Hauser & Wirth

Anna Maria Maiolino

Untitled, from Ações Matéricas (Material Actions) series, 2018

Acrylic ink on canvas
Two parts, each 120 x 100 cm / 47 1/4 x 39 3/8 in
© Anna Maria Maiolino. Courtesy the artist and Hauser & Wirth. Photo: Everton Ballardin

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Untitled, from Ações Matéricas (Material Actions) series, 2010

Acrylic ink on canvas
Two parts, each 120 x 90 cm / 47 1/4 x 35 3/8 in
© Anna Maria Maiolino. Courtesy the artist and Hauser & Wirth. Photo: Everton Ballardin


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Untitled, from Ações Matéricas (Material Actions) series, 2017

Acrylic ink on canvas
90 x 230 cm / 35 3/8 x 90 1/2 in
© Anna Maria Maiolino. Courtesy the artist and Hauser & Wirth. Photo: Everton Ballardin

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É o que sobra, da série Fotopoemação (What is Left Over, from the series Photopoemaction), 1974

Photo: Max Nauenberg. Courtesy the artist

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Entrevidas, da série Fotopoemação (Between Lives, from the series Photopoemaction), 1981/2010

Photo: Henri Virgil Stahl. Courtesy the artist, Private Collection, Monza and Galleria Raffaella Cortese, Milano

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Por um Fio, da série Fotopoemação (By a Thread, from the series Photopoemaction), 1976

Photo: Regina Vater. Courtesy the artist

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São(They Are), 1997/2000

Photo: Vicente de Mello. Courtesy the artist and Hauser & Wirth

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Sem título, da série Grandes Ausentes (Untitled, from the series the Great Absent), 2014

Photo: Everton Ballardin. Courtesy the artist

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Sem título, da série Propícios (Untitled, from the series Propitious), 2007

Photo: Daniel Mansur | Studio Pixel. Courtesy Bruno Assumpção

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Sem título, da série Filogenéticos (Untitled, from the series Phylogenetics), 2018

Photo: Everton Ballardin. Courtesy the artist and Hauser & Wirth

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Glu Glu Glu, 1967

Photo: Vicente de Mello. Courtesy the artist

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ANNA, 1967

Photo: Vicente de Mello. Courtesy the artist

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Nove Segmentos (Nine Segments), 1998

Photo: Everton Ballardin. Courtesy the artist

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Ano 1942, da série Mapas Mentais (Year 1942, from the series Mental Maps), 1973/99

Courtesy the artist

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In-Out (Antropofagia) [In-Out (Antropophagy)], from the series Fotopoemação [Photopoemaction] (detail), 1973/74–2000

Photo: Max Nauenberg. Courtesy the artist and Galleria Raffaella Cortese, Milan

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Untitled, from Cobrinhas (Little Snakes) series, 2018

Marble powder and white cement
58 x 30.8 x 10 cm / 22 7/8 x 12 1/8 x 3 7/8 in
Unique © Anna Maria Maiolino. Courtesy the artist and Hauser & Wirth. Photo: Everton Ballardin

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Berlinde De Bruyckere

Glass Dome I, 2007, 2007

Wax, epoxy, glass, wood
72 x 31 x 31 cm / 28 3/8 x 12 1/4 x 12 1/4 in
© Berlinde De Bruyckere. Courtesy the artist and Hauser & Wirth

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Bharti Kher

The whole is greater 6, 2017

Ink, pencil, felt pen, pastel on old ledger paper
52.7 x 64.9 cm / 20 3/4 x 25 1/2 in
© Bharti Kher. Courtesy of the artist and Hauser & Wirth

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The whole is greater 7, 2017

Ink, watercolour on old ledger paper
52.7 x 64.9 cm / 20 3/4 x 25 1/2 inches
© Bharti Kher. Courtesy of the artist and Hauser & Wirth

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Algorithm for time travel, 2018

Bindis on painted board
Diameter 157.48 cm
© Bharti Kher. Courtesy of the artist and Hauser & Wirth

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A wonderful anarchy, 2018

Mixed media
398 x 171 cm / 156 3/4 x 67 3/8 in
© Bharti Kher. Courtesy of the artist and Hauser & Wirth

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Talisman for September, 2019

Clay, cement, wax, copper
121.7 x 29 x 28.4 cm / 47 7/8 x 11 3/8 x 11 1/8 in
© Bharti Kher. Courtesy of the artist and Hauser & Wirth

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Sisters, 2019

Clay, cement, wax, copper
138.6 x 29 x 29 cm / 54 5/8 x 11 3/8 x 11 3/8 in
© Bharti Kher. Courtesy of the artist and Hauser & Wirth

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The offspring of a deity perhaps, 2019

Clay, cement, wax, brass
140 x 16.5 x 21 cm / 55 1/8 x 6 1/2 x 8 1/4 in
© Bharti Kher. Courtesy of the artist and Hauser & Wirth

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As dangerous as an albatross, 2019

Clay, cement, wax, copper
127.4 x 10.1 x 21 cm / 50 1/8 x 4 x 8 1/4 in
© Bharti Kher. Courtesy of the artist and Hauser & Wirth

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Artemis, 2019

Clay, cement, wax, brass
157.2 x 40.6 x 48.2 cm / 61 7/8 x 16 x 19 in
© Bharti Kher. Courtesy of the artist and Hauser & Wirth

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Peacock, 2011

Wooden chair, saris, resin
155 x 134.5 x 134.5 cm / 61 x 53 x 53 in
© Bharti Kher Courtesy the artist and Hauser & Wirth Photo: Stefan Altenburger Photography Zürich

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Christopher Orr

Untitled (Group of People), 2019

Oil on wooden panel
40 x 30cm

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Untitled (Figure in Landscape), 2019

Oil on wooden panel
40 x 30cm

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The Ghostly Language of Ancient Earth, 2019

Oil on wooden panel
24 x 18cm

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Dan Graham

Wendy with Cat, 1996

C-print
16 x 11 inches (40.6 x 27.9 cm) 26 1/8 x 20 1/8 inches (66.4 x 51.1 cm) framed Signed, titled, dated on mat board. Unique
© Dan Graham, courtesy of 303 Gallery, New York

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Courtyard of Housing Project, Jersey City, N.J. Row in Housing Project, Bayonne, N.J., 1966

C-prints mounted on board
2 c-prints, 33.5 x 23 cm (13 1/4 x 9 in.) and 34.5 x 23 cm (13 1/4 x 9 & 13 5/8 x 9 in.), framed 100.7 x 72 x 3.5 cm (39 5/8 x 28 3/8 x 1 3/8 in.)
Signed and dated recto. Unique

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David Zink Yi

Garabato, 2019

Stoneware
118 x 172 x 7 cm / 46 1/2 x 67 3/4 x 2 3/4 in
© David Zink Yi. Courtesy the artist and Hauser & Wirth

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Garabato, 2019

Stoneware
180 x 222 x 7 cm / 70 7/8 x 87 3/8 x 2 3/4 in
© David Zink Yi. Courtesy the artist and Hauser & Wirth

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Lower Mount Parker Residences, 2019

Stoneware
129 x 22 x 40 cm / 50 3/4 x 8 5/8 x 15 3/4 in 117.5 x 37.5 cm x 23.5 / 46 1/4 x 14 3/4 x 9 1/4 in
© David Zink Yi. Courtesy the artist and Hauser & Wirth. Photo: Wolfgang Stahr

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Untitled, 2019

Glazed stoneware
76 x 41 x 40 cm / 29 7/8 x 16 1/8 x 15 3/4 in
© David Zink Yi. Courtesy the artist and Hauser & Wirth

