
762 × 610 mm
24 x 30 in. 61 x 76.2 cm
© Yun-Fei Ji 2022. Courtesy the artist and James Cohan, New York. Photo: Dan Bradica

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Sewing / High Noon, 2022

Acrylic on canvas
610 × 762 mm
30 x 24 in. 76.2 x 61 cm
© Yun-Fei Ji 2022. Courtesy the artist and James Cohan, New York. Photo: Dan Bradica

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Going Home in High Spirits, 2022

Acrylic on canvas
762 × 762 mm
30 x 30 in. 76.2 x 76.2 cm
© Yun-Fei Ji 2022. Courtesy the artist and James Cohan, New York. Photo: Dan Bradica

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The Fan with Cloth on It, 2022

Acrylic on canvas
762 × 762 mm
30 x 30 in. 76.2 x 76.2 cm
© Yun-Fei Ji 2022. Courtesy the artist and James Cohan, New York. Photo: Dan Bradica

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Migrant Worker's Tent, 2022

Acrylic on canvas
610 × 610 mm
24 x 24 in. 61 x 61 cm
© Yun-Fei Ji 2022. Courtesy the artist and James Cohan, New York. Photo: Dan Bradica

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The Woman in the Pink Shirt, 2022

Acrylic on canvas
762 × 762 mm
30 x 30 in. 76.2 x 76.2 cm
© Yun-Fei Ji 2022. Courtesy the artist and James Cohan, New York. Photo: Dan Bradica

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Satellite Dish on a Bed, 2022

Acrylic on canvas
508 × 508 mm
20 x 20 in. 50.8 x 50.8 cm
© Yun-Fei Ji 2022. Courtesy the artist and James Cohan, New York. Photo: Dan Bradica

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Byron Kim

B.Q.O. 13 (Tobey Pond), 2021

Acrylic on canvas mounted on panel
1829.0 × 2642.0 × 0.0 mm
104 x 72 in 264.2 x 182.9 cm
© Byron Kim 2022. Image courtesy of the artist and James Cohan. Photo: Phoebe d'Heurle

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B.Q.O. 20 (Macrocystis pyrifera), 2021

Acrylic on canvas mounted on panel
1219.0 × 1829.0 × 0.0 mm
72 x 48 in 182.9 x 121.9 cm
© Byron Kim 2022. Image courtesy of the artist and James Cohan. Photo: Phoebe d'Heurle

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B.Q.O 25 (Solaris), 2021

Acrylic on canvas mounted on panel
1829.0 × 2642.0 × 0.0 mm
104 x 72 in 264.2 x 182.9 cm
© Byron Kim 2022. Image courtesy of the artist and James Cohan. Photo: Phoebe d'Heurle

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B.Q.O. 19 (Tobey Pond), 2021

Acrylic on canvas mounted on panel
1829.0 × 2642.0 × 0.0 mm
104 x 72 in 264.2 x 182.9 cm
© Byron Kim 2022. Image courtesy of the artist and James Cohan. Photo: Phoebe d'Heurle

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B.Q.O. 17 (Gliderport), 2021

Acrylic on canvas mounted on panel
1829.0 × 2642.0 × 0.0 mm
104 x 72 in 264.2 x 182.9 cm
© Byron Kim 2022. Image courtesy of the artist and James Cohan. Photo: Phoebe d'Heurle

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B.Q.O. 12 (Tobey Pond), 2021

Acrylic on canvas mounted on panel
1829.0 × 2642.0 × 0.0 mm
104 x 72 in 264.2 x 182.9 cm
© Byron Kim 2022. Image courtesy of the artist and James Cohan. Photo: Phoebe d'Heurle

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B.Q.O. 18 (Choppy Cove), 2021

Acrylic on canvas mounted on panel
1829.0 × 2642.0 × 0.0 mm
104 x 72 in 264.2 x 182.9 cm
© Byron Kim 2022. Image courtesy of the artist and James Cohan. Photo: Phoebe d'Heurle

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B.Q.O. 24 (Scripps Set), 2021

Acrylic on canvas mounted on panel
914.0 × 1372.0 × 0.0 mm
54 x 36 in 137.2 x 91.4 cm
© Byron Kim 2022. Image courtesy of the artist and James Cohan. Photo: Phoebe d'Heurle

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B.Q.O. 23 (Honu), 2021

Acrylic on canvas mounted on panel
914.0 × 1372.0 × 0.0 mm
54 x 36 in. 137.2 x 91.4 cm
© Byron Kim 2022. Image courtesy of the artist and James Cohan. Photo: Phoebe d'Heurle

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B.Q.O. 22 (Garibaldi), 2021

Acrylic on canvas mounted on panel
914.0 × 1372.0 × 0.0 mm
54 x 36 in 137.2 x 91.4 cm
© Byron Kim 2022. Image courtesy of the artist and James Cohan. Photo: Phoebe d'Heurle

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B.Q.O. 21 (Triakis semifasciata), 2021

Acrylic on canvas mounted on panel
1219.0 × 1829.0 × 0.0 mm
72 x 48 in 182.9 x 121.9 cm
© Byron Kim 2022. Image courtesy of the artist and James Cohan. Photo: Phoebe d'Heurle

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Mernet Larsen

Study for Astronaut, Sunrise (after El Lissitzky), 2020

Acrylic on Bristol paper
483.0 × 610.0 mm
24 x 19 in 61 x 48.3 cm

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Study for Astronauts, Sunset (after El Lissitzky), 2020

