Fascinated with the malleable nature of materials, and the architectural historical practice of spolia - the appropriation of materials into new forms - as a potent counter force to inherited personal and cultural determinism, Sarah Entwistle’s broader project is a continued dialogue and dismantling of the archive of her late grandfather and fellow architect, Clive Entwistle [1916-1976], whom she never met.
Entwistle trained as an architect, at The Bartlett, UCL and Architectural Association, London. In 2019 she received the main prize for Mostyn21, Mostyn Gallery and in 2017 was the recipient of the Artists’ International Development Fund, Arts Council England. In 2014 she received the Foundation Le Corbusier Grant for Visual Artists and in 2015 presented a solo exhibition, He was my father and I an atom, destined to grow into him, at the Fondation Le Corbusier, Paris. The exhibition coincided with the publication of her experimental biography, Please send this book to my mother, Sternberg Press, 2015, published with the support of The Graham foundation for the advanced studies in fine art, Chicago.
In 2020 Sarah Entwistle presented a solo-show on the gallery’s online platform New Viewings curated by Alfredo Cramerotti, together with Paul Kumiet.
The artist’s first solo exhibition at the gallery, The Knots of Tender Love are Firmly Tied, is planned for June 2021, coinciding with the publication of her new monograph entitled Junk Own, published by Distanz, Berlin.