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Spiral, 2019

Glazed dark stoneware
68 x 75 x 24 cm / 26 3/4 x 29 1/2 x 9 1/2 in
© David Zink Yi. Courtesy the artist and Hauser & Wirth

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All My Colours, 2019

Glazed stoneware
32 x 37 x 5.2 cm / 12 5/8 x 14 5/8 x 2 in
© David Zink Yi. Courtesy the artist and Hauser & Wirth

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Untitled, 2019

Stoneware
136 x 48 x 41 cm / 53 1/2 x 18 7/8 x 16 1/8 in
© David Zink Yi. Courtesy the artist and Hauser & Wirth. Photo: Wolfgang Stahr

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Diana Thater

Untitled (Butterfly Videowall 2), 2008

5 flat screens, 1 media player, 2 LED lights, window film
Installation view, ‘Diana Thater’, Hauser & Wirth Swallow Street, London, England  © Diana Thater. Courtesy the artist, Hauser & Wirth, David Zwirner, New York/London, and 1301PE, Los Angele

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Ellen Gallagher

Ecstatic Draught of Fishes
, 2020


Oil, palladium leaf and paper on canvas

248 x 202 cm / 97 5/8 x 79 1/2 inches
© Ellen Gallagher. Courtesy the artist and Hauser & Wirth. Photo: Tony Nathan

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Watery Ecstatic
, 2021


Watercolour, varnish, and cut paper on paper

198 x 140 cm / 78 x 55 1/8 inches
© Ellen Gallagher. Courtesy the artist and Hauser & Wirth. Photo: Tony Nathan

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Paradise Shift
, 2020


Mixed media on canvas

202 x 188 cm / 79 1/2 x 74 inches
© Ellen Gallagher. Courtesy the artist and Hauser & Wirth. Photo: Tony Nathan

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François Morellet

19 lignes parallèles et 21 lignes parallèles avec 1 interférence, 1974

Oil on board
31 1/2 × 31 1/2 in 80 × 80 cm

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3 trames de carrés réguliers pivotées sur le côté, 1970

Silkscreen on wood
31 1/2 × 31 1/2 × 1 3/5 in 80 × 80 × 4 cm

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5 trames 85°, 87°5, 90°, 92°5, 95°, 1969

Serigraphic ink on wood
31 1/2 × 31 1/2 × 1 3/5 in 80 × 80 × 4 cm
Edition 9/9

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Carré inscrit dans un carré, 1954

Oil on wood
80 x 80 cm / 31 1/2 x 31 1/2 in
© François Morellet/Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Estate Morellet. Photo: Thomas Barratt

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36 trames de tirets pivotées au centre, 1960

Oil on wood
80 x 80 cm / 31 1/2 x 31 1/2 in
© François Morellet/Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Estate Morellet. Photo: Thomas Barratt

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Relâche n° 2 blanc, 1992

Acrylic and oil on canvas, lacquered aluminium, neon tubes, canvas strips
340 x 290 cm / 133 7/8 x 114 1/8 in
© François Morellet/Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Estate Morellet. Photo: Dan Bradica

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Entre deux mers n°2, 2013

Acrylic on canvas on wood and brushed stainless steel
170 x 265 cm / 66 7/8 x 104 3/8 in. Each panel 100 x 100 cm
Edition of 3 © François Morellet/Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Estate Morellet

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Rouge pair - Bleu impair n° 5, 2012

Eleven red neon tubes and 9 blue argon tubes, acrylic on canvas
120 x 100 cm / 47 1/4 x 39 3/8 in
© François Morellet/Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Estate Morellet

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4 morceaux d'un carré (tableau) assemblés 2 par 2 perpendiculairement à l'aide d'un seul clou, 1984

Acrylic on wood
200 x 240 x 148 cm / 78 3/4 x 94 1/2 x 58 1/4 in
© François Morellet/Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Estate Morellet. Photo: Thomas Barratt

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Angle droit (fer plat) et sa bissectrice (miroir) (Right Angle (Flat Iron) and Its Bisector (Mirror)), 1982

Mirror and flat iron
120 x 120 cm / 47 1/4 x 47 1/4 inches (mirror) 120 x 8 x 0.8 cm / 47 1/4 x 3 1/8 x 3/8 inches (flat iron)
Unique. © François Morellet/Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Estate Morellet. Photo: Thomas Barratt

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Icy climbing beam 45°, 45°, 45°, 2003

Industrial white lacquer on MDF
106 x 106 x 60 cm / 41 3/4 x 41 3/4 x 23 5/8 in
© François Morellet/Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Estate Morellet. Photo: Thomas Barratt

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Carrés et triangles rouges et bleus (Red and Blue Squares and Triangles), 1953

Oil on wood
80 x 80 cm / 31 1/2 x 31 1/2 in
© François Morellet/Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Estate Morellet. Photo: Thomas Barratt

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Seule droite (cornière métallique) passant dans 2 carrés (toiles) ayant le milieu d'un de leurs côtés en contact (Single straight line (metal angle iron) passing through 2 squares (canvases) having the middle of one of their sides in contact), 1978

Acrylic on canvas on wood and metal angle iron
140 x 140 cm / 55 1/8 x 55 1/8 in (each panel)
© François Morellet/Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Estate Morellet. Photo: Thomas Barratt

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Un tableau 78°-12° et un angle droit en néon + fil électrique 8°-98° (A canvas 78°-12° and a right angle neon + electric wire 8°-98°), 1992

Acrylic on canvas on wood, argon tube, high-voltage cable and transformer
230 x 170 cm / 90 1/2 x 66 7/8 in. Panel 140 x 140 cm / 55 1/8 x 55 1/8 in
© François Morellet/Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Estate Morellet. Photo: Dan Bradica

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4 trames 30°, 60°, 120°, 150° partant des 4 angles du mur. Intervalles : hauteur du mur (4 Grids 30°, 60°, 120°, 150° starting from the 4 Corners of the Wall. Intervals: Height of the Wall), 1977/2021

Matt adhesive tape, 5 cm wide
356.2 x 891.5 cm / 140 1/4 x 351 in
© François Morellet/Artists Rights Society (ARS), New York/ADAGP, Paris. Courtesy Estate Morellet. Photo: Dan Bradica

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Tirets 0º 45º 90 135º, 1971

Serigraphic ink on wood
31 1/2 × 31 1/2 in 80 × 80 cm

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Contorsions n°5, 2007

Acrylic on canvas and red neon
110x112 cm
Courtesy A arte Invernizzi, Milan. Photo Bruno Bani, Milan

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Trame de grillage -22°5 + 22°5, 1975

Metal thread and acrylic on board
40 x 40 cm
Signed, titled, dedicated and dated 1975 on the reverse

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5 impressions décalées: bleu, vert, jaune, orange et rouge, 1969

Silkscreen on board
80 x 80 cm 31 1/2 x 31 1/2 inches
Signed, titled, dated and stamped with artist’s inventory number on the reverse

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20% de carrés dégradés pivotés au centre 5 fois, 1970

Silkscreen on board
80 x 80 cm 31 1/2 x 31 1/2 inches
Signed, titled and dated on the reverse

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Frank Bowling

Enter the Dragon, 1984

Acrylic, acrylic gel and polyurethane foam on canvas with marouflage
230.4 x 277.8 x 10 cm / 90 3/4 x 109 3/8 x 3 7/8 in
© Frank Bowling
. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Dawnshoot, 1991

Acrylic and acrylic gel on canvas with marouflage
188 x 78.5 x 3.2 cm / 74 x 30 7/8 x 1 1/4 in
© Frank Bowling
. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Pondlife (After Millais), 2007

Acrylic, acrylic gel, fabric and found objects on canvas with marouflage
229.6 x 135.8 x 4.5 cm / 90 3/8 x 53 1/2 x 1 3/4 inches (framed)
© Frank Bowling
. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Piano to Guyana, 2004