Acrylic on Bristol paper
483.0 × 610.0 mm
24 x 19 in 61 x 48.3 cm

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Dawn (after El Lissitzky), 2012

Acrylic and tracing paper on canvas
0.0 × 0.0 × 0.0 mm
49 1/2 x 58 in 125.7 x 147.3 cm

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Astronaut: Sunrise (after El Lissitzky), 2020

Acrylic and mixed media on canvas
0.0 × 0.0 × 0.0 mm
49 1/2 x 49 in 125.7 x 124.5 cm

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Astronauts: Sunset (after El Lissitzky), 2020

Acrylic and mixed media on canvas
0.0 × 0.0 × 0.0 mm
49 1/2 x 49 in 125.7 x 124.5 cm

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Kindergarten, 2019

Acrylic and mixed media on canvas
0.0 × 0.0 × 0.0 mm
64 x 52 3/4 in 162.6 x 134 cm

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Bunt, 2016

Acrylic and mixed media on canvas
0.0 × 0.0 × 0.0 mm
64 x 50 1/4 in. 162.6 x 127.6 cm
Signed on verso, bottom right

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Intersection (after El Lissitzky), 2020

Acrylic and mixed media on canvas
0.0 × 0.0 × 0.0 mm
46 3/4 x 63 in 118.7 x 160 cm

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Spy (after El Lissitzky), 2020

Acrylic and mixed media on canvas
0.0 × 0.0 × 0.0 mm
35 x 35 in 88.9 x 88.9 cm

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Solar System, Explained (after El Lissitzky), 2020

Acrylic and mixed media on canvas
0.0 × 0.0 × 0.0 mm
52 x 55 in 132.1 x 139.7 cm

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Departure (after El Lissitzky), 2019

Acrylic and mixed media on canvas
0.0 × 0.0 × 0.0 mm
68 1/4 x 45 in 173.4 x 114.3 cm

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Gurney (after El Lissitzky), 2019

Acrylic and mixed media on canvas
0.0 × 0.0 × 0.0 mm
45 1/4 x 70 in 114.9 x 177.8 cm

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Deliverance (after El Lissitzky), 2020

Acrylic and mixed media on canvas
0.0 × 0.0 × 0.0 mm
64 1/2 x 52 1/4 in 163.8 x 132.7 cm

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Teresa Margolles

A TRAVÉS, 2007 - 2022

Action that took place on the windows of 52 Walker St. on January 9, 2022.
0.0 × 0.0 × 0.0 mm
Dimensions variable
Realized by a young migrant from Guatemala, who covered the panes with residual sweat left on the tshirts of undocumented migrants from Mexico, Central America, and South America who live and work in New York.

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Doce Crónicas (Septiembre 2021), 2021 - 2022

Painted ceramic pots. Ceramic pots made from clay collected from the Sierra Madre Occidental mountain range in Northern Mexico and painted with locally-sourced mineral pigments
406 × 457 × 406 mm
18 x 16 x 16 in (45.7 x 40.6 x 40.6 cm)
© Teresa Margolles 2022. Courtesy the artist and James Cohan, New York

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Doce Crónicas (Octubre 2021), 2021 - 2022

Painted ceramic pots. Ceramic pots made from clay collected from the Sierra Madre Occidental mountain range in Northern Mexico and painted with locally-sourced mineral pigments
406 × 457 × 406 mm
18 x 16 x 16 in (45.7 x 40.6 x 40.6 cm)
© Teresa Margolles 2022. Courtesy the artist and James Cohan, New York

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Doce Crónicas (Noviembre 2021), 2021 - 2022

Painted ceramic pots. Ceramic pots made from clay collected from the Sierra Madre Occidental mountain range in Northern Mexico and painted with locally-sourced mineral pigments
406 × 483 × 406 mm
19 x 16 x 16 in (48.3 x 40.6 x 40.6 cm)
© Teresa Margolles 2022. Courtesy the artist and James Cohan, New York

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Doce Crónicas (Diciembre 2021), 2021 - 2022

Painted ceramic pots. Ceramic pots made from clay collected from the Sierra Madre Occidental mountain range in Northern Mexico and painted with locally-sourced mineral pigments
406 × 457 × 406 mm
18 x 16 x 16 in (45.7 x 40.6 x 40.6 cm)
© Teresa Margolles 2022. Courtesy the artist and James Cohan, New York

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Doce Crónicas (Enero 2022), 2021 - 2022

Painted ceramic pots. Ceramic pots made from clay collected from the Sierra Madre Occidental mountain range in Northern Mexico and painted with locally-sourced mineral pigments
406 × 457 × 406 mm
18 x 16 x 16 in (45.7 x 40.6 x 40.6 cm)
© Teresa Margolles 2022. Courtesy the artist and James Cohan, New York

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Doce Crónicas (Febrero 2022), 2021 - 2022

Painted ceramic pots. Ceramic pots made from clay collected from the Sierra Madre Occidental mountain range in Northern Mexico and painted with locally-sourced mineral pigments
406 × 483 × 406 mm
19 x 16 x 16 in (48.3 x 40.6 x 40.6 cm)
© Teresa Margolles 2022. Courtesy the artist and James Cohan, New York

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Doce Crónicas (Junio 2022), 2021 - 2022