Acrylic, acrylic gel and found objects on canvas with marouflage
223 x 213 cm / 87 3/4 x 83 7/8 in 230 x 219.6 x 10.5 cm / 90 1/2 x 86 1/2 x 4 1/8 in (framed)
© Frank Bowling
. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Polish Rebecca, 1971

Acrylic paint and spray paint on canvas
277 x 359 cm / 109 x 141 3/8 in
© Frank Bowling
. Courtesy the artist and Hauser & Wirth. Photo: Kerry McFate

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Texas Louise, 1971

Acrylic on canvas
282 x 665 cm / 111 x 261 3/4 in
© Frank Bowling
. Courtesy the artist, Hauser & Wirth and Hales Gallery. Photo: Charlie Littlewood

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Sand Circle, 1983

Acrylic, acrylic gel and polyurethane foam on canvas
210 x 180 cm / 82 5/8 x 70 7/8 in / 212.3 x 183.5 x 4.5 cm / 83 5/8 x 72 1/4 x 1 3/4 in (framed)
© Frank Bowling
. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Swimmers, 2020

Acrylic, acrylic gel and found objects on collaged canvas
229.3 x 326.4 x 8 cm / 90 1/4 x 128 1/2 x 3 1/8 in
© Frank Bowling
. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Jetty, 1983

Acrylic, acrylic gel and polyurethane foam on canvas
181 x 252 cm / 71 1/4 x 99 1/4 in / 188 x 259 x 9 cm / 74 x 102 x 3 1/2 in (framed)
© Frank Bowling
. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Wobbly V with Bunches, 2020

Acrylic and acrylic gel on canvas with marouflage
188.3 x 255 x 5.5 cm / 74 1/8 x 100 3/8 x 2 1/8 in
© Frank Bowling
. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Flogging the Dead Donkey, 2020

Acrylic and acrylic gel on canvas with marouflage
102.5 x 185.5 x 5 cm / 40 3/8 x 73 x 2 in
© Frank Bowling
. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Swimmers, 2020

Acrylic, acrylic gel and found objects on collaged canvas
229.3 x 326.4 x 8 cm / 90 1/4 x 128 1/2 x 3 1/8 inches
© Frank Bowling.All Rights Reserved, DACS 2021 Courtesy the artist and Hauser & Wirth Photo: Damian Griffiths

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Guillermo Kuitca

Untitled (Teatro Real), 2013-2015

Oil on canvas
195 x 249 x 3 cm / 76 3/4 x 98 x 1 1/8 in
© Guillermo Kuitca. Courtesy the artist and Hauser & Wirth

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The Family Idiot, 2018

Oil on canvas in artist frame
triptych 82 x 177.5 cm / 32 1/4 x 69 7/8 in
© Guillermo Kuitca. Courtesy the artist and Hauser & Wirth. Photo: Gonzalo Maggi

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Untitled, 2020

Oil on canvas mounted on cardboard
30 x 40 cm / 11 3/4 x 15 3/4 in

© Guillermo Kuitca. Courtesy the artist and Hauser & Wirth. Photo: Jon Etter

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Untitled, 2020

Oil on canvas
37 x 47 cm / 14 5/8 x 18 1/2 in
© Guillermo Kuitca. Courtesy the artist and Hauser & Wirth. Photo: Jon Etter

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Untitled, 2020

Oil on canvas
35 x 45 cm / 13 3/4 x 17 3/4 in
© Guillermo Kuitca. Courtesy the artist and Hauser & Wirth. Photo: Jon Etter

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Untitled, 2020

Oil on canvas
35 x 45 cm / 13 3/4 x 17 3/4 in
© Guillermo Kuitca. Courtesy the artist and Hauser & Wirth. Photo: Jon Etter

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Untitled, 2020

Oil on canvas
40 x 50 cm / 15 3/4 x 19 5/8 in
© Guillermo Kuitca. Courtesy the artist and Hauser & Wirth. Photo: Jon Etter

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Planta Mar, 2020

Oil on canvas
30 x 24 cm / 11 3/4 x 9 1/2 in
© Guillermo Kuitca. Courtesy the artist and Hauser & Wirth. Photo: Jon Etter

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Ida Applebroog

The Ethics of Desire, 2013

Ultrachrome ink on mylar; 3 panels
261.5 x 335.3 cm / 103 x 132 in
© Ida Applebroog. Courtesy the artist and Hauser & Wirth. Photo: Genevieve Hanson

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Isa Genzken

Bookshelves, 2008

© ADAGP, Paris and DACS, London 2019

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Untitled, 2018

15 airplane window panels with wood and metal mounting; 3 airplane bench seats
Window panels: each 130 x 106 x 38 cm / 51 1/8 x 41 3/4 x 15 in. Bench seats: each 116 x 154 x 56 cm / 45 5/8 x 60 5/8 x 22 in. Installation dimensions variable
© Isa Genzken / Licensed by Artists Rights Society (ARS), New York. Courtesy the artist, Hauser & Wirth and Galerie Buchholz Cologne / Berlin / New York. Photo: Todd- White

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Fenster, Venloer Straße, 1988. Project for the façade of Galerie Buchholz, Venloer Str. 21, Cologne, realized/not installed, 2015

Model, scale 1:50. Plastic, acrylic paint, metal, acrylic glass, wood
176 x 50 x 50 cm / 69 1/4 x 19 5/8 x 19 5/8 in
© Isa Genzken / Licensed by Artists Rights Society (ARS), New York. Courtesy the artist, Hauser & Wirth and Galerie Buchholz Cologne / Berlin / New York. Photo: Jen Ziehe

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Atelierfenster, 1999. Project for Almere, on the occasion of ‚Eingeladen / Uitgenodigd‘ at the Almeers Centrum Hedendaagse Kunst, De Paviljoens, Almere, unrealized, 2015

Model, scale 1:50. Plastic, acrylic paint, metal, wood
153 x 70 x 50 cm / 60 1/4 x 27 1/2 x 19 5/8 in
© Isa Genzken / Licensed by Artists Rights Society (ARS), New York. Courtesy the artist, Hauser & Wirth and Galerie Buchholz Cologne / Berlin / New York. Photo: Jen Ziehe

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FVWB Hyperbolo, 1981

Computer printout
42 x 59 cm (framed: 47.5 x 64.8 x 2.5 cm)
Courtesy Galerie Buchholz, Berlin/Cologne/New York

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Untitled, 1980

Ink, pencil, and water color on paper
70 x 100 cm (framed: 75.5 x 105.5 x 2.5 cm)
Courtesy Galerie Buchholz, Berlin/Cologne/New York

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Untitled, 1980

Ink, pencil, and water color on paper
70 x 100 cm (framed: 75.5 x 105.5 x 2.5 cm)
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Untitled, 1980

Ink, pencil, and water color on paper
70 x 100 cm (framed: 75.5 x 105.5 x 2.5 cm)
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Untitled, 1980

Ink, pencil, and water color on paper
70 x 100 cm (framed: 75.5 x 105.5 x 2.5 cm)
Courtesy Galerie Buchholz Berlin/Cologne/New York

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Untitled, 1979

Pencil, ink, and ball point pen on paper
21 x 29.7 cm (framed: 26.5 x 35.2 x 2.5 cm)
Courtesy Galerie Buchholz, Berlin/Cologne/New York

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Untitled, n.d. (ca. 1979)

Pencil and felt pen on paper
21 x 29.7 cm (framed: 26.5 x 35.2 x 2.5 cm)
Courtesy Galerie Buchholz, Berlin/Cologne/New York

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Schwarzes Hyperbolo 'Nüsschen', 1980