Painted ceramic pots. Ceramic pots made from clay collected from the Sierra Madre Occidental mountain range in Northern Mexico and painted with locally-sourced mineral pigments
406 × 457 × 406 mm
18 x 16 x 16 in (45.7 x 40.6 x 40.6 cm)
© Teresa Margolles 2022. Courtesy the artist and James Cohan, New York

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Doce Crónicas (Marzo 2022), 2021 - 2022

Painted ceramic pots. Ceramic pots made from clay collected from the Sierra Madre Occidental mountain range in Northern Mexico and painted with locally-sourced mineral pigments
406 × 432 × 406 mm
17 x 16 x 16 in (43.2 x 40.6 x 40.6 cm)
© Teresa Margolles 2022. Courtesy the artist and James Cohan, New York

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Doce Crónicas (Abril 2022), 2021 - 2022

Painted ceramic pots. Ceramic pots made from clay collected from the Sierra Madre Occidental mountain range in Northern Mexico and painted with locally-sourced mineral pigments
406 × 508 × 406 mm
20 x 16 x 16 in. (50.8 x 40.6 x 40.6 cm)
© Teresa Margolles 2022. Courtesy the artist and James Cohan, New York

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Doce Crónicas (Mayo 2022), 2021 - 2022

Painted ceramic pots. Ceramic pots made from clay collected from the Sierra Madre Occidental mountain range in Northern Mexico and painted with locally-sourced mineral pigments
406 × 432 × 406 mm
17 x 16 x 16 in (43.2 x 40.6 x 40.6 cm)
© Teresa Margolles 2022. Courtesy the artist and James Cohan, New York

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Doce Crónicas (Julio 2022), 2021 - 2022

Painted ceramic pots. Ceramic pots made from clay collected from the Sierra Madre Occidental mountain range in Northern Mexico and painted with locally-sourced mineral pigments
483 × 483 × 381 mm
19 x 19 x 15 in (48.3 x 48.3 x 38.1 cm)
© Teresa Margolles 2022. Courtesy the artist and James Cohan, New York

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Josiah McElheny

Observation Night Two, 2019

Acrylic on board with inset, hand-formed and polished micromosaic glass, black mirror, ash frame
556.0 × 556.0 × 54.0 mm
21 7/8 x 21 7/8 x 2 1/8 in (framed) 55.6 x 55.6 x 5.4 cm

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Observation Night Six, 2019

Acrylic on board with inset, hand-formed and polished micromosaic glass, black mirror, ash frame
556.0 × 556.0 × 54.0 mm
21 7/8 x 21 7/8 x 2 1/8 in (framed) 55.6 x 55.6 x 5.4 cm

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Seven Observations for June Tyson, 2019

Acrylic on board with inset, hand-formed and polished micromosaic glass, black mirror, ash frame
1359.0 × 1029.0 × 54.0 mm
40 1/2 x 53 1/2 x 2 1/8 in (framed) 102.9 x 135.9 x 5.4 cm

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Mirror (The Library), 2021

White oak marquetry, ink, mirror polish, painted frame
0.0 × 0.0 × 0.0 mm
69 x 36 x 2 1/2 in (framed) 175.3 x 91.4 x 6.3 cm
©Josiah McElheny 2021. Images courtesy of the artist and James Cohan, New York

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From the Library of Interplanetary Harmonies, 2021

Hand-blown, cut, polished, and mirrored glass; low-iron mirror and two-way mirror; electric light; walnut frame
0.0 × 0.0 × 0.0 mm
26 3/4 x 53 1/4 x 19 3/8 in 67.9 x 135.3 x 49.2 cm
©Josiah McElheny 2021. Images courtesy of the artist and James Cohan, New York

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From the Library of Cosmic Rays, 2021

Hand-blown, cut, polished, and mirrored glass; low-iron mirror and two-way mirror; electric light; walnut frame
0.0 × 0.0 × 0.0 mm
23 3/4 x 27 7/8 x 21 1/4 in 60.3 x 70.8 x 54 cm
©Josiah McElheny 2021. Images courtesy of the artist and James Cohan, New York

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From the Library of Elements, 2021

Hand-blown, cut, polished, and mirrored glass; low-iron mirror and two-way mirror; electric light; walnut frame
0.0 × 0.0 × 0.0 mm
26 1/4 x 35 x 22 1/2 in 66.7 x 88.9 x 57.1 cm
©Josiah McElheny 2021. Images courtesy of the artist and James Cohan, New York

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Map of the Library/Map of the Universe, 2021

Intaglio with pochoir
0.0 × 0.0 × 0.0 mm
22 1/16 x 26 3/8" (Unframed) 23 5/16 x 27 5/8” (Framed)
Edition of 12 + 2 AP ©Josiah McElheny 2021. Images courtesy of the artist and James Cohan, New York

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Mirror (The Universe), 2021

White oak marquetry, blue dye, mirror polish, painted frame
0.0 × 0.0 × 0.0 mm
34 1/2 x 69 x 2 1/2 in (framed) 87.6 x 175.3 x 6.3 cm
©Josiah McElheny 2021. Images courtesy of the artist and James Cohan, New York

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From the Library of Seeds, 2021 Hand-blown, cut, polished, and mirrored glass; low-iron mirror and two-way mirror; electric light; walnut frame

25 3/4 x 40 3/4 x 19 3/4 in 65.4 x 103.5 x 50.2 cm
0.0 × 0.0 × 0.0 mm
©Josiah McElheny 2021. Images courtesy of the artist and James Cohan, New York

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From the Library of Elliptical Motion, 2021