Wood, lacquer
14.5 x 25 x 558.5 cm
Courtesy Galerie Buchholz, Berlin/Cologne/New York

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JOB E7142 RZEGKKST 08/03/77 13.08.34, 1977

Computer printout on continuous paper
30.5 x 125.1 cm
Unique. Courtesy Galerie Buchholz, Berlin/Cologne/New York

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Ohr, 1980

Chromogenic color print mounted on chipboard in artist's frame
framed: 176.5 x 120 x 3 cm
Courtesy Galerie Buchholz, Berlin/Cologne/New York

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Untitled, 1976

Computer printout on continuous paper
30.5 x 37.5 cm
Unique. Courtesy Galerie Buchholz, Berlin/Cologne/New York

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Untitled, n.d. (ca. 1976)

Computer printout on continuous paper
30.5 x 711.8 cm
Unique. Courtesy Galerie Buchholz, Berlin/Cologne/New York

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Untitled, 1980

Ball point pen and pencil on paper
20.8 x 29.6 cm (framed: 26.5 x 35.2 x 2.5 cm)
Courtesy Galerie Buchholz, Berlin/Cologne/New York

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Untitled, 1980

Felt pen and ball point pen on paper
20.8 x 29.6 cm (framed: 26.4 x 35.1 x 2.5 cm)
Courtesy Galerie Buchholz, Berlin/Cologne/New York

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Philip Guston

Untitled (Poor Richard), 1971

Ink on paper
26.7 x 35.2 cm / 10 1/2 x 13 7/8 in
Photo: Genevieve Hanson. © The Estate of Philip Guston. Courtesy the Estate and Hauser & Wirth

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Untitled, 1971

Ink on paper
26.7 x 35.2 cm / 10 1/2 x 13 7/8 in
Photo: Genevieve Hanson. © The Estate of Philip Guston. Courtesy the Estate and Hauser & Wirth

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Untitled, 1971

Oil on paper mounted on panel
73.7 x 101.6 cm / 29 x 40 in
Photo: Genevieve Hanson. © The Estate of Philip Guston. Courtesy the Estate and Hauser & Wirth

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Untitled (Roma), 1971

Oil on paper mounted on panel
49.5 x 68 cm / 19 1/2 x 26 3/4 in
Photo: Thomas Barratt. © The Estate of Philip Guston. Courtesy the Estate and Hauser & Wirth

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Untitled (Roma), 1971

Oil on paper
47.6 x 66 cm / 18 3/4 x 26 in
Photo: Thomas Barratt. © The Estate of Philip Guston. Courtesy the Estate and Hauser & Wirth

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Untitled, 1971

Oil on paper
45.7 x 58.4 cm / 18 x 23 in
Photo: Thomas Barratt. © The Estate of Philip Guston. Courtesy the Estate and Hauser & Wirth

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October Fall, 1952

Quill and ink on paper
30.5 x 43.2 cm / 12 x 17 in
© The Estate of Philip Guston
. Courtesy the Estate and Hauser & Wirth. Photo: Timothy Doyon

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Group II, 1964


Oil on canvas

165.4 x 201 cm / 65 1/8 x 79 1/8 in
Photo: Genevieve Hanson. © The Estate of Philip Guston
. Courtesy the Estate and Hauser & Wirth

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Untitled, 1973


Ink on paper

34.9 x 42.6 cm / 13 3/4 x 16 3/4 in
© The Estate of Philip Guston
. Courtesy the Estate and Hauser & Wirth. Photo: Timothy Doyon

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Musa, 1975

Oil on canvas
122.5 x 178.4 cm / 48 1/4 x 70 1/4 in
© The Estate of Philip Guston
. Courtesy the Estate and Hauser & Wirth. Photo: Jon Etter

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The Poet, 
1975

Oil on canvas

174.8 x 188.8 x 2.5 cm / 68 7/8 x 74 3/8 x 1 in
© The Estate of Philip Guston
. Courtesy the Estate and Hauser & Wirth. Photo: Genevieve Hanson

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Untitled, 1968

Charcoal on paper
45.7 x 54.9 cm / 18 x 21 5/8 in
© The Estate of Philip Guston
. Courtesy the Estate and Hauser & Wirth. Photo: Genevieve Hanson

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The Actors V, 1962

Oil on paper mounted on panel
76.2 x 101.6 cm / 30 x 40 in
© The Estate of Philip Guston
. Courtesy the Estate and Hauser & Wirth. Photo: Todd White

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Blackboard, 1969

Oil on canvas
201.9 x 284.5 cm / 79 1/2 x 112 in
Private Collection © The Estate of Philip Guston, courtesy Hauser & Wirth. Photo: Genevieve Hanson

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The Studio, 1969

Oil on canvas
121.9 x 106.7 cm / 48 x 42 in
Private Collection © The Estate of Philip Guston, courtesy Hauser & Wirth. Photo: Genevieve Hanson

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Pittore, 1973

Oil on canvas
184.8 x 204.5 cm / 72 3/4 x 80 1/2 in
Private Collection © The Estate of Philip Guston, courtesy Hauser & Wirth. Photo: Genevieve Hanson

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Sleeping, 1977

Oil on canvas
213.4 x 175.3 cm / 84 x 69 in
Private Collection © The Estate of Philip Guston, courtesy Hauser & Wirth. Photo: Genevieve Hanson

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Tears, 1977

Oil on canvas
172.7 x 290.8 cm / 68 x 114 1/2 in
Private Collection © The Estate of Philip Guston, courtesy Hauser & Wirth. Photo: Thomas Barratt

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Back View II, 1978

Oil on canvas
185.4 x 205.7 cm / 73 x 81 in
Private Collection © The Estate of Philip Guston, courtesy Hauser & Wirth. Photo: Genevieve Hanson

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Entrance, 1979

Oil on canvas
203.2 x 237.8 cm / 68 x 80 in
Private Collection © The Estate of Philip Guston, courtesy Hauser & Wirth

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Rock, 1978

© The Artist, Courtesy Zabludowicz Collection, and McKee Gallery, New York

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The Canvas, 1973

© The Artist, Courtesy Zabludowicz Collection, and Hauser & Wirth. Photo: Genevieve Hanson

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Jakub Julian Ziolkowski

Red Diamond, 2019

Oil on canvas
120 x 110 cm 47 1/4 x 43 1/4 in

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Lower World, 2020

Oil and mixed media on canvas
53 x 45 cm 20 7/8 x 17 3/4 in

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Joan Mitchell

Untitled, 1955-56

Oil on canvas paper laid to linen
19.75 x 16 inches (50 x 40.60 cm)

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Louise Bourgeois

Torso, Self-Portrait, 1963 - 1964

Painted bronze
60 x 40.6 x 15.7 cm 23 5/8 x 16 x 6 1/4 in.

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Fée Couturière (Fairy Dressmaker), 1963

Painted bronze
100.3 x 57.2 x 57.2 cm 39 1/2 x 22 1/2 x 22 1/2 in.

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Arched Figure, 2004

Fabric
35.6 x 76.2 x 19.7 cm 14 x 30 x 7 3/4 in.

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Life Flower I, Conceived 1960, cast 2010

Painted bronze on bronze plinth with dark brown patina
Overall: 120.5 by 89.5 by 57 cm. 47 1/2 by 35 1/4 by 22 1/2 in.
Incised with the artist’s initials and numbered 3/6

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Fragile Goddess, 2002

Fabric
33 by 12.6 by 14 cm. 13 by 5 by 5 1/2 in.

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À Baudelaire (#1) (Detail), 2008

Etching, ink, watercolour, gouache and pencil on paper
4 panels 151.7 x 100.9 cm / 59 3/4 x 39 3/4 in
© The Easton Foundation/VAGA at ARS, NY. Courtesy The Easton Foundation and Hauser & Wirth. Photo: Jon Etter

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Figure, 1999

Fabric, marble, metal and glass
Vitrine: 22.2 by 44.5 by 26 cm. 8¾ by 17½ by 10¼ in.