Hand-blown, cut, polished, and mirrored glass; low-iron mirror and two-way mirror; electric light; walnut frame
0.0 × 0.0 × 0.0 mm
24 1/4 x 28 x 20 1/2 in 61.6 x 71.1 x 52.1 cm
©Josiah McElheny 2021. Images courtesy of the artist and James Cohan, New York

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From the Library of Atmospheres, 2021

Hand-blown, cut, polished, and mirrored glass; low-iron mirror and two-way mirror; electric light; walnut frame
0.0 × 0.0 × 0.0 mm
24 7/8 x 28 3/4 x 20 5/8 in 63 x 73 x 52.4 cm
©Josiah McElheny 2021. Images courtesy of the artist and James Cohan, New York

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Lee Mullican

Spring Breaks, 1968

Pencil and ink on paper
483.0 × 610.0 mm
24 x 19 in 61 x 48.3 cm

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Untitled, c. 1948

Oil on canvas
1010 × 762 mm
30 x 39 3/4 in. 76.2 x 101 cm Framed Dimensions: 31 1/8 x 41 1/8 x 1 1/2 in. (79.1 x 104.5 x 3.8 cm)
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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Untitled (The Owl), 1949

Oil on canvas
680 × 914 mm
36 x 26 3/4 in. 91.4 x 68.0 cm
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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Kachinas, 1948

Oil on canvas
762 × 508 mm
20 x 30 in. 50.8 x 76.2 cm Framed Dimensions: 23 1/4 x 33 1/4 x 1 7/8 in. (59.1 x 84.5 x 4.8 cm)
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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Pink Nude in the West Field, 1949

Oil on canvas
686 × 940 mm
37 x 27 in 94 x 68.6 cm
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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Untitled, 1949

Oil on canvas
1016 × 762 mm
30 x 40 1/4 in. 76.2 x 101.6 cm Framed: 31 5/8 × 41 5/8 × 1 3/4 in. (80.3 × 105.7 × 4.4 cm)
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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The Nest Revived, 1948

Oil on canvas
762 × 635 mm
25 x 30 in. 63.5 x 76.2 cm Framed Dimensions: 26 x 31 inches (66 x 78.7 cm
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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Untitled, c. 1980-81

Oil on canvas
1016 × 1273 mm
50 1/8 x 40 in. 127.3 x 101.6 cm
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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Untitled, c. 1980-81

Oil on canvas
1016 × 1270 mm
50 x 40 in. 127 x 101.6 cm
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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The Source - West, 1981

Oil on canvas
1270 × 2032 mm
80 x 50 in. 203.2 x 127 cm
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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Untitled, c. 1992

Oil on canvas
5486 × 1397 mm
55 x 216 in. 139.7 x 548.6 cm
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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The Source - East, 1981

Oil on canvas
80 x 50 in. 203.2 x 127 cm
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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Untitled, c. 1950s

Acrylic on wood and twine
1588 × 1892 × 178 mm
74 1/2 x 62 1/2 x 7 in. 189.2 x 158.8 x 17.8 cm
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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Untitled, c. 1950 - 55

Mixed media on wood
292 × 914 × 44 mm
36 x 11 1/2 x 1 3/4 in. 91.4 x 29.2 x 4.4 cm
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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Untitled, c. 1950s

Acrylic on wood and twine
940 × 559 × 210 mm
26 x 37 x 8 1/4 in. 55.9 x 94 x 21 cm
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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Untitled, c. 1950 -55

Twigs, string, and feathers
483 × 1441 × 51 mm
56 3/4 x 19 x 2 in. 144.1 x 48.3 x 5.1 cm
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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Untitled, c. 1950s

Painted wood
152 × 470 × 63 mm
18 1/2 x 6 x 2 1/2 in. 47 x 15.2 x 6.3 cm
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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LMT-11-4.TGA, ''Spare Game'', 1987

.TGA file
512 x 482 pixels
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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ALMT28E ''Computer Joy'', 1987

.TGA file
512 x 482 pixels
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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Untitled, 1985

Fired and glazed ceramic
216 × 470 × 178 mm
18 1/2 x 8 1/2 x 7 in. 47 x 21.6 x 17.8 cm
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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Untitled, 1985

Fired and glazed ceramic
165 × 533 × 146 mm
21 x 6 1/2 x 5 3/4 in. 53.3 x 16.5 x 14.6 cm
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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Untitled, 1985

Glazed ceramic
305 × 508 × 356 mm
20 x 12 x 14 in. 50.8 x 30.5 x 35.6 cm
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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Effigy Pot, Snake Priest, 1985

Fired and glazed ceramic
140 × 362 × 121 mm
14 1/4 x 5 1/2 x 4 3/4 in. 36.2 x 14 x 12.1 cm
© Estate of Lee Mullican 2023. Courtesy James Cohan. Photos by Phoebe d'Heurle and Matthew Herrman

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Jordan Nassar

Bab Al-Zuhur (Gate of Flowers), 2020

Hand-flamed Glass Beads, Steel, Wire
737.0 × 305.0 × 178.0 mm
12 x 29 x 7 in 30.5 x 73.7 x 17.8 cm

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A Green Sun Before A Lunar Sun, 2020

Hand-embroidered cotton on cotton
0.0 × 0.0 × 0.0 mm
15 1/2 x 22 in. 39.4 x 55.9 cm. Framed 16 x 22 1/2 in.

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Bab Al-Rahma (Gate of Mercy), 2020

Hand-flamed Glass Beads, Steel, Wire
533.0 × 254.0 × 178.0 mm
10 x 21 x 7 inches

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In The Heart Of The Rose, 2020

Hand-embroidered cotton on cotton
0.0 × 0.0 × 0.0 mm
38 1/2 x 30 in 97.8 x 76.2 cm. Framed 39 x 30 1/2 in.

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A Stream Is Singing Under The Youthful Grass, 2020

Hand-embroidered cotton on cotton
0.0 × 0.0 × 0.0 mm
42 x 108 1/2 in 106.7 x 275.6 cm. Framed 42 1/2 x 109 in.

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Cosmic Radar, 2020

Hand-embroidered cotton on cotton
0.0 × 0.0 × 0.0 mm
37 9/16 x 54 9/16 in 95.4 x 138.6 cm. Framed 38 1/16 x 55 1/16 in.

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A Yellow World A Blue Sun, 2020

Hand-embroidered cotton on cotton
0.0 × 0.0 × 0.0 mm
34 x 55 1/2 in. 86.4 x 141 cm. Framed 34 1/2 x 56 in.

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A Sleepwalker Stricken With Sleep, 2020

Hand-embroidered cotton on cotton
0.0 × 0.0 × 0.0 mm
39 x 56 in 99.1 x 142.2 cm. Framed 39 1/2 x 56 1/2 in.

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Bab Al-Asbat (Gate of the Tribes), 2020

Hand-flamed Glass Beads, Steel, Wire
940.0 × 305.0 × 254.0 mm
12 x 37 x 10 in 30.5 x 94 x 25.4 cm

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Bab Al-Ghanam (Gate of the Sheep), 2020

Hand-flamed Glass Beads, Steel, Wire
521.0 × 203.0 × 102.0 mm
8 x 20 1/2 x 4 in 20.3 x 52.1 x 10.2 cm

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Bab Al-Amoud (Gate of The Pillar), 2020

Hand-flamed Glass Beads, Steel, Wire
737.0 × 305.0 × 254.0 mm
12 x 29 x 10 in 30.5 x 73.7 x 25.4 cm

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Season!!!, 2020

Hand-embroidered cotton on cotton
0.0 × 0.0 × 0.0 mm
21 x 28 1/2 in. 53.3 x 72.4 cm. Framed 21 1/2 x 29 in.

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The River Behind, 2022

Hand-flamed glass beads, steel, wire
762.0 × 330.0 × 44.0 mm
13 x 30 x 1 3/4 in. 33 x 76.2 x 4.4 cm

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Fields Of The Spirit, 2022

Hand-Flamed Glass Beads, Steel, Wire
762.0 × 330.0 × 44.0 mm
13 x 30 x 1 3/4 in. 33 x 76.2 x 4.4 cm

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Through The Window, 2022

Hand-embroidered cotton on cotton
1689.0 × 1067.0 × 25.0 mm
42 x 66 1/2 x 1 in 106.7 x 168.9 x 2.5 cm

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Divorce Of The Doves, 2022

Hand-Flamed Glass Beads, Steel, Wire
1251.0 × 540.0 × 44.0 mm
21 1/4 x 49 1/4 x 1 3/4 in 54 x 125.1 x 4.4 cm

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Between The Butterflies, 2022

Hand-Flamed Glass Beads, Steel, Wire
762.0 × 330.0 × 44.0 mm
13 x 30 x 1 3/4 in 33 x 76.2 x 4.4 cm

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The Serene Land, 2022

Hand-Flamed Glass Beads, Steel, Wire
635.0 × 330.0 × 44.0 mm
13 x 25 x 1 3/4 in 33 x 63.5 x 4.4 cm

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Residency in a Labyrinth, 2022

Hand-embroidered cotton on cotton
1568.0 × 1568.0 × 25.0 mm
61 3/4 x 61 3/4 x 1 in. 156.8 x 156.8 x 2.5 cm

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A Patch Of Sunlight, 2022

Hand-embroidered cotton on cotton
1422.0 × 1702.0 × 25.0 mm
67 x 56 x 1 in. 170.2 x 142.2 x 2.5 cm

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Illumine The Fields, 2022

Hand-embroidered cotton on cotton
1600.0 × 1600.0 × 25.0 mm
63 x 63 x 1 in. 160 x 160 x 2.5 cm

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Beyond the Boundaries, 2022

Hand-embroidered cotton on cotton
2057.0 × 2134.0 × 25.0 mm
84 x 81 x 1 in. 213.4 x 205.7 x 2.5 cm

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Brick Walls and Closed Windows, 2022

Hand-embroidered cotton on cotton
2184.0 × 2362.0 × 25.0 mm
93 x 86 x 1 in. 236.2 x 218.4 x 2.5 cm

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Tuan Andrew Nguyen

The Boat People, 2020

Single-channel video, 4k, Super 16mm transferred to digital, color, 5.1 surround sound
Edition of 5 plus 2 artist’s proofs

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A Lotus in a Sea of Fire, 2020

Pigment print on Hahnemuhle paper
1219.0 × 686.0 mm
27 x 48 in. 68.6 x 121.9 cm
Edition of 5 plus 2 artist’s proofs (#1/5)

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The Arrival of The Boat People, 2020

Pigment print on Hahnemuhle paper
1219.0 × 686.0 mm
27 x 48 in. 68.6 x 121.9 cm
Edition of 5 plus 2 artist’s proofs

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A Lotus In A Sea Of Fire, 2019