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Untitled, 1970

Watercolor and charcoal on paper
69.9 x 101.6 cm / 27 1/2 x 40 in
© The Easton Foundation/VAGA at ARS, NY. Courtesy The Easton Foundation and Hauser & Wirth. Photo: Christopher Burke

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Untitled, 1951

Ink and charcoal on paper
19.1 x 27.9 cm / 7 1/2 x 11 in
© The Easton Foundation/VAGA at ARS, NY. Courtesy The Easton Foundation and Hauser & Wirth. Photo: Christopher Burke

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Spit or Star, 1986

Watercolor and pencil on paper
60.3 x 48.3 cm / 23 3/4 x 19 in
© The Easton Foundation/VAGA at ARS, NY. Courtesy The Easton Foundation and Hauser & Wirth. Photo: Christopher Burke

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Untitled, 1970

Pencil and ink on paper
74.9 x 104.8 cm / 29 1/2 x 41 1/4 in
© The Easton Foundation/VAGA at ARS, NY. Courtesy The Easton Foundation and Hauser & Wirth. Photo: Christopher Burke

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Untitled, 1974

Pencil and watercolor on paper
21.9 x 61.9 cm / 8 5/8 x 24 3/8 in
© The Easton Foundation/VAGA at ARS, NY. Courtesy The Easton Foundation and Hauser & Wirth. Photo: Christopher Burke

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THE FAMILY, 2008

Gouache on paper
12 works, each: 23.5 x 18 inches (paper), 59.7 x 45.7 cm / 26.9 x 18.1 x 1.6 inches (framed), 68.3 x 46 x 4.1 cm
© Estate of Louise Bourgeois/ the Easton Foundation. Courtesy Lehmann Maupin, New York, Hong Kong, Seoul and London

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Maria Lassnig

Würdevoll (Dignified), c. 2005-2006

Acrylic and pen on paper, six parts
5 drawings: 44 × 60 cm / 17 3/8 × 23 5/8 in 55.6 × 72 × 3.5 cm / 21 7/8 × 28 3/8 × 1 3/8 in (framed) 1 drawing: 50 × 70 cm / 19 5/8 × 27 1/2 in 61.5 × 81 × 3.5 cm / 24 1/4 × 31 7/8 × 1 3/8 in (framed)
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth

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2 Verzückte (2 in Ecstasy), 2000

Watercolor and pencil on paper
69.8 x 50 cm / 27 1/2 x 19 5/8 in
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth. Photo: Stefan Altenburger

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Die Diktatoren (The Dictators), 1964

Oil on canvas 
127.5 x 99 x 3 cm / 50 1/4 x 39 x 1 1/8 in
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth. Photo: Jon Etter

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Self Portrait, 1962

Black chalk and gouache on paper
21 3/10 × 29 3/10 in 54 × 74.5 cm

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Zarter Mittelpunkt (Delicate Centre), 1961

Watercolour on cardboard
63 x 85.6 cm / 24 3/4 x 33 3/4 in
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth. Photo: Roland Krauss 

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Ohne Titel (Untitled), ca. 1980-1985

Watercolour, colour pencil on paper
62.7 x 44 cm / 24 5/8 x 17 3/8 in
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth. Photo: Roland Krauss

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Am Lande (In the Countryside), ca. 1986-1999

Watercolour, pencil on paper
43 x 61 cm / 16 7/8 x 24 in
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth. Photo: Roland Krauss

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Ohne Titel (Untitled), 1990

Watercolour on paper
56 x 75.8 cm / 22 x 29 7/8 in
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth. Photo: Roland Krauss 

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Die Käselust (Cheese Desire), 1990

Watercolour, pencil on paper
43.8 x 59.9 cm / 17 1/4 x 23 5/8 in
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth. Photo: Roland Krauss 

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Ohne Titel (Untitled), 1987

Charcoal on paper
42 x 29.7 cm / 16 1/2 x 11 3/4 in
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth. Photo: Roland Krauss 

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Tachistisches Selbstportrait (Tachist Self-Portrait), 1959-1961

Oil on cardboard
50.2 x 65 cm / 19 3/4 x 25 5/8 in
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth. Photo: Roland Krauss

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Ohne Titel (Untitled), ca. 1964-1968

Watercolour on paper
56.6 x 38.9 cm / 22 1/4 x 15 3/8 in
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth. Photo: Roland Krauss 

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Entwurf zu einem Wandfries(s), 1 x 30m, in der Chirurgie, Landeskrankenhaus in Klagenfurt (Design for a wall frieze, 1 x 30m, at the Surgical Ward State Hospital in Klagenfurt), ca. 1961

Watercolour, ballpoint pen on paper
54 x 145.5 cm / 21 1/4 x 57 1/4 in
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth. Photo: Roland Krauss 

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Self Porträt, 1962

Black chalk, gouache on paper
54 x 74.5 cm

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Selbstportrait in New York (Self-Portrait in New York), 1968

Pencil on paper
18 x 12 inches 45.8 x 30.5 cm
© Maria Lassnig Foundation. Photo: Roland Krauss

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Sarahs Kitten, 1970

Pencil on paper
9.4 x 13.4 inches 23.8 x 34 cm
© Maria Lassnig Foundation. Photo: Roland Krauss

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Hudson River, 1970

Colored pencil on paper
19 x 24 inches 48.2 x 61 cm
© Maria Lassnig Foundation. Photo: Roland Krauss

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N.Y. Selfportrait Verschachtelt (N.Y. Self-Portrait Boxed-Up), 1974

Pencil on paper
18 x 24.1 inches 45.7 x 61.2 cm
© Maria Lassnig Foundation. Photo: Roland Krauss

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Central Park N.Y., 1975

Pencil on paper
24 x 19 inches 61 x 48.3 cm
© Maria Lassnig Foundation. Photo: Roland Krauss

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Untitled, 1970–1979

Pencil, watercolor on paper
18 x 23.9 inches 45.6 x 60.7 cm
© Maria Lassnig Foundation. Photo: Roland Krauss

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Untitled, ca. 1969–1974

Pencil, colored pencil on paper
9.4 x 13.4 inches 23.9 x 34 cm
© Maria Lassnig Foundation. Photo: Roland Krauss

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Television Selfportrait, 1975

Pencil, felt pen on paper
19 x 24 inches 48.3 x 60.9 cm
© Maria Lassnig Foundation. Photo: Roland Krauss

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Chelsea Hotel, 1979

Pencil on paper
11 x 14 inches 28 x 35.6 cm
© Maria Lassnig Foundation. Photo: Roland Krauss

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Chelsea Hotel, 1979

Pencil on paper
11 x 14 inches 28 x 35.5 cm
© Maria Lassnig Foundation. Photo: Roland Krauss

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Untitled, c. 1979

Watercolor on paper
18.9 x 23.9 inches 47.9 x 60.8 cm
© Maria Lassnig Foundation. Photo: Roland Krauss

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Untitled, c. 1979

Watercolor on paper
18.9 x 23.9 inches 48 x 60.8 cm
© Maria Lassnig Foundation. Photo: Roland Krauss

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Untitled, c. 1979

Watercolor on paper
18 x 24.4 inches 45.7 x 61.9 cm
© Maria Lassnig Foundation. Photo: Roland Krauss

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New York Steht Kopf (New York on its Head), 1980

Watercolor on paper
16.5 x 23.5 inches 42 x 59.6 cm
© Maria Lassnig Foundation. Photo: Roland Krauss

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Chelsea Hotel Window, c. 1979