Hand-carved gmelina wood
330.0 × 165.0 × 203.0 mm
6 1/2 x 13 x 8 in. 16.5 x 33 x 20.3 cm

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The Fire Outside, 2019

Hand-carved gmelina wood
152.0 × 419.0 × 191.0 mm
16 1/2 x 6 x 7 1/2 in. 41.9 x 15.2 x 19.1 cm

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Memorial To A Piece Of Floating Debris, 2019

Hand-carved gmelina wood
559.0 × 508.0 × 25.0 mm
20 x 22 x 1 in. 50.8 x 55.9 x 2.5 cm

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Mile 00 Everywhere OR Replica of Bataan Death March Marker Mile 00, 2019

Hand-carved gmelina wood
419.0 × 1511.0 × 419.0 mm
59 1/2 x 16 1/2 x 16 1/2 in. 151.1 x 41.9 x 41.9 cm

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A God, A Casket, A Crossing, 2019

Santa Clara Marine Plywood
1829.0 × 406.0 × 470.0 mm
16 x 72 x 18 1/2 in. 40.6 x 182.9 x 47 cm

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Not The Smell of Napalm, 2019

Hand-carved gmelina wood
0.0 × 0.0 × 0.0 mm
23 in. high (58.4 cm) Wooden base: 13 x 12 x 2.5 in. (33 x 30.5 x 6.4 cm) Pedestal: 30 x 30 x 4 in. (76.2 x 76.2 x 10.2 cm)

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The Offering Of A Sentient Cry, 2019

Hand-carved gmelina wood
0.0 × 0.0 × 0.0 mm
Left hand: 26.5 x 15.5 x 9 in. (67.3 x 39.8 x 22.9 cm) Right hand: 27.5 x 9 x 6 in. (69.9 x 22.9 x 15.2 cm)

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Not The Sword That Killed Magellan, 2019

Hand-carved gmelina wood
140.0 × 965.0 × 25.0 mm
38 x 5 1/2 x 1 in. 96.5 x 14 x 2.5 cm

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Radiant Remembrance, 2021

Concrete, bamboo, brass, steel, epoxy resin
800.0 × 815.0 × 800.0 mm
32 x 31 1/2 x 31 1/2 in. 81.5 x 80 x 80 cm
Edition of 3 plus 2 artist's proofs (AP 1/2)

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Spirit of Bidong, 2020

Pigment print on Hahnemuhle paper
813.0 × 1219.0 × 0.0 mm
48 x 32 in. 121.9 x 81.3 cm
Edition of 5 plus 2 artist's proofs (#2/5)

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A Rumble Across the Sky, 2022

Stainless steel (10 - 15% bomb metal)
3000.0 × 3800.0 × 3000.0 mm
149 5/8 x 118 1/8 x 118 1/8 in 380 x 300 x 300 cm
© Tuan Andrew Nguyen 2022. Courtesy of the artist and James Cohan, New York

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3 Brass Singing Bowls,

0.0 × 0.0 × 0.0 mm
Dimensions variable
© Tuan Andrew Nguyen 2022. Courtesy of the artist and James Cohan, New York

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Unexploded Ordnance, 16in. 50 caliber, Sông Ngân hamlet, Linh Thượng Village, Gio Linh district, Quảng Trị January 14, 2021,, 2022

Digital C-print mounted on sintra
2032.0 × 1355.0 × 0.0 mm
53 3/8 x 80 in. 135.5 x 203.2 cm
© Tuan Andrew Nguyen 2022. Courtesy of the artist and James Cohan, New York. Edition of 3 + 2 AP (#1/3)

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Unexploded Ordnance, 16in. 50 caliber, Sông Ngân hamlet, Linh Thượng Village, Gio Linh district, Quảng Trị January 14, 2021, 2022

Digital C-print mounted on sintra
2032.0 × 1355.0 × 0.0 mm
53 3/8 x 80 in. 135.5 x 203.2 cm
© Tuan Andrew Nguyen 2022. Courtesy of the artist and James Cohan, New York Edition of 3 + 2 AP (#1/3)

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The Unburied Sounds of a Troubled Horizon, 2022

Single-channel video installation, color, 5.1 surround sound
0.0 × 0.0 × 0.0 mm
58 min.
© Tuan Andrew Nguyen 2022. Courtesy of the artist and James Cohan, New York. Edition of 5 plus 2 artist's proofs (#1/5)

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Katie Paterson

Colour Field, 2016

C-print
2597.0 × 1099.0 mm
43 1/4 x 102 1/4 in. 109.9 x 259.7 cm

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Timepieces (Solar System), 2014

Nine adapted clocks
450.0 × 450.0 × 95.0 mm
17 11/16 x 17 11/16 x 3 11/16 in. 45.0 x 45.0 x 9.5 cm. Installation dimensions variable

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Ideas (A map of galaxies still to come), 2017

Micro water jet cut sterling silver
159.0 × 108.0 × 5.0 mm
10.8 x 15.9 x 0.5 cm 4 1/4 x 6 1/4 x 3/16 in.
Edition of 3 (#3/3)

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Ideas (the universe rewound and played back in real time), 2019

Micro waterjet-cut sterling silver
232.0 × 108.0 × 6.0 mm
4 1/4 x 9 1/8 x 1/4 in 10.8 x 23.2 x 0.6 cm
Edition of 3 (#2/3)

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Naudline Pierre

Stronger Than You Think, Softer Than You Know, 2022

Oil on linen
762.0 × 1016.0 × 0.0 mm
40 x 30 in.; 101.6 x 76.2 cm
© Naudline Pierre, 2022. Images courtesy of the artist and James Cohan, New York. Photos by Phoebe d'Heurle and Izzy Leung.