Watercolor, pencil on paper
14 x 11 inches 35.5 x 28 cm
© Maria Lassnig Foundation. Photo: Roland Krauss

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Untitled, ca. 1990–1999

Watercolor and pencil on paper
27.4 x 19.7 inches 69.7 x 50.1 cm

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Untitled, ca. 1995–2009

Acrylic and pencil on paper
24.1 x 33.9 inches 61.1 x 86 cm

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Hellgrünes Selbst / Bedrücktes Selbst /Malflussselbstportrait (Light-Green Self / Sad Self /Self - Portrait in Paint Flow), 1996

Oil on canvas
100.3 x 83 x 2 cm / 39 1/2 x 32 5/8 x 3/4 in
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth

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Januskopf / Tag- und Nachtgedanken (Janus Head /Daytime and Nighttime Thoughts), 1987

Oil on canvas
114.5 x 100.5 x 2.5 cm / 45 1/8 x 39 5/8 x 1 in
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth. Photo: Roland Krauss

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Motorrad im Wald / Motorradfahrer (Motorcycle in the Forest / Motorcyclist), 1987

Oil on canvas
205 x 140 x 2.3 cm / 80 3/4 x 55 1/8 x 7/8 in
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth

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Untitled, ca. 1990-1999

Pencil, watercolour, acrylic on paper
50 x 70 cm / 19 5/8 x 27 1/2 in
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth. Photo: Jon Etter

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Untitled, 2005

Pencil, watercolour, acrylic on paper
49.8 x 69.7 cm / 19 5/8 x 27 1/2 in
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth. Photo: Jon Etter

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Tuet Einkehr in der Wüste (Withdrawal in the Desert), 1980

Pencil, watercolour on paper
42 x 59.8 cm / 16 1/2 x 23 1/2 in
© Maria Lassnig Foundation. Courtesy the Foundation and Hauser & Wirth. Photo: Jon Etter

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Mark Bradford

Frostbite, 2019

Mixed media on canvas
337.8 x 586.7 cm / 133 x 231 in
© Mark Bradford. Courtesy the artist and Hauser & Wirth. Photo: Joshua White

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Any threat depends on proper behavior, 2019

Mixed media on canvas
182.9 x 244.4 cm / 72 x 96 1/4 in
© Mark Bradford. Courtesy the artist and Hauser & Wirth. Photo: Joshua White

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A five thousand year old laugh, 2019

Mixed media on canvas
182.9 x 243.8 cm / 72 x 96 in
© Mark Bradford. Courtesy the artist and Hauser & Wirth. Photo: Joshua White

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The path to the river belongs to animals, 2019

Mixed media on canvas
168.9 x 228.9 cm / 66 1/2 x 90 1/8 in
© Mark Bradford. Courtesy the artist and Hauser & Wirth. Photo: Joshua White

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Dancing in the Street, 2019

Video
2 mins, 50 sec
© Mark Bradford. Courtesy the artist and Hauser & Wirth

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Gatekeeper, 2019

Mixed media on canvas
353.1 x 571.5 cm / 139 x 225 in
© Mark Bradford. Courtesy the artist and Hauser & Wirth. Photo: Joshua White

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Sapphire Blue, 2019

Mixed media on canvas
339.1 x 584.2 cm / 133 1/2 x 230 in
© Mark Bradford. Courtesy the artist and Hauser & Wirth. Photo: Joshua White

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Dancing in the Street, 2019

Video
2 mins, 50 sec
Installation view, ‘Mark Bradford: End Papers,’ Modern Art Museum of Fort Worth, Fort Worth TX, 2020 – 2021  © Mark Bradford. Courtesy the artist and Hauser & Wirth. Photo: Kevin Todora 

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Mary Heilmann

Two Spot Charm, 1995

Oil on canvas
58 x 39 x 1 1/4 inches (147.3 x 99.1 x 3.2 cm)
© Mary Heilmann, courtesy of 303 Gallery, New York

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The Red Screen, 1995

Oil on white grounded paper
107 x 76 cm / 42 1/8 x 29 7/8 in
© Mary Heilmann. Courtesy the artist, Hauser & Wirth and 303 Gallery, New York

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No Passing, 2011

Oil on canvas
101.6 x 127 x 3.8 cm / 40 x 50 x 1 1/2 in
© Mary Heilmann. Courtesy the artist, Hauser & Wirth and 303 Gallery, New York

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Clear Day, 2020

Acrylic on canvas
9 x 12 inches (22.9 x 30.5 cm)
Signed, titled, dated verso

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Driving at Night, 2016

Acrylic on canvas
35.6 x 61 cm / 14 x 24 inches
© Mary Heilmann. Courtesy the artist, Hauser & Wirth and 303 Gallery, New York. Photo: Christopher Burke

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Montauk, 2020

Acrylic on canvas
61.6 x 121.9 x 4.1 cm / 24 1/4 x 48 x 1 5/8 inches
© Mary Heilmann. Courtesy the artist, Hauser & Wirth and 303 Gallery, New York. Photo: Thomas Barratt

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Clubchair 59, 2008

Painted wood, polypropylene webbing
86.4 x 64.1 x 67.3 cm / 34 x 25 1/4 x 26 1/2 inches
© Mary Heilmann. Courtesy the artist, Hauser & Wirth and 303 Gallery, New York

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Our Lady of the Flowers, 1989

Oil on canvas
198.5 x 147.4 x 4 cm / 78 1/8 x 58 x 1 5/8 inches
© Mary Heilmann. Courtesy the artist, Hauser & Wirth and 303 Gallery, New York. Photo: Thomas Barratt

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Chemical Billy, 2000

Oil on canvas
152 x 123 x 4 cm / 59 7/8 x 48 3/8 x 1 5/8 in
© Mary Heilmann. Courtesy the artist, Hauser & Wirth and 303 Gallery, New York

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Six, 2018

Acrylic on canvas
61 x 45.7 x 3.8 cm / 24 x 18 x 1 1/2 in
© Mary Heilmann Courtesy the artist, Hauser & Wirth and 303 Gallery, New York Photo: Dan Bradica

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Matthew Day Jackson

Den Porthole #1
, 2020 


Acrylic, urethane plastic, fiberglass, resin, wood, mixed media on wood panel
57.75 in x 61 in x 2 in 

© Matthew Day Jackson. Courtesy the artist and Hauser & Wirth. Photo: Stefan Altenburger Zurich

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Den Porthole #3, 
2020 


Acrylic, urethane plastic, fiberglass, resin, wood, mixed media on wood panel
64.875 in x 92.75 in x 2 in 

© Matthew Day Jackson. Courtesy the artist and Hauser & Wirth. Photo: Stefan Altenburger Zurich

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Bouquet and Picnic (Bull Run) [B63], 2020

Formica, silkscreen, oil paint, acrylic, urethane plastic, fiberglass, lead on panel, stainless steel frame
211.5 x 246.7 x 5.5 cm / 83 1/4 x 97 1/8 x 2 1/8 in
© Matthew Day Jackson. Courtesy the artist and Hauser & Wirth. Photo: Stefan Altenburger Zurich

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Den Porthole 5 [Gemini 2], 2020

Acrylic, urethane plastic, fiberglass, resin, wood, mixed media on wood panel
153 x 254.6 x 5.1 cm / 60 1/4 x 100 1/4 x 2 in
© Matthew Day Jackson. Courtesy the artist and Hauser & Wirth. Photo: Stefan Altenburger Zurich

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Bouquet of Flowers (Strasbourg) [B60], 2020

Formica, silkscreen, oil paint, acrylic, urethane plastic, fiberglass, lead on panel, stainless steel frame
211.5 x 153 x 5.5 cm / 83 1/4 x 60 1/4 x 2 1/8 in
© Matthew Day Jackson. Courtesy the artist and Hauser & Wirth. Photo: Stefan Altenburger Zurich

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Still life with Flowers in a Sculpted Vase (B50), 2020

Formica, silkscreen, oil paint, acrylic, urethane plastic, fiberglass, lead on panel, stainless steel frame
211.5 x 153 x 5.1 cm / 83 1/4 x 60 1/4 x 2 in
© Matthew Day Jackson. Courtesy the artist and Hauser & Wirth. Photo: Stefan Altenburger Zurich

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Letterhead Drawing #21, 2020

Pen, pencil on paper
28 x 21.6 cm / 11 x 8 1/2 in
© Matthew Day Jackson. Courtesy the artist and Hauser & Wirth. Photo: Stefan Altenburger Zurich

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Letterhead drawing #44, 2020

Conte crayon, pen, color pencil, MSA on paper
27.9 x 21.6 cm / 11 x 8 1/2 in
© Matthew Day Jackson. Courtesy the artist and Hauser & Wirth. Photo: Stefan Altenburger Zurich

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Letterhead drawing #51, 2020

Pen, color pencil, MSA on paper
27.9 x 21.6 cm / 11 x 8 1/2 in
© Matthew Day Jackson. Courtesy the artist and Hauser & Wirth. Photo: Stefan Altenburger Zurich

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Letterhead drawing #94, 2020

Spray, watercolor, pen, color pencil, pencil, MSA on paper
27.9 x 21.6 cm / 11 x 8 1/2 inches
© Matthew Day Jackson. Courtesy the artist and Hauser & Wirth. Photo: Stefan Altenburger Zurich

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Monika Sosnowska

Gate, 2019

© the artist. Courtesy Capitain Petzel, Berlin

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Paul McCarthy

A&E, EXXA, Santa Anita session, 2020

Charcoal, pastel, and collage on paper
257.8 x 203.2 cm / 101 1/2 x 80 in
© Paul McCarthy. Courtesy the artist and Hauser & Wirth

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A&E, EVADOOLF EVA, Santa Anita session, 2020

Charcoal, pastel, mixed media, and collage on paper
264.8 x 199.4 cm / 104 1/4 x 78 1/2 in
© Paul McCarthy. Courtesy the artist and Hauser & Wirth. Photo: Fredrik Nilsen

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A&E Cat Tower, Santa Anita, 2019

Acrylic paint, collaged paper, and cat tree on canvas panel
304.8 x 213.4 x 152.4 cm / 120 x 84 x 60 in
© Paul McCarthy. Courtesy the artist and Hauser & Wirth. Photo: Fredrik Nilsen

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A&E Vertical Horizontal, Tehachapi, 2019

Acrylic paint, dirt, sticks, pine straw, brush on panel
243.8 x 182.9 x 5.7 cm / 96 x 72 x 2 1/4 in
© Paul McCarthy. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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A&E EVE ADOLF MOTHER EATACHITT, Tehachapi, 2019

Acrylic paint on panel
243.8 x 182.9 x 4.4 cm / 96 x 72 x 1 3/4 in
© Paul McCarthy. Courtesy the artist and Hauser & Wirth. Photo: Fredrik Nilsen 

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Phyllida Barlow

untitled: standup, 5, 2016

Bonding, cardboard, fabric, PVA, paint, paper, plaster, plywood, polycotton, polyurethane board, spray paint
54 x 29 x 29 cm / 21 1/4 x 11 3/8 x 11 3/8 in
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth. Photo: Alex Delfa

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untitled: pointerbreasts; 2020 (object for a cabinet drawer) lockdown 13, 2020

Polystyrene, plaster, sand, plywood, PVA
100 x 46 x 59.5 cm / 39 3/8 x 18 1/8 x 23 3/8 in
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth

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untitled: holebreasts; 2020 lockdown 12, 2020

Polystyrene, plaster, sand, plywood, PVA
97.6 x 44 x 60.7 cm / 38 3/8 x 17 3/8 x 23 7/8 in
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth

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untitled: badplace; 2020 lockdown 4, 2020

Plywood, wire netting, PV foam, scrim, PVA, plaster cement, paint, steel
172.3 x 82 x 75.5 cm / 67 7/8 x 32 1/4 x 29 3/4 in
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth

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untitled: redfleshtowers; 2020 lockdown 7, 2020

Plywood, plaster, scrim, paint, PVA, steel
166.1 x 52.1 x 52.1 cm / 65 3/8 x 20 1/2 x 20 1/2 in
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth

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untitled: pinkholder; 2020 lockdown 15, 2020

Plywood, plaster, PVA, sand, scrim, cement, paint, steel, fabric
173 x 35 x 31 cm / 68 1/8 x 13 3/4 x 12 1/4 in
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth

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untitled: knuckle; 2020 lockdown 2, 2020

Aluminium armature, plaster, cement, scrim, polystyrene, paint
18 x 17.5 x 15 cm / 7 1/8 x 6 7/8 x 5 7/8 in
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth

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untitled: foldedpointer; 2020 lockdown 10, 2020

Plywood, plaster, scrim, paint, PVA, steel
168 x 55 x 45 cm / 66 1/8 x 21 5/8 x 17 3/4 in
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth

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untitled: yellowsign; 2020 lockdown 16, 2020

Plywood, plaster, scrim, fabric, paint, PVA, steel
185 x 50 x 40 cm / 72 7/8 x 19 5/8 x 15 3/4 in
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth

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untitled: brink; 2020, 2020

Canvas, cement, bonding plaster, PVA, paint, plaster, plywood, polystyrene, polyurethane foam, spray paint, steel
198 x 76 x 50 cm / 78 x 29 7/8 x 19 5/8 in
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth

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untitled: memorialplace; 2020 lockdown 5d, 2020

Plywood, plaster, bonding plaster, cement, steel
156 x 61.5 x 59.5 cm / 61 3/8 x 24 1/4 x 23 3/8 in
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth

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untitled: smallmodernart, 8; 2020 lockdown 8, 2020

Plywood, adhesive, plaster, paint, PVA, steel
22.5 x 29 x 25 cm / 8 7/8 x 11 3/8 x 9 7/8 in
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth

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untitled: smallmodernart, 9; 2020 lockdown 9, 2020

Plywood, adhesive, plaster, paint, PVA, steel
23.5 x 28 x 22 cm / 9 1/4 x 11 x 8 5/8 in
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth

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untitled: underpass; 2020, 2020

Acrylic on watercolour paper
31 x 40.8 cm / 12 1/4 x 16 1/8 in
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth

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untitled: ceremonial monument; 2020, 2020

Acrylic on watercolour paper
31 x 40.9 cm / 12 1/4 x 16 1/8 in
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth

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untitled: broken holder; 2020, 2020

Acrylic on watercolour paper
31 x 41 cm / 12 1/4 x 16 1/8 in
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth

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untitled: shadowobject; 2020, 2020

Acrylic on watercolour paper
31 x 41 cm / 12 1/4 x 16 1/8 in
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth

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untitled: sodiumlit street object; 2020, 8, 2020

Acrylic on watercolour paper
20.7 x 29.7 cm / 8 1/8 x 11 3/4 inches (30.3 x 38.3 x 4.5 cm / 11 7/8 x 15 1/8 x 1 3/4 in framed)
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth

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untitled: sodiumlit street object; 2020, 5, 2020

Acrylic on watercolour paper
20.8 x 29.7 cm / 8 1/4 x 11 3/4 in
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth

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Zurich drawings 12, 2016

Acrylic on watercolour paper
41.5 x 48.4 cm / 16 3/8 x 19 in
© Phyllida Barlow. Courtesy the artist and Hauser & Wirth. Photo: Todd-White Art Photography