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I, A Terror Loosed Upon Your Heels, 2022

Oil on canvas
3048.0 × 2438.0 × 0.0 mm
96 x 120 in.; 243.8 x 304.8 cm
© Naudline Pierre, 2022. Images courtesy of the artist and James Cohan, New York. Photos by Phoebe d'Heurle and Izzy Leung.

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Through the Valley, 2021-2022

Oil on canvas
1219.0 × 1524.0 × 0.0 mm
60 x 48 in.; 152.4 x 121.9 cm
© Naudline Pierre, 2022. Images courtesy of the artist and James Cohan, New York. Photos by Phoebe d'Heurle and Izzy Leung.

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Held and Beheld, 2022

Oil and enamel on linen
1829.0 × 1524.0 × 0.0 mm
60 x 72 in.; 152.4 x 182.9 cm
Signed and dated verso © Naudline Pierre, 2022. Images courtesy of the artist and James Cohan, New York. Photos by Phoebe d'Heurle and Izzy Leung.

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Written in the Sky, 2022

Oil, enamel, and oil stick on panel
3048.0 × 3048.0 × 44.0 mm
120 x 120 x 1 3/4 in.; 304.8 x 304.8 x 4.4 cm
© Naudline Pierre, 2022. Images courtesy of the artist and James Cohan, New York. Photos by Phoebe d'Heurle and Izzy Leung.

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Matthew Ritchie

A bridge, a gate, an ocean, 2014

Oil and ink on canvas
3048.0 × 2388.0 × 63.0 mm
Framed: 94 x 120 x 2 1/2 in. 238.8 x 304.8 x 6.3 cm

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An Illustrated Lecture, 2022

Oil and ink on canvas
1880.0 × 1422.0 × 38.0 mm
56 x 74 x 1 1/2 in. 142.2 x 188 x 3.8 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York. Signed on verso

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Gardener, 2022

Oil and ink on canvas
1219.0 × 1168.0 × 38.0 mm
46 x 48 x 1 1/2 in. 116.8 x 121.9 x 3.8 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York. Signed on verso

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Composer, 2022

Oil and ink on canvas
1524.0 × 1219.0 × 38.0 mm
48 x 60 x 1 1/2 in. 121.9 x 152.4 x 3.8 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York. Signed on verso

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Harbinger, 2022

Oil and ink on canvas
1829.0 × 1473.0 × 38.0 mm
58 x 72 x 1 1/2 in. 147.3 x 182.9 x 3.8 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York. Signed on verso

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Leaves, 2022

Ink, wax and graphite on paper
311.0 × 394.0 × 0.0 mm
15 1/2 x 12 1/4 in. 39.4 x 31.1 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York

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Leaves, 2022

Ink, wax and graphite on paper
311.0 × 394.0 × 0.0 mm
15 1/2 x 12 1/4 in. 39.4 x 31.1 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York

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Leaves, 2022

Ink, wax and graphite on paper
311.0 × 394.0 × 0.0 mm
15 1/2 x 12 1/4 in. 39.4 x 31.1 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York

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Leaves, 2022

Ink, wax and graphite on paper
311.0 × 394.0 × 0.0 mm
15 1/2 x 12 1/4 in. 39.4 x 31.1 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York

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Leaves, 2022

Ink, wax and graphite on paper
311.0 × 394.0 × 0.0 mm
15 1/2 x 12 1/4 in. 39.4 x 31.1 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York

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Leaves, 2022

Ink, wax and graphite on paper
311.0 × 394.0 × 0.0 mm
15 1/2 x 12 1/4 in. 39.4 x 31.1 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York

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Leaves, 2022

Ink, wax and graphite on paper
279.0 × 356.0 × 0.0 mm
14 x 11 in. 35.6 x 27.9 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York

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Leaves, 2022

Ink, wax and graphite on paper
311.0 × 394.0 × 0.0 mm
15 1/2 x 12 1/4 in. 39.4 x 31.1 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York

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Leaves, 2022

Ink, wax and graphite on paper
311.0 × 394.0 × 0.0 mm
15 1/2 x 12 1/4 in. 39.4 x 31.1 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York

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Leaves, 2022

Ink, wax and graphite on paper
311.0 × 394.0 × 0.0 mm
15 1/2 x 12 1/4 in. 39.4 x 31.1 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York

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Generator, 2022

Oil and ink on canvas
1930.0 × 1676.0 × 32.0 mm
66 x 76 x 1 1/4 in. 167.6 x 193 x 3.2 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York. Signed on verso

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Servant of the Fluid, 2022

Oil and ink on canvas
1930.0 × 1676.0 × 32.0 mm
66 x 76 x 1 1/4 in. 167.6 x 193 x 3.2 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York. Signed on verso

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Shadow Drawing, 2022

Powder coated steel and organic plant material
4877.0 × 3292.0 × 3048.0 mm
129.6 x 192 x 120 in. 329.2 x 487.7 x 304.8 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York

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Discriminator, 2022

Oil and ink on canvas
1930.0 × 1676.0 × 32.0 mm
66 x 76 x 1 1/4 in. 167.6 x 193 x 3.2 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York. Signed on verso

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Yew of the Wood, 2022

Oil and ink on canvas
1930.0 × 1676.0 × 32.0 mm
66 x 76 x 1 1/4 in. 167.6 x 193 x 3.2 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York. Signed on verso

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Battle of the Trees, 2022

Oil and ink on canvas
1930.0 × 1676.0 × 32.0 mm
66 x 76 x 1 1/4 in. 167.6 x 193 x 3.2 cm
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York. Signed on verso

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Caudex, 2022

Looped digital animation with choral soundtrack by Shara Nova
0.0 × 0.0 × 0.0 mm
10:54 duration
© Matthew Ritchie 2022. Courtesy of the artist and James Cohan, New York. Edition of 3 plus 2 AP

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Yinka Shonibare CBE

Earth Kid (Boy), 2020

Fibreglass mannequin, Dutch wax printed cotton textile, globe, brass, steel baseplate, fishnet with plastics
0.0 × 0.0 × 0.0 mm
48 7/8 x 22 1/8 x 33 1/2 in 124 x 56 x 85 cm

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Fire Kid (Girl), 2020

Fibreglass mannequin, Dutch wax printed cotton textile, globe, brass, steel baseplate, artificial tree, detachable branch, detachable hands with book
0.0 × 0.0 × 0.0 mm
55 7/8 x 39 3/4 x 37 3/8 in 142 x 101 x 95 cm

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Air Kid (Boy), 2020

Fibreglass mannequin, Dutch wax printed cotton textile, globe, brass, steel baseplate, umbrella
0.0 × 0.0 × 0.0 mm
41 x 31 1/2 x 58 1/4 in 104 x 80 x 148 cm

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Water Kid (Girl), 2020

Fibreglass mannequin, Dutch wax printed cotton textile, globe, brass, steel baseplate, antique water jug
0.0 × 0.0 × 0.0 mm
52 3/4 x 22 1/2 x 19 3/4 in 134 x 57 x 50 cm

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Elias Sime

TIGHTROPE: ECHO!?, 2021

Reclaimed electrical wires and components on panel with two megaphones
0.0 × 0.0 × 0.0 mm
45 1/4 x 47 1/4 x 11 in 114.9 x 120 x 27.9 cm

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TIGHTROPE: ECHO!?, 2020

Reclaimed components on panel
0.0 × 0.0 × 0.0 mm
105 x 83 1/2 x 9 in 266.7 x 212.1 x 22.9 cm

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TIGHTROPE: ECHO!?, 2021

Reclaimed electrical components on panel with two megaphones
0.0 × 0.0 × 0.0 mm
45 1/4 x 47 1/4 x 16 in 114.9 x 120 x 40.6 cm

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TIGHTROPE: ECHO!?, 2021

Reclaimed electrical wires and components on panel with three megaphones
0.0 × 0.0 × 0.0 mm
70 x 74 x 12 in 177.8 x 188 x 30.5 cm

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TIGHTROPE: ECHO!?, 2021

Reclaimed electrical wires and components on panel with two megaphones
0.0 × 0.0 × 0.0 mm
45 1/4 x 47 1/4 x 15 in 114.9 x 120 x 38.1 cm

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TIGHTROPE: ECHO!?, 2021

Reclaimed electrical wires and components on panel with two megaphones
0.0 × 0.0 × 0.0 mm
45 1/4 x 47 1/4 x 6 in 114.9 x 120 x 15.2 cm

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TIGHTROPE: ECHO!?, 2021

Reclaimed electrical wires and components on panel with two megaphones
0.0 × 0.0 × 0.0 mm
45 1/4 x 47 1/4 x 11 1/2 in 114.9 x 120 x 29.2 cm

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Tightrope: Eyes and Ears of a Bat (1), 2020

Reclaimed electrical wires on wood
0.0 × 0.0 × 0.0 mm
47 1/4 x 83 1/2 in 120 x 212 cm

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Tightrope: From The Belly of The Earth 1, 2020

Reclaimed electrical wires on panel
0.0 × 0.0 × 0.0 mm
126 x 173 1/2 in 320 x 440.7 cm

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Alison Elizabeth Taylor

We Don’t Mean You, 2021

Marquetry hybrid
813.0 × 965.0 × 0.0 mm
38 x 32 in 96.5 x 81.3 cm

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Statuary Inc., 2021

Marquetry hybrid
1524.0 × 2032.0 × 0.0 mm
80 x 60 in 203.2 x 152.4 cm

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On Thinking Thoughts are Feelings, 2020

Marquetry hybrid
1803.0 × 1346.0 × 0.0 mm
53 x 71 in.; 134.6 x 180.3 cm

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Rockshop, 2020

Marquetry hybrid
1295.0 × 1727.0 × 0.0 mm
68 x 51 in 172.7 x 129.5 cm

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Midwinter, 2021

Marquetry hybrid
1524.0 × 1473.0 × 0.0 mm
58 x 60 in 147.3 x 152.4 cm

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Night at the PS, 2020

Marquetry hybrid
1473.0 × 1702.0 × 0.0 mm
67 x 58 in 170.2 x 147.3 cm

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Meet You There, 2021

Marquetry hybrid
3048.0 × 2438.0 × 0.0 mm
96 x 120 total (2 panels approx 96 x 58) 243.8 x 304.8 cm

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The Whistleblower, 2021

Marquetry hybrid
406.0 × 559.0 × 0.0 mm
22 x 16 in 55.9 x 40.6 cm

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