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Untitled: GIG, 2014

Fabric, paper, cord
60 x 60 x 60 cm / 23 5/8 x 23 5/8 x 23 5/8 in
© Phyllida Barlow Courtesy the artist and Hauser & Wirth Photo: Alex Delfanne

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Pipilotti Rist

Untitled 9, 2009

Colour print on fir wood panel, glued relief
67.5 x 120 x 3 cm / 26 5/8 x 47 1/4 x 1 1/8 in
© Pipilotti Rist. 
Courtesy the artist, Hauser & Wirth and Luhring Augustine. Photo: Barbora Gerny

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Wohnzimmerdisco ohne Angst (Living Room Disco without Fear), 2009

Installation for a living room; light projections, carpet, curtain
Dimensions variable
© Pipilotti Rist Courtesy the artist and Hauser & Wirth Photo: Stefan Altenburger Photography Zürich

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Rashid Johnson

The Broken Five, 2019

Ceramic tile, mirror tile, spray enamel, bronze, oil stick, black soap, wax
246.4 x 398.1 x 7.6 cm / 97 x 156 3/4 x 3 in left: H.98 W.74 D.3 in right: H.98 W.86 D.3 in
© Rashid Johnson. Courtesy the artist and Hauser & Wirth. Photo: Martin Parsekian

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Standing Broken Men, 2019

Ceramic tile, mirror tile, branded red oak flooring, spray enamel, oil stick, black soap, wax
240.7 x 188.6 x 7.6 cm / 94 3/4 x 74 1/4 x 3 in
© Rashid Johnson. Courtesy the artist and Hauser & Wirth. Photo: Martin Parsekian

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Untitled Broken Crowd, 2019

Ceramic tile, mirror tile, spray enamel, bronze, oil stick, branded red oak flooring, black soap, wax
240 x 326.4 x 7.6 cm / 94 1/2 x 128 1/2 x 3 in left: H.96 W.66 D.3 in right: H.96 W.66 D.3 in
© Rashid Johnson. Courtesy the artist and Hauser & Wirth. Photo: Martin Parsekian

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Portrait of a Broken Man, 2019

Ceramic tile, mirror tile, spray enamel, bronze, oil stick, branded red oak flooring, black soap, wax
186.1 x 121.9 x 7.6 cm / 73 1/4 x 48 x 3 in
© Rashid Johnson. Courtesy the artist and Hauser & Wirth. Photo: Martin Parsekian

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Untitled Broken Men, 2019

Ceramic tile, mirror tile, spray enamel, oil stick, black soap, wax
127 x 96.5 x 7.6 cm / 50 x 38 x 3 in
© Rashid Johnson. Courtesy the artist and Hauser & Wirth. Photo: Martin Parsekian

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Untitled Escape Collage, 2019

Ceramic tile, mirror tile, branded red oak flooring, vinyl, spray enamel, oil stick, black soap, wax
246.4 x 307.3 x 6.4 cm / 97 x 121 x 2 1/2 in
© Rashid Johnson. Courtesy the artist and Hauser & Wirth. Photo: Martin Parsekian

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Two Standing Broken Men, 2019

Ceramic tile, mirror tile, spray enamel, bronze, oil stick, branded red oak flooring, black soap, wax
243.2 x 182.6 x 7.6 cm / 95 3/4 x 71 7/8 x 3 in
© Rashid Johnson. Courtesy the artist and Hauser & Wirth. Photo: Martin Parsekian

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The Hikers (still), 2019

16mm film transferred to digital with sound
Dimensions variable, 7 minutes 4 seconds
© Rashid Johnson. Courtesy the artist and Hauser & Wirth

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Jellyfish, 2011

White ceramic tile, black soap, wax and paint
73 x 47 1/2 x 1 3/4inches
Signed en verso

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Broken Crowd, 2020

Ceramic tile, mirror tile, spray enamel, oil stick, black soap, wax
240.7 x 403.9 x 3 cm
© Rashid Johnson. Courtesy the artist and Hauser & Wirth . Photo: Martin Parsekian

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Broken Crowd, 2020

Ceramic tile, mirror tile, spray enamel, oil stick, black soap, wax
294.6 x 491.5 x 7.6 cm
© Rashid Johnson. Courtesy the artist and Hauser & Wirth . Photo: Martin Parsekian

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The Broken Five
, 2020


Ceramic tile, mirror tile, spray enamel, oil stick, black soap, wax

250.2 x 430.5 cm
© Rashid Johnson. Courtesy the artist and Hauser & Wirth . Photo: Martin Parsekian

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Anxious Red Painting August 20th
, 2020


Oil on linen

239.1 x 305.1 x 5.1 cm
© Rashid Johnson. Courtesy the artist and Hauser & Wirth . Photo: Martin Parsekian

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Anxious Red Painting August 13th
, 2020


Oil on linen

239.1 x 305.1 x 5.1 cm
© Rashid Johnson. Courtesy the artist and Hauser & Wirth . Photo: Martin Parsekian

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Anxious Red Painting August 6th
, 2020


Oil on linen

239.1 x 305.1 x 5.1 cm
© Rashid Johnson. Courtesy the artist and Hauser & Wirth . Photo: Martin Parsekian

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Richard Jackson

STUNGUN, 2020

Neon
30.5 x 86.4 x 10.2 cm / 12 x 34 x 4 in
© Richard Jackson. Courtesy the artist and Hauser & Wirth. Photo: Jeff McLane

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Rita Ackermann

Mama, for the Left Hand, 2019

Oil, acrylic and grease pencil on canvas
228.6 x 198.1 cm / 90 x 78 in
© Rita Ackermann. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Mama, Painting for Mars, 2019

Oil, pigment, acrylic and grease pencil on canvas
190.5 x 165.1 cm / 75 x 65 in
© Rita Ackermann. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Mama, Memory Spinner, 2019

Oil, acrylic, pigment, and china marker on canvas
190.5 x 198.1 cm / 75 x 78 in
© Rita Ackermann. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Mama, Jewish Meditation, 2019

Oil, acrylic, pigment, china marker, and pastel on canvas
162.6 x 162.6 cm / 64 x 64 in
© Rita Ackermann. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Mama, Turner, 2019

Oil, acrylic, and china marker on linen
195.6 x 165.1 cm / 77 x 65 in
© Rita Ackermann. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Mama, War Wall, 2019

Oil, china marker, and pigment on canvas
193 x 188 cm / 76 x 74 in
© Rita Ackermann. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Mama, Morty Smoking, 2019

Oil, pigment, acrylic, china marker, and graphite on canvas
223.5 x 198.1 cm / 88 x 78 in
© Rita Ackermann. Courtesy the artist and Hauser & Wirth. Photo: Thomas Barratt

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Mama Study 8, 2020

Oil and China marker on paper
55.9 x 76.2 cm / 22 x 30 in
© Rita Ackermann. Courtesy the artist and Hauser & Wirth. Photo: Jon Etter

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Mama, Kokoshka’s Hand, 2020

Oil, acrylic, pigment, pastel and china marker on canvas
193 x 188 cm / 76 x 74 in
© Rita Ackermann. Courtesy the artist and Hauser & Wirth. Photo: Jon Etter

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Mama, The Best Is Always Yet to Come, 2020

Oil, pigment, acrylic, china marker and oil crayon on canvas
190.5 x 165.1 cm / 75 x 65 in
© Rita Ackermann. Courtesy the artist and Hauser & Wirth. Photo: Jon Etter

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Mama, Backwards 7, 2020

Oil, acrylic and china marker on canvas
190.5 x 165.1 cm / 75 x 65 in
© Rita Ackermann. Courtesy the artist and Hauser & Wirth. Photo: Jon Etter